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Who comes?

Experience the luminous intimacy of Rupert Bunny's Who comes?, a masterpiece of Edwardian elegance featuring shimmering drapery and sunlit grace that invites you to bring this serene moment into your private collection.

Explorez les œuvres lumineuses de Rupert Charles Wulsten Bunny (1864-1947), peintre australien célébré à Paris. Découvrez son style coloriste somptueux, ses scènes idylliques et son symbolisme. Voir 'Endormies' sur

Giclées et impressions d'art

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Corner sample of the P118B picture frame: polystyrène moulé, 5 cm wide and 3 cm thick
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P118H €10
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Corner sample of the P438Z picture frame: polystyrène moulé, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: polystyrène moulé, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: polystyrène moulé, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: polystyrène moulé, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: polystyrène moulé, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: bois massif, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: bois massif, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: bois massif, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: bois massif, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: bois massif, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: bois massif, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: bois massif, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: bois massif, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: bois massif, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: bois massif, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: bois massif, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: bois massif, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: bois massif, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: bois massif, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: bois massif, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: bois massif, 6 cm wide and 3.5 cm thick
W953PJ €8

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Who comes?

Giclées et impressions d'art

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Who comes? is one of a series of works called ‘Days and Nights in August’, painted by Rupert Bunny between 1907 and 1911, which evoke a mood of intimacy and luxurious leisure; of perfume, poetry and distant music. The colours in Who comes? are few – white, black, brown, red, yellow – and they have been orchestrated so that small colour accents are played off against a basic theme. Warm sunlight, filtering through a boldly striped blind, colours the upper part of the picture, whereas in the half-light below the blind the flounced skirts shimmer translucently.Bunny’s chief model, posing for both figures in this painting, was his wife Jeanne. She was ‘a beautiful French woman and her husband delighted to paint her in the long, flounced and flowing dresses of the period. Once he said, with faint distaste: “When short skirts came in I no longer wanted to paint women”’.1The drapery has been painted in a way that has little relation to the bodies beneath. One reviewer in 1911 explained Bunny’s preference for loose drapery as a way of capturing or complementing the indefiniteness of nature, ‘leaving forms and outlines in a state of indecision and flux’.2 In contrast to the geometry of the striped blind, Bunny’s rendering of filmy cloth breaks the shapes so that the attention goes not to outlines and large areas but to surfaces and small accents. The effect is sensuous. Bunny was portraying a luxurious domesticity which, in the fashion terms of the day, was well represented by the tea-gown: ‘It gives a man a sort of luxurious feel of being an Oriental Pasha, as he lies in his chair, smoking the ever-present cigarette, to see himself surrounded by graceful houris clad in gauze and gorgeous draperies shimmering’.3Marcel Proust wrote at length on the same theme in A la recherche du temps perdu (1913–27) and, like Bunny, he lamented the passing of this excessively feminine style with the coming of the First World War.Mary Eagle41 Lucy Swanton, ‘Memoir of Rupert Bunny’, typescript, [Sydney]: Newcastle Region Art Gallery, 1968.2 Melbourne Argus, 24 July 1911, p.7.3 ‘Lamia’ in London Country Life, 28 September 1907.4 Mary Eagle, The Art of Rupert Bunny, Canberra: Australian National Gallery, 1991, p.64.Text © National Gallery of Australia, Canberra 2010From: Anne Gray (ed), Australian art in the National Gallery of Australia, National Gallery of Australia, Canberra, 2002

Questions et réponses

L'artiste Rupert Charles Wulsten Bunny, créateur de « Who comes? », est-il connu sous d'autres noms ?

L'artiste Rupert Charles Wulsten Bunny, créateur de « Who comes? », est également connu sous d'autres noms, notamment Bunny.

Où puis-je voir un aperçu de « Who comes? » ?

La page Aperçu en situation de « Who comes? » vous permet de prévisualiser l'œuvre avant de passer commande.

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Visualisez «Who comes?» de Rupert Charles Wulsten Bunny sur votre propre mur grâce à la page Aperçu en RA de l'œuvre, en utilisant la réalité augmentée sur un appareil compatible.


Biographie de l'artiste

Early Life and Training

Rupert Charles Wolston Bunny (1864 – 1947) was born in Inkerman Street, St Kilda, Victoria, third son of Brice Frederick Bunny, barrister, and his wife Marie Hedwig Dorothea, née Wulsten. Educated at the Alma Road Grammar School, St Kilda, The Hutchins School, Hobart, and at other places, including, for a time, Melbourne University. An early ambition to become an actor was not encouraged by his father. Eventually he joined the National Gallery schools under O. R. Campbell and G. F. Folingsby; his fellow students included Frederick McCubbin, E. Phillips Fox and Louis Abrahams. In 1884 Bunny went to London and enrolled at P. H. Calderon's art school in St John’s Wood. Two years later he left for Paris to study under Jean-Paul Laurens. Bunny exhibited at the Salon de la Société des Artistes Français* (Old Salon) from 1888, becoming the first Australian painter to receive a mention honorable for his painting ‘The Tritons’. He also began exhibiting with British societies and galleries including the Royal Academy, the Royal Society of British Artists, the Institute of Painters in Oil-Colours, the Fine Art Society, and the New Gallery, Grosvenor, and Grafton galleries. His participation in the Carnegie Institute's 'Pittsburgh Internationals' was to continue for almost thirty years; he was awarded a bronze medal at the Paris Exhibition of 1900, and was represented in the Bendigo Victorian Gold Jubilee Exhibition of 1901-02. In 1901 he left the Paris Old Salon for the New (Société Nationale des Beaux-Arts). This coincided with a change in his work from large, idealized subject compositions drawn from the Bible and especially classical mythology, painted in a neo-classical style touched with Pre-Raphaelitism, to paintings of women, landscapes, and portraiture. His interest in music is reflected in his portraits of musicians, especially of fellow Australians Nellie Melba, Percy Grainger and Ada Crossley.

Achievements and Accolades

Bunny's artistic prowess was recognized early, with an honourable mention at the Paris Salon of 1890 for his painting tritons. He further solidified his reputation by winning a bronze medal at the Paris Exposition Universelle in 1900 for Burial of St Catherine of Alexandria. The French state acquired 13 of his works for the Musée du Luxembourg and regional collections. He was a “sumptuous colourist and splendidly erudite painter of ideal themes,” as described by art critics.

Artistic Style and Themes

Bunny’s artistic style was characterized by his masterful use of color—a hallmark of the Symbolist movement—and his profound understanding of classical mythology and humanist ideals. His canvases often depicted serene female figures immersed in tranquil waters, conveying a sense of dreamy contemplation and spiritual reflection. These images were imbued with symbolic meaning, exploring themes of beauty, innocence, and transcendence.

Notable Works

Bunny’s oeuvre includes masterpieces such as ‘Endormies,’ which resides at the National Gallery of Victoria in Melbourne, Australia; ‘Sea Idyll,’ also housed in the National Gallery of Victoria; and ‘Pastoral,’ showcased at the National Gallery of Australia in Canberra. These paintings exemplify his distinctive aesthetic vision and continue to captivate audiences with their luminous colors and evocative compositions.

Legacy and Online Presence

Rupert Bunny’s contribution to Australian art history is undeniable, establishing him as a pivotal figure in the Symbolist movement and securing his place among the most celebrated painters of his era. His works are now disseminated across prominent museums worldwide, ensuring that his artistic legacy persists for generations to come. For those eager to delve deeper into Bunny's oeuvre, [https://OriginalUniqueArt.com/@/rupert-charles-wulsten-bunny](https://OriginalUniqueArt.com/@/rupert-charles-wulsten-bunny) offers a comprehensive collection of his paintings—including ‘Endormies,’ ‘Sea Idyll,’ and ‘Pastoral’—available for purchase as museum-quality reproductions through /fr/art/show/art-8xyffg-fr/
Rupert Charles Wulsten Bunny

Rupert Charles Wulsten Bunny

1864 - 1947 , Australie

L'essentiel de l'artiste

  • Artistic Movement Or Style: Symbolisme
  • Artists Who Influenced This Artist:
    • Calderon
    • Laurens
  • Date Of Birth: 29 septembre 1864
  • Date Of Death: 25 mai 1947
  • Full Name: Rupert Charles Wolston Bunny
  • Nationality: Australien
  • Notable Artworks:
    • Endormies
    • Idylle marine
    • Pastorale
  • Place Of Birth: St Kilda, Australie
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