En bref
Parmi toutes les œuvres originales laissées par Lev Lagorio, la plus célèbre est On the island of Capri. Fisher's house. (1859). Juste après, on retrouve Sevastopol aqueduct in the gully Ushakovskaya (1850) et The Russian Painter And The Aquarellist. Notre catalogue comprend 60 œuvres de Lev Lagorio ; la galerie a conservé les 56 que le monde admire le plus, chacune présentée avec sa date, son musée et son histoire.
Les 10 plus belles peintures de Lev Lagorio : la sélection de la galerie
La sélection de Lev Lagorio se poursuit, de 11 à 56
Les peintures célèbres de Lev Lagorio, période par période
19th Century
1887 · 3 œuvres dans cette listeMature Period
5 œuvres dans cette listeLes sujets qui ont captivé Lev Lagorio
Les quatre thèmes qui reviennent le plus souvent dans ces œuvres originales, chacun illustré par son plus bel exemple.
Boats 12 œuvres
Beach 12 œuvres
Scenes 11 œuvres
Mountains 11 œuvres
Les musées qui conservent les œuvres originales de Lev Lagorio
Le musée qui détient le plus grand nombre de peintures figurant sur cette page.
| Musées | Ville | Œuvres de Lev Lagorio | Peintures de cette liste |
|---|---|---|---|
| Ekaterinbourg | 2 | The Shipka Pass, Seascape |
Lev Lagorio décennie par décennie : l'original qui définit chacune d'elles
Œuvres par décennie
Choisissez une décennie pour découvrir l'œuvre originale qui la définit.
Questions des collectionneurs sur les peintures de Lev Lagorio
Quelle est l'œuvre la plus célèbre de Lev Lagorio ?Révéler la réponse
On the island of Capri. Fisher's house. (1859). Sevastopol aqueduct in the gully Ushakovskaya (1850) et The Russian Painter And The Aquarellist suivent.
Quel âge avait Lev Lagorio lors de la création de On the island of Capri. Fisher's house. ?Révéler la réponse
32 ans : On the island of Capri. Fisher's house. date de 1859, et Lev Lagorio est né(e) en 1827.
Quelles sont les dix peintures les plus célèbres de Lev Lagorio ?Révéler la réponse
On the island of Capri. Fisher's house., Sevastopol aqueduct in the gully Ushakovskaya, The Russian Painter And The Aquarellist, Transportation of Ice, View of Lakhta near St. Petersburg, Mountain lake, Normandy Beach, View of the Neva and Peter and Paul Fortress, On the island of Capri. Coastal cliffs. et Southern landscape. Le classement ci-dessus indique l'année et le musée de chacun.
Combien de peintures Lev Lagorio a-t-il laissées ?Révéler la réponse
Notre catalogue comprend 60 œuvres de Lev Lagorio, datées de 1849 à 1902.
Dans quels musées sont exposés les chefs-d'œuvre de Lev Lagorio ?Révéler la réponse
Principalement dans Musée des Beaux-Arts d’Ekaterinbourg (Ekaterinbourg). Le tableau des musées ci-dessus les répertorie tous.
Dur quelles années Lev Lagorio a-t-il peint ses œuvres les plus célèbres ?Révéler la réponse
En 1850s : 7 des 56 œuvres de cette page ont été créées à cette époque, dont On the island of Capri. Fisher's house..
Quelles sont les premières et les dernières œuvres originales célèbres de Lev Lagorio ?Révéler la réponse
Sur cette page, la plus ancienne date de Transportation of Ice (1849) et la plus récente de Salute September 26, 1902 (1902).
Quels sujets Lev Lagorio a-t-il le plus souvent choisis ?Révéler la réponse
Boats (12), Beach (12) et Scenes (11), à travers les 56 œuvres de cette page.
À quel mouvement artistique appartient Lev Lagorio ?Révéler la réponse
Romanticism, à en juger par les originaux de cette page.
Quelles œuvres de Lev Lagorio sont exposées au Musée des Beaux-Arts d’Ekaterinbourg ?Révéler la réponse
The Shipka Pass et Seascape : le Musée des Beaux-Arts d’Ekaterinbourg, Ekaterinbourg détient 2 des œuvres de cette page.
Lev Lagorio : vie et œuvre
Lev Felixovich Lagorio: A Master of the Russian Seas
Lev Felixovich Lagorio (1827-1905) stands as a pivotal figure in 19th-century Russian landscape painting, particularly renowned for his evocative depictions of the Black Sea and its surrounding regions. Born in Feodosia, Crimea, a city steeped in maritime history and natural beauty, Lagorio’s artistic journey was inextricably linked to the sea – both as subject and as formative influence. His work transcends mere representation; it captures the soul of the coastline, imbued with a palpable sense of atmosphere, light, and movement.
Lagorio's early life in Feodosia provided him with an unparalleled opportunity to immerse himself in the maritime world. The city’s strategic location as a naval base and trading port exposed him to a constant flow of ships, sailors, and stories from distant lands. This intimate connection to the sea profoundly shaped his artistic vision. He initially studied under Ivan Aivazovsky, arguably Russia's most celebrated marine painter, absorbing the master’s techniques of capturing light on water and conveying the drama of the open ocean. However, Lagorio quickly developed a distinct style, characterized by a softer, more atmospheric approach than Aivazovsky’s often highly detailed realism.
A Journey Through Europe and Italy
Following his studies in St. Petersburg, where he honed his skills at the Imperial Academy of Arts, Lagorio embarked on an extended sojourn through Europe, culminating in a significant period spent in Italy between 1845 and 1853. This experience proved transformative, exposing him to different artistic traditions and broadening his palette. He studied with various masters, absorbing influences from the Barbizon School’s emphasis on plein air painting and the Romantic movement's fascination with nature. It was during this time that he developed a distinctive style – characterized by loose brushwork, subtle color harmonies, and an ability to capture the fleeting effects of light and weather.
Italy provided him with new subjects as well: scenes from the Mediterranean coast, capturing the rugged beauty of the coastline and the vibrant colors of the local flora and fauna. These Italian works demonstrated a shift in his artistic focus towards landscapes rather than strictly maritime scenes, though the influence of the sea remained ever-present.
Thematic Focus and Artistic Style
Lagorio’s oeuvre is predominantly defined by his depictions of coastal landscapes – the Crimean coastline, the Black Sea, the Caucasus Mountains, and even glimpses of Finland and Norway. He rarely depicted ships directly, preferring to focus on the interaction between land and sea, capturing the mood and atmosphere of these environments rather than precise nautical details. His paintings are characterized by a masterful use of color—often employing muted tones and subtle gradations to create a sense of depth and atmospheric perspective. He skillfully rendered the effects of light on water, mist, and foliage, imbuing his scenes with a remarkable sense of realism and emotional resonance.
His technique involved layering thin washes of paint to build up color gradually, creating luminous surfaces that shimmered in the light. He was particularly adept at capturing the subtle shifts in mood—the calm serenity of a misty morning, the dramatic intensity of a storm-tossed sea, or the golden glow of sunset reflecting on the water.
Key Works and Legacy
Among Lagorio’s most celebrated works are “In The Gulf Of Finland,” a serene depiction of maritime life; "Mountain Landscape," showcasing his ability to capture vast vistas; and several evocative scenes from Sevastopol, including “Sevastopol aqueduct in the gully Ushakovskaya.” These paintings exemplify his mastery of capturing atmospheric effects and conveying a sense of place. His work is held in prestigious collections, notably the State Tretyakov Gallery in Moscow, ensuring that his artistic legacy continues to be appreciated by generations of art enthusiasts.
Lev Felixovich Lagorio’s contribution to Russian landscape painting lies not only in his technical skill but also in his ability to evoke a profound emotional response through his depictions of the natural world. He remains an important figure, demonstrating how observation and artistic sensitivity can combine to create works that are both visually stunning and deeply moving.












