नवमबर 2026 में अपडेट किया गया · हमारे लोकप्रियता स्कोर (प्रत्येक कृति के लिए खोज, विज़िट और ऑर्डर) के आधार पर रैंक किया गया · 21 कृतियाँ Bernice Cross की हमारे कैटलॉग में
संक्षेप में
गैलरी की दृष्टि में, Bernice Cross की सबसे प्रसिद्ध पेंटिंग Black Pitcher (1944) है, जिसका मूल The Phillips Collection, वाशिंगटन डी.सी. में लगा हुआ है। Melon Vendor (1934) और Sancho Panza (1938) उस त्रयी को पूरा करते हैं जिसे हर कोई पहचानता है। हमारे कैटलॉग में Bernice Cross की 21 कृतियों में से, गैलरी नीचे सबसे प्रसिद्ध 21 कृतियाँ प्रस्तुत करती है, जिनमें से प्रत्येक मूल है और उनके वर्ष, उनके संग्रहालय और उनकी विशिष्टता का विवरण दिया गया है।
A young woman sits in a moment of quiet reflection, her features softened by diffused light. The composition centers on her face, framed by the saturated crimson of an umbrella that rises behind her like a sudden bloom of color. Earthy tones of terracotta, ochre, and cream define the palette, creating a warm atmosphere that contrasts sharply with the dark, shadowy blacks of her hat's plumage. The perspective remains at…
In this oil on canvas work titled Melon Vendor, the artist Bernice Cross presents a scene from approximately 1934. The painting captures a specific moment within a cityscape, focusing on a street setting where the architecture appears domestic in nature. It is a composition centered on a figure group, specifically depicting an African American fruit seller engaged in their daily occupation.
The oil on canvas titled Circus People Resting is a work by Bernice Cross. This piece was created ca. 1933-1943. It measures 24 x 177–8in. (61.0 x 45.5 cm.).
Pansies1936 · The Phillips Collection
12
ShowerThe Phillips Collection
13
Land of Cotton1938 · The Phillips Collection
14
Georgetown Corner in the Rain1934 · स्मिथसोनियन अमेरिकन आर्ट म्यूजियम
15
Strawberry Basket1943 · The Phillips Collection
16
Pink Lemonade1941 · The Phillips Collection
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The Little Dove's Stove1940 · The Phillips Collection
18
Pansies and Pitcher1948 · The Phillips Collection
19
Winter Light1951 · The Phillips Collection
20
Royal Figure1953 · The Phillips Collection
21
Key Rack1949 · The Phillips Collection
इन मूल कृतियों में बार-बार आने वाले चार विषय, जिनमें से प्रत्येक का सबसे उत्कृष्ट उदाहरण यहाँ प्रस्तुत है।
वे 2 संग्रहालय जिनमें इस पृष्ठ की सर्वाधिक पेंटिंग्स मौजूद हैं।
| संग्रहालय | शहर | Bernice Cross की कृतियाँ | इस सूची की पेंटिंग्स |
|---|---|---|---|
 The Phillips Collection |
वाशिंगटन डी.सी. | 18 | Black Pitcher, Sancho Panza, Seaside |
 स्मिथसोनियन अमेरिकन आर्ट म्यूजियम |
वॉशिंगटन डी.सी. | 3 | Melon Vendor, Circus People Resting, Georgetown Corner in the Rain |
उस दशक को चुनें जो उसकी पहचान है और उसकी मूल कृतियाँ देखें।
In this oil on canvas work titled Melon Vendor, the artist Bernice Cross presents a scene from approximately 1934. The painting captures a specific moment within a cityscape, focusing on a street setting where the architecture appears domestic in nature. It is a composition centered on a figure group, specifically depicting an African American fruit seller engaged in their daily occupation.
A young woman sits in a moment of quiet reflection, her features softened by diffused light. The composition centers on her face, framed by the saturated crimson of an umbrella that rises behind her like a sudden bloom of color. Earthy tones of terracotta, ochre, and cream define the palette, creating a warm atmosphere that contrasts sharply with the dark, shadowy blacks of her hat's plumage. The perspective remains at…
Black Pitcher (1944), The Phillips Collection, वाशिंगटन डी.सी.. इसके बाद Melon Vendor (1934) और Sancho Panza (1938) आते हैं।
32 वर्ष की आयु: Black Pitcher 1944 का है, और Bernice Cross का जन्म 1912 में हुआ था।
Black Pitcher, Melon Vendor, Sancho Panza, Seaside, Paul Revere, Li Po, Stute Fish, Stone Angel, Ancestress और Circus People Resting। ऊपर दी गई रैंकिंग में प्रत्येक का वर्ष और संग्रहालय दिया गया है।
हमारे कैटलॉग में Bernice Cross की 21 कृतियाँ हैं, जो 1934 से 1953 तक की हैं।
अधिकतर The Phillips Collection (वाशिंगटन डी.सी.) और स्मिथसोनियन अमेरिकन आर्ट म्यूजियम (वॉशिंगटन डी.सी.) में। ऊपर दी गई संग्रहालय तालिका में उन सभी की सूची दी गई है।
1940s में: इस पृष्ठ पर मौजूद 21 कृतियों में से 9 उस समय बनाई गई थीं, जिनमें से Black Pitcher इनमें से हैं।
इस पृष्ठ पर, सबसे पुरानी कृति Melon Vendor (1934) है और नवीनतम Royal Figure (1953) है।
इस पृष्ठ पर 21 कृतियों में Woman (2) और Wood grain (2)
इस पृष्ठ पर मौजूद 21 कृतियों में से 3 के लिए Oil On Canvas।
Black Pitcher, Sancho Panza और Seaside: The Phillips Collection, वाशिंगटन डी.सी. में इस पृष्ठ पर मौजूद कृतियों में से 18 मौजूद हैं।
Bernice Cross was an American painter and artist born in Iowa City, United States. Throughout a professional career spanning five decades, she developed a style characterized by a sense of fantasy, humor, and a deceptive simplicity. Her work often balanced realism with abstraction, frequently employing a youthful, whimsical spirit that appeared childlike yet remained sophisticated in its composition and use of color. Her subject matter included genre paintings of circus people, characters from fairy tales, still lifes of flower arrangements, and portraits. In her later years, her portraits often took on a dark, almost monochrome quality, depicting figures within dreamlike, grey environments.
Technically, Cross was an adventurous experimentalist. She explored various surface textures, sometimes leaving parts of the canvas bare or building up layers of pigment with a brush and knife, occasionally adding mica or sand to her works. In one notable instance, she departed from traditional canvas or board to create a painting on velvet. Her ability to organize elements and utilize color contrasts allowed her to create an integrated whole, maintaining a recognizable signature throughout her evolving body of work.
Cross was an active participant in the Washington, D.C. art scene, exhibiting her work in numerous solo and group shows at venues such as the Phillips Gallery, the Corcoran Gallery, and the Whyte Gallery. Her work has been featured in collections including the Smithsonian American Art Museum and the Phillips Collection. Beyond her own practice, she was a dedicated art instructor. She taught at several institutions, including the Phillips Art School, the Washington Workshop Art Center, and the YMCA of Washington, D.C., and she also provided instruction at Hood College and American University.
