Text size

() ·

A painting made for you, by hand

Intellectual Depression

Reproduction à l'huile faite à la main

Huile sur toile peinte à la main, avec cadre et dimensions personnalisés, réalisée sur commande par nos artistes. ( Passer au format impression Passer au format numérique)

Description de la pièce

A stark black silhouette of a skeletal tree rises against a rich yellow background in this haunting 1980 work by Gilbert & George that captures themes of decay and invites you to explore its profound depth.

Biographie de l'artiste

Explore the visionary works of Sir George Gilbert Scott – renowned architect & designer of iconic structures like Liverpool Cathedral & Battersea Power Station. Discover his Gothic & modern style.

from ·

Chapter 1

How large should it be?

Slide to change the size; the picture on the left shows the frame at its real width. The proportions of the original are kept.

Format standard
sur mesure
CM
INCH

Choisissez parmi nos formats prédéfinis qui respectent les proportions originales de l’œuvre.

largeur
hauteur

Saisissez la largeur et la hauteur souhaitées, pour s'adapter à votre cadre ou à votre mur. Cette œuvre est peinte à la main ; ainsi, pour un format de forme différente, l'artiste peut peindre un peu plus autour du tableau ou réduire légèrement les bords — c'est vous qui choisissez. Nous vous envoyons une maquette numérique pour approbation avant que la peinture ne commence. L'image présentée sur cette page ne reflète pas le résultat réel — seule la maquette le fait.

Chapter 2

How should it arrive?

Choose the edges of the stretched canvas

Choose your frame

Corner sample of the WhiteWrap canvas edge finish, stretched on bois massif bars
White €1
Corner sample of the BlurSideWrap canvas edge finish, stretched on bois massif bars
Blurside €1
Corner sample of the ExtendedWrap canvas edge finish, stretched on bois massif bars
Extended €1
Corner sample of the P118B picture frame: polystyrène moulé, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: polystyrène moulé, 5 cm wide and 3 cm thick
P118H €10
Corner sample of the P118W picture frame: polystyrène moulé, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: polystyrène moulé, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: polystyrène moulé, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: polystyrène moulé, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: polystyrène moulé, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: polystyrène moulé, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: bois massif, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: bois massif, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: bois massif, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: bois massif, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: bois massif, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: bois massif, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: bois massif, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: bois massif, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: bois massif, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: bois massif, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: bois massif, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: bois massif, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: bois massif, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: bois massif, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: bois massif, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: bois massif, 6 cm wide and 3.5 cm thick
W953PJ €8
Corner sample of the H24-GOLD picture frame: bois sculpté et apprêté au gesso, 10 cm wide and 6 cm thick
H24-GOLD €30
Corner sample of the H24-SILVER picture frame: bois sculpté et apprêté au gesso, 10 cm wide and 6 cm thick
H24-SILVER €30
Corner sample of the H36-GOLD picture frame: bois sculpté et apprêté au gesso, 15 cm wide and 6.5 cm thick
H36-GOLD €45
Corner sample of the H36-SILVER picture frame: bois sculpté et apprêté au gesso, 15 cm wide and 6.5 cm thick
H36-SILVER €45
Aperçu du cadre
Sous cadre

Moulding: . Overall size with the frame: .

Chapter 3

Who paints it, and should anything change?

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, OriginalUniqueArt.com team will email client for instructions and provide a mockup preview

Livraison dans le monde entier () en 3 à 4 semaines au lieu des 5 semaines habituelles. (2 novembre). Aucun compromis sur la qualité.

Chapter 4

The finishing touches

A nameplate, as in a museum?

Détails de la plaque en bronze gravée

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Détails de la plaque en acrylique transparent

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Détails de la plaque en acrylique noir

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

A protective varnish?

When do you need it?

Chapter 5

Your painting, as you ordered it

Intellectual Depression

Technique de reproduction

Format de la reproduction

-

Artiste de prestige

Plus de détails, de finesse et un temps de production accru

-

Cadre de reproduction

-

-

Pour les œuvres ou reproductions dont un côté mesure plus de 105 cm (environ 41 pouces), le cadre sera expédié sous forme de kit démonté. Cette méthode garantit une livraison sécurisée et prévient tout dommage pendant le transport.

Assemblage professionnel requis - ce produit n'est pas destiné au bricolage (DIY).
Le kit doit être assemblé et la toile tendue par un encadreur professionnel expérimenté, en utilisant de la colle à bois (non fournie), une pince à tendre la toile et des serre-joints pour maintenir les traverses d'équerre pendant le séchage de la colle. Un assemblage incorrect ou une tension inégale de la toile peut endommager l'œuvre de manière irréversible et n'est pas couvert par notre garantie.

  • Toutes les baguettes en bois massif sont incluses, découpées avec précision à la taille requise.

  • À assembler avec les vis fournies, ainsi qu'avec de la colle à bois pour les assemblages d'angles (non fournie), à prévoir par votre encadreur.

  • L'utilisation d'outils professionnels est requise et non incluse : une pince à tendre la toile (tendeur) et des serre-joints pour maintenir les baguettes bien d'équerre pendant le séchage de la colle.

Important :
L'assemblage des angles nécessite de la colle à bois, les barres doivent être maintenues avec des serre-joints jusqu'au séchage complet de la colle, et le tendage de la toile sur le châssis assemblé nécessite une pince à tendre la toile. Aucun de ces éléments n'est inclus dans le kit. Veuillez consulter un encadreur professionnel expérimenté avant de commander ce format.

Cartel

-

-

Vernis de protection

Vernis brillant (intensifie les couleurs, protège de la lumière et de l'humidité)

-

Personnaliser mon œuvre

Exemples de personnalisation : remplacer le visage par une photo du client ; ajouter un animal de compagnie (par exemple, remplacer un chat par un chien) ; inclure un message caché en arrière-plan ; modifier le paysage ou les éléments d'arrière-plan.

-

Livraison urgente

Livraison dans le monde entier () en 3 à 4 semaines au lieu des 5 semaines habituelles. (2 novembre). Aucune concession sur la qualité.

-

Livraison express

Livraison dans le monde entier () sous 5 semaines. (9 novembre).

Inclus

Prix total

€ 267

Prix total € 267

L'option verre n'est disponible que pour les dimensions inférieures à 110 cm.

Included with every order

  • Livraison express gratuite dans le monde entier
  • Toile de lin de qualité supérieure
  • Assurance transport complète
  • Garantie de remboursement des droits de douane
  • Garantie de fidélité des couleurs
  • Politique de retour de 100 jours (uniquement en cas de défaut)
  • Garantie de remboursement à 100%
  • Offre de tarifs dégressifs
This is perhaps one of Gilbert & George’s starkest pictures, concerned with imagery of a dark, malformed growth, and orbiting notions of death and decay. A black silhouette of a skeletal leafless tree appears on a rich yellow background, seeming to raise a twisted claw to the sky. The featured tree grew in Finsbury Circus in London, and was a gift from the Japanese government as reparation after World War II. A poorly-made plaque on the tree detailed its history, though both tree and plaque were removed shortly after Gilbert & George’s picture was made. This, along with several related studies from the same period, contrasts with some of the artists’ brasher pictures, which teem with life and activity.Gilbert & George, partners in life and art, have created a universe in which their entire existence is an artwork. From their very first ‘Singing Sculpture’ (1969), made whilst still students at St Martin’s School of Art, and in which they move in synch and sing along with the Depression-era song ‘Underneath the Arches’, through to their unfashionably matching tailoring, their entirety is heavily formalised. They are well-known icons of British art, although they have always, to some extent, existed as outsiders – never venturing very far from their long-term residence in Fournier Street, East London, and eating in the same cafe every day at the same time. ‘Art is for All,’ claim Gilbert & George, and ‘Art is Life.’ As they explain in their inimitable rhetorical style, the subject matter of art ‘must be the human condition: we believe in the human condition as the supreme ideal. Man is the most amazing thing of all and the whole formal side of art – colours and forms – is there only to serve the subject and is of no importance in itself. We hate art for art’s sake – we are totally opposed to it.’Gilbert & George have been chroniclers of modern life for more than 40 years; and huge swathes of life - shock, shits, crucifixes and hoodies - have met within the confines of their signature grid. The themes that concerned the artists in 1980, however, are governed by the twin poles of religion and despair – a faith in life which is bleak and empty. Intellectual Depression is prefigured by a gradual move during the 1970s towards darker themes such as depression, alcohol and madness, and draws on a motif of an earlier picture, Branch (1978), in which the austere silhouette of a naked branch appears against a red background above the heads of the artists.Alongside these thematic developments, however, was the start of a new kind of richness in the artists’ palette. Gilbert & George had recently moved away from black and white monochrome images, and had begun to develop a process employing a deep red. The year of Intellectual Depression, 1980, was the first that they used the colour yellow, in a related picture, Waiting. The depth and richness of these hues, fixed within a dark grid-like structure, creates the impression of stained-glass windows. As Suzanne Pagé has noted, ‘Like the artists of the Middle Ages, Gilbert & George create images to initiate and explain.’ We might imagine that the message preached in this work is a type of warning. Many pictures from 1980 concern the aesthetics of living with fear, and the use of yellow and black is almost sickly, recalling a hazard sign or a wasp. For such prescient artists, who prefigured an age in which terror would have such an inflated currency, this early picture barks a lesson at us about the effect of strangulation that any such climate of fear has on the intellect, and on the soul.(C) Laura McLean-Ferris 20091 Gilbert & George in interview with Irmeline Lebeer, Art Press, 47 (April 1981), 23–25.2 Private collection.3 Private collection.4 Suzanne Pagé, introduction to Gilbert & George, exh. cat. (Paris: Musée d’Art Moderne de la Ville de Paris, 1997), 16.

Questions et réponses

Quelle place occupe « Intellectual Depression » dans l'œuvre de Sir George Gilbert Scott ?

Au sein de la production de Sir George Gilbert Scott, « Intellectual Depression » s'inscrit dans le style Contemporary Art, tout en explorant les thèmes de death and decay themes, human condition focus, contrast to brighter works, london urban imagery.

Quelle intensité et quelle saturation «Intellectual Depression» de Sir George Gilbert Scott présente-t-il ?

Les couleurs de «Intellectual Depression» de Sir George Gilbert Scott présentent une saturation Vivid Color et une intensité Vivid.

L'œuvre «Intellectual Depression» de Sir George Gilbert Scott, conservée au British Council, peut-elle faire l'objet de reproductions légales ?

Le statut des droits d'auteur de «Intellectual Depression» de Sir George Gilbert Scott est clair : l'œuvre est dans le toujours protégé par le droit d'auteur. Sa présence au British Council ne modifie pas ce statut.

More about this painting

Aperçu en situation Visualiser en RA Passer au format impression Passer au format numérique Envoyer
Détails de l'œuvre Guide Ajouter aux favoris Télécharger l'image Articles similaires Radiographie Diaporama Q&A Statistiques

In numbers

  • 1980the year it was painted
  • 29frames to choose from
  • standard sizes, in its own proportions
  • 5weeks to paint and deliver it

About the original

Dimensions
2020.0 x 2420.0 cm

Quick facts about Sir George Gilbert Scott

  • Artistic Movement Or Style: Gothic Revival
  • Artists Or Movements Influenced By This Artist: ['Victorian Architecture']
  • Artists Who Influenced This Artist: ['Charles Barry']
  • Date Of Birth: October 8, 1839
  • Date Of Death: May 6, 1897
  • Full Name: George Gilbert Scott
  • Nationality: British
  • Notable Artworks:
    • Liverpool Cathedral
    • Battersea Power Station
    • Leeds General Infirmary
    • St Pancras Hotel
  • Place Of Birth: London, England

Biographie de l'artiste

The Architect of Victorian Grandeur

To walk through the heart of London or traverse the historic landscapes of Britain is to encounter the enduring legacy of Sir George Gilbert Scott. A titan of the nineteenth century, Scott did not merely design buildings; he sculpted the very atmosphere of the Victorian era. His life was a profound journey through the revival of medieval splendor, a pursuit that sought to breathe new life into the stone and mortar of a rapidly industrializing world. Born into an architectural dynasty, his path was paved by the influence of his father, Sir Gilbert Scott, yet George possessed a singular vision that would allow him to transcend mere imitation, establishing himself as a master of the Gothic Revival movement.

His early years were defined by a rigorous apprenticeship within the family tradition, where he absorbed the meticulous discipline required to honor historical precedents. This foundation allowed him to approach architecture not just as an engineer, but as a storyteller. He understood that every arch, every ribbed vault, and every intricate carving could serve as a vessel for spiritual and national identity. As his career progressed, Scott became a pivotal figure in reclaiming the grandeur of the Middle Ages, rejecting the cold rationality of Neoclassicism in favor of a more emotive, textured, and spiritually resonant aesthetic.

A Legacy Carved in Stone

The sheer scale of Scott’s contribution to the British landscape is staggering. His portfolio, which includes over 800 designs and restorations, reflects a man capable of navigating both the monumental and the intimate. He was a master of the Gothic Revival, a style characterized by its soaring verticality and complex ornamentation. Through his work, he brought back the dramatic interplay of light and shadow found in ancient cathedlamls, utilizing stained glass and sculptural details to create spaces that felt both timeless and divine.

Among his most celebrated achievements are structures that have become synonymous with British heritage:

  • The Midland Grand Hotel at St Pancras Station: A breathtaking masterpiece of Victorian Gothic design that remains one of London's most iconic landmarks.
  • The Albert Memorial: A grand, ornate tribute to Prince Albert, showcasing Scott's ability to handle immense sculptural complexity and symbolic depth.
  • The Foreign and Commonwealth Office: An exquisite example of how he could apply historical grandeur to the essential civic institutions of the British Empire.
  • Ecclesiastical Masterworks: His extensive work on cathedrals and churches across the United Kingdom, where he restored and reimagined sacred spaces to evoke a sense of the sublime.

The Spirit of the Gothic Revival

Beyond the physical structures, Scott’s true achievement lay in his ability to harmonize the ancient with the modern. While his heart belonged to the medieval aesthetic, he was no stranger to the technological advancements of his time. He skillfully integrated contemporary engineering and new materials into his designs, ensuring that his Gothic visions possessed the structural integrity required for the burgeoning urban centers of the nineteenth century. This synthesis of old-world charm and new-world innovation allowed his buildings to stand as resilient monuments to progress.

His influence extended far beyond his own drafting table, shaping the tastes of an entire generation of architects and designers. By championing a style that emphasized craftsmanship, detail, and historical continuity, he provided a sense of stability and beauty during a period of unprecedented social change. Today, when we gaze upon the intricate facades of his London landmarks or the solemn arches of his restored churches, we are not just looking at architecture; we are witnessing the enduring heartbeat of the Victorian spirit, preserved forever through the visionary hand of Sir George Gilbert Scott.

Informations clés

  • Subject or theme: Death, decay, and a skeletal tree
  • Year: 1980
  • Artistic style: Stark, minimalist imagery
  • Artist: Sir George Gilbert Scott