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Saint Anthony Abbot

Dimensions
17.0 x 52.0 cm

A striking gold background illuminates this 1400 portrait of Saint Anthony Abbot by the Lombard Master, capturing a serene moment of devotion from the transition to the Renaissance that you can bring to your collection.

Découvrez Peter Lombard (Lombard Master), un peintre italien et théologien majeur du XIIe siècle qui a marqué la transition entre le gothique et la Renaissance. Reconnu pour ses figures élégantes et les fonds dorés uniformes reflétant une esthétique raffinée et innovante. Explorez ses œuvres emblématiques au musée Poldi Pezzoli !

Giclées et impressions d'art

Impressions giclées ou sur toile de qualité musée, avec une production rapide et des finitions au choix. ( Commander la reproduction peinte à la main Passer au format numérique)

Corner sample of the P118B picture frame: polystyrène moulé, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: polystyrène moulé, 5 cm wide and 3 cm thick
P118H €10
Corner sample of the P118W picture frame: polystyrène moulé, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: polystyrène moulé, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: polystyrène moulé, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: polystyrène moulé, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: polystyrène moulé, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: polystyrène moulé, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: bois massif, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: bois massif, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: bois massif, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: bois massif, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: bois massif, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: bois massif, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: bois massif, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: bois massif, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: bois massif, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: bois massif, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: bois massif, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: bois massif, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: bois massif, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: bois massif, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: bois massif, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: bois massif, 6 cm wide and 3.5 cm thick
W953PJ €8

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Prix total

€ 71

Saint Anthony Abbot

Giclées et impressions d'art

Format de la reproduction

-

Prix total

€ 71

Informations clés

  • Subject or theme: Portrait of Saint Anthony Abbot reading
  • Artistic style: Late Gothic to Renaissance transition
  • Notable elements: Gold background, black robe with pink lining
  • Title: Saint Anthony Abbot

A Vision of Devotion: The Ethereal Presence of Saint Anthony Abbot

In the quiet, shimmering expanse of this 15th-century masterpiece, we encounter a moment of profound spiritual stillness. Saint Anthony Abbot, rendered with the delicate precision characteristic of the Lombard Master, emerges from a sea of radiant gold. The painting serves as more than just a portrait; it is a window into the late Gothic soul, where the boundaries between the earthly and the divine begin to blur. As the Saint stands poised in contemplation, his gaze fixed upon the sacred text held within his hands, the viewer is invited to share in his meditative trance. The composition, though slender and elongated, possesses an architectural strength that commands the space it inhabits, making it a captivating focal point for any collection dedicated to the treasures of the Italian Middle Ages.

The technique employed by the Lombard Master is a masterclass in the use of light and texture to evoke sanctity. The background, a uniform and luminous gold ground, does not merely serve as a backdrop but acts as an infinite, heavenly atmosphere that pushes the figure toward the viewer. This use of gold leaf creates a sense of timelessness, stripping away the distractions of a physical landscape to focus entirely on the spiritual essence of the subject. A subtle yet striking contrast is introduced through the Saint's attire; his heavy black robe, lined with a soft, delicate pink, provides a necessary weight and earthly reality to the figure. This interplay between the dark, somber fabric and the brilliant, metallic background creates a visual tension that keeps the eye moving, tracing the elegant contours of the Saint’s form.

Symbolism and the Transition of Eras

To look upon this work is to witness a pivotal moment in art history. The Lombard Master, a figure who bridged the gap between the rigid structures of Gothic tradition and the burgeoning humanism of the early Renaissance, imbue this piece with deep theological significance. The book held by Saint Anthony is not merely an object of study but a symbol of divine wisdom and the preservation of faith. Every element, from the way the light catches the edge of the page to the solemnity of the Saint's expression, is designed to inspire reverence. For the collector or interior designer, this piece offers a sense of historical gravity and intellectual depth, bringing an aura of ancient wisdom into a contemporary setting.

The emotional impact of Saint Anthony Abbot lies in its ability to evoke peace amidst the chaos of the modern world. The painting’s narrow dimensions—a striking 17 x 52 cm—suggest an intimate, almost jewel-like quality, making it an ideal selection for curated gallery walls or as a singular, powerful accent in a study or library. It is a work that does not shout for attention but rather waits to be discovered, rewarding the observant viewer with its subtle nuances of color and profound sense of quietude. Owning a high-quality reproduction of such a significant piece allows one to preserve this legacy of devotion, ensuring that the luminous spirit of the Lombard Master continues to illuminate modern interiors.

Questions et réponses

Où puis-je trouver des statistiques concernant «Saint Anthony Abbot» de Maître Lombard ?

La page Statistiques de «Saint Anthony Abbot» de Maître Lombard présente les statistiques de visites publiques : le nombre de visites mensuelles de cette œuvre, une comparaison avec les œuvres les plus consultées de l'artiste, ainsi que la provenance des visiteurs.

Quand "Saint Anthony Abbot" a-t-il été créé, et à quel mouvement appartient-il ?

«Saint Anthony Abbot» a été réalisé en 1400, au sein du mouvement Late Gothic.

Quelle est la place historique de « Saint Anthony Abbot » ?

Historiquement, « Saint Anthony Abbot » est une œuvre Late Gothic de la grande époque Late Medieval.


Biographie de l'artiste

Peter Lombard : Bridging Gothic Elegance and Renaissance Innovation

Peter Lombard (c. 1096 – August 21/22, 1160) stands as a pivotal figure in medieval art history—a painter whose distinctive style represents the delicate transition between the grandeur of late Gothic artistry and the burgeoning optimism of the early Renaissance. Born in Novara, Italy, Lombard’s artistic journey was marked by intellectual rigor alongside profound aesthetic sensitivity, resulting in works that continue to captivate scholars and collectors alike.

Early Life and Artistic Formation

Lombard's upbringing instilled within him a deep appreciation for theological contemplation—a characteristic that would profoundly shape his artistic vision. He received his education at the cathedral schools of Novara and Lucca, institutions renowned for fostering scholastic thought and preparing future clergymen for leadership roles within the Church. Recognizing his talent for visual expression alongside his scholarly pursuits, he traveled to Paris, where he benefited from the tutelage of luminaries like Peter Abelard and Hugh of St. Victor—figures who championed rationalism and humanist ideals during their time. This formative environment undeniably influenced Lombard’s artistic sensibilities, grounding them in both intellectual depth and stylistic refinement.

A Style Defined by Gold Grounds and Elegant Figures

Lombard's artistic style is instantly recognizable for its hallmark features: uniformly applied gold grounds—a technique borrowed from Byzantine iconography—and exquisitely rendered figures imbued with grace and serenity. These elements reflect a deliberate effort to synthesize the solemn beauty of Gothic tradition with the humanist emphasis on naturalism emerging in Florence and other Italian cities. His paintings eschew excessive ornamentation, prioritizing clarity of form and conveying spiritual contemplation through subtle gestures and expressions. This stylistic approach distinguishes Lombard from many of his contemporaries and establishes him as an innovator within the broader artistic landscape of his era.

Notable Works: Expressions of Faith and Artistic Mastery

Lombard’s oeuvre comprises a select collection of paintings that exemplify his distinctive style and underscore his profound engagement with theological themes. Among his most celebrated creations are “Cleopatra / Eurydice,” a captivating depiction of the mythological queen—a piece characterized by its delicate composition and luminous gold background, mirroring the ethereal qualities favored in Renaissance art. Equally remarkable is “Saint Anthony Abbot,” housed at the Museo Poldi Pezzoli in Milan—a monumental canvas showcasing Saint Anthony’s serene countenance and conveying an aura of spiritual devotion. Furthermore, “Saint Martyr Deacon Panel” – also residing in the Museo Poldi Pezzoli – exemplifies Lombard's meticulous attention to detail and his masterful command of pigment, demonstrating a remarkable fusion of Gothic elegance and Renaissance realism.

Legacy and Influence

Peter Lombard’s artistic legacy extends beyond his individual paintings—he served as an influential teacher, nurturing the talents of numerous artists who would contribute significantly to the development of Italian art during the subsequent decades. His stylistic innovations resonated throughout the medieval world, shaping aesthetic sensibilities and establishing a precedent for blending spiritual contemplation with visual beauty. Today, Lombard’s works continue to inspire admiration for their understated elegance and profound theological depth—a testament to his enduring contribution to the artistic heritage of Europe.
Maître Lombard

Maître Lombard

1096 - 1160 , Italie

L'essentiel de l'artiste

  • Artistic Movement Or Style: Late Gothic to Renaissance Art
  • Artists Who Influenced This Artist:
    • Peter Abelard
    • Hugh of St. Victor
  • Date Of Birth: c. 1096
  • Date Of Death: 21/22 August 1160
  • Full Name: Peter Lombard
  • Nationality: Italian
  • Notable Artworks:
    • Cleopatra / Eurydice
    • Saint Anthony Abbot
    • Saint Martyr Deacon Panel
  • Place Of Birth: Novara, Italy