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Milan Konjović

Old Porcelain

Dimensions
99.0 x 71.0 cm

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Admirez la fresque 'Saint Augustin partant pour Milan' de Benozzo Gozzoli (1465). Découvrez l’art de la Renaissance italienne, ses couleurs vives et son récit spirituel captivant.
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L’œuvre d'art présentée sur cette page est protégée par le droit d'auteur, ce qui signifie que nous ne pouvons légalement créer ou vendre de reproduction identique. Cette protection est appliquée en vertu d'accords internationaux tels que la Convention de Berne et par les lois nationales, notamment celles énoncées par le Loi américaine sur le droit d'auteur - Titre 17.

Cette méthode est pleinement conforme aux réglementations sur le droit d'auteur car elle ne repose pas sur la copie ou la duplication de l'œuvre protégée. Il s'agit plutôt d'une réinterprétation créative — une nouvelle peinture qui s'inspire de l'original sans pour autant lui être identique.

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Giclées et impressions d'art

Impressions giclées ou sur toile de qualité musée, avec une production rapide et des finitions au choix. ( Commander la reproduction peinte à la main Passer au format numérique)

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Livraison dans le monde entier () en 2 semaines au lieu des 4/5 semaines habituelles. (3 novembre)

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Livraison express gratuite dans le monde entier
Toile de lin de qualité supérieure
Assurance transport complète
Garantie de remboursement des droits de douane
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Politique de retour de 100 jours (uniquement en cas de défaut)
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Prix total

€ 72

Old Porcelain

Giclées et impressions d'art

Format de la reproduction

-

Prix total

€ 72

Since he was thrown out of his studio in the District Hall tower by the occupaying forces upon his return from a interment camp to Sombor, Konjović worked for a time at his relative’s, aunt Malka’s [Vukićević] home, where this painting was done as well. At the time his powerful gesture, flaming colours and global rhythm of the painting gave way to the emphasis on accentuating the tonal values of colours, the subject matter and the role of the painted motif, remaining faithful to his own powerful and unique creative personality. Old Porcelain is a painting of monumental concept and extraordinary accumulated power, with tense facture, full to the point of bursting. In order to accentuate even more its rusticity and force, the artist often replaced the brush with a spatula. Radoslav Putar, a famous art critic from Zagreb, called this painting in the 1960s “a masterpiece of modern Yugoslav painting.” At the time the picture was painted, art critics (Jovan Popović, Branko Šotra) were fiercely attacking Milan Konjović’s art from the viewpoint of the pragmatic requirements of socialist realism: art was supposed to be topical and clear in content, realistic and easily interpretable in form, a means of mass-education in the hands of daily politics. Konjović was made a target of critics as the director of the Sombor museum, (opened in October 1945 in an adapted building with Pavle Beljanski’s collection) for spreading decadent western art. “In spite of the attacks, I was able to preserve the Beljanski collection in the Sombor museum. Pavle had already told me that he was going to give it as a gift to Vojvodina in memory of his family who had been killed. Beljanski is a remarkable person, and as a man he has a pure soul and a heart of gold. Infatuated and crazy about those paintings of his, he was willing to make any sacrifice for them. It was in the Sombor museum that he first saw his collection as a whole and as the fruit of his labour. I am of the opinion, and I wish to say it, that this collection is our anthology assembled with a most artistic sensitivity, with masterpieces of our painting between the two wars, chosen from each artist with refined taste and vast knowledge of an extraordinarily cultured collector. Beljanski is indeed one of our great men,” Katarina Ambrozić recorded Konjović’s words.

Questions et réponses

Quels sont les droits de reproduction pour « Old Porcelain » au Pavle Beljanski Memorial Collection ?

Le statut des droits d'auteur de «Old Porcelain» de Milan Konjović est clair : l'œuvre est dans le toujours protégé par le droit d'auteur. Sa présence au Pavle Beljanski Memorial Collection ne modifie pas ce statut.

Où peut-on acheter des reproductions peintes à la main de «Old Porcelain» de Milan Konjović ?

Les reproductions peintes à la main de «Old Porcelain» de Milan Konjović sont disponibles sur ce site : une reproduction à l'huile peinte à la main sur toile de lin, via sa page Reproduction peinte à la main.

Les couleurs de "Old Porcelain" sont-elles vives ou plutôt atténuées ?

La couleur de « Old Porcelain » présente une saturation de Muted et une intensité de Monochromatic.

Biographie de l'artiste

Early Life and Education

Milan Konjović Милан Коњовић | |\n|---|---|\n| Born | January 28, 1898 | (aged 95)\n| Nationality | Serbian |\n| Education | Academy of Fine Arts,\n\nMilan Konjović’s artistic journey commenced in Sombor, Serbia, where he was born into a family deeply rooted in Serbian culture. From a young age, he demonstrated an innate talent for visual arts, nurturing his passion through diligent study at the Academy of Fine Arts. This formative education equipped him with foundational knowledge and techniques that would shape his distinctive style throughout his prolific career.

Artistic Periods and Recognition

Konjović’s artistic output spanned six distinct periods, each reflecting a nuanced evolution in his stylistic sensibilities and engagement with prevailing artistic currents. These phases showcased an extraordinary adaptability—from the initial explorations of Expressionism to later ventures into Byzantine themes—demonstrating a profound understanding of art history.

Parisian Influence (1924-1932)

A pivotal moment arrived when Konjović relocated to Paris in 1924, immersing himself within the vibrant epicenter of European artistic innovation. The Parisian milieu profoundly impacted his creative vision, fostering experimentation and prompting him to adopt techniques characteristic of Modernism.

Notable Works and Style

Konjović’s oeuvre comprises a remarkable collection of paintings—primarily executed on board and canvas—characterized by bold colors and masterful brushwork. His distinctive style seamlessly blends influences from Expressionism with elements of Byzantine iconography, resulting in compositions imbued with spiritual depth and visual dynamism.
Among his most celebrated pieces are “Harvest,” “My Studio II,” and “Old Porcelain,” each exemplifying Konjović’s artistic prowess and capturing the essence of his era. These artworks stand as enduring symbols of Serbian art history.

Legacy and Remembrance

Milan Konjović's contribution to Serbian art is undeniable, cemented by his membership within the Serbian Academy of Sciences and Arts (SANU). His unwavering dedication to scholarship and artistic excellence ensured that his legacy would endure for generations to come. Explore more on OriginalUniqueArt Discover other renowned artists like Gustav Klimt: [https://OriginalUniqueArt.com/@/gustavklimt](https://OriginalUniqueArt.com/@/gustavklimt) Learn about the history of art and its evolution through OriginalUniqueArt's comprehensive database: /fr/art/list/
Milan Konjović

Milan Konjović

1898 - 1993 , Serbie

L'essentiel de l'artiste

  • Artistic Movement Or Style: Modernisme
  • Artists Or Movements Influenced By This Artist: ['Expressionisme']
  • Artists Who Influenced This Artist: ['Gustav Klimt']
  • Date Of Birth: Janvier 28, 1898
  • Date Of Death: Octobre 20, 1993
  • Full Name: Milan Konjović
  • Nationality: Serbe
  • Notable Artworks:
    • Récolte
    • Mon atelier II
  • Place Of Birth: Sombor, Serbie