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Voyager

  • Date de création1992
  • Dimensions221.0 x 220.0 cm

Explore Kerry James Marshall's œuvres monumentales et son esthétique audacieuse qui abordent les enjeux de la lutte pour les droits civiques et l’identité noire. Un artiste visionnaire au cœur du mouvement néo-expressionniste américain.

Reproduction à l'huile faite à la main

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Exemples de personnalisation possibles : remplacer un visage par la photo du client ; ajouter un animal de compagnie (par exemple, remplacer un chat par un chien) ; inclure un message caché en arrière-plan ; modifier le paysage ou les éléments de l'arrière-plan.
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Livraison dans le monde entier () en 3 à 4 semaines au lieu des 5 semaines habituelles. (28 août). Aucun compromis sur la qualité.

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Livraison express gratuite dans le monde entier
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Toile de lin de qualité supérieure
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Assurance transport complète
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Garantie de remboursement des droits de douane
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Garantie de fidélité des couleurs
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Politique de retour de 60 jours (uniquement en cas de défaut)
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Garantie de remboursement à 100%
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Offre de tarifs dégressifs

Prix total

$ 300

reproduction

Voyager

Technique de reproduction

Format de la reproduction

-

Prix total

$ 300

A man and a woman with black skin stand in a sage and olive-green boat that comes toward us on a wavy, dripping band of cobalt blue that spans the lower edge of this loosely hanging, square canvas. The word “WANDERER” is written in white capital letters along the bow of the boat. Closer to us, in the boat, a woman is seen from the hips up. An oval, cloud-like form covers her torso, shoulders, and the area behind her head. It is white with rose-pink swirls, and has a few black lines creating scallops around the edge. A black shape at her waist, just over a cobalt-blue skirt, could indicate that at least one arm is bent behind her back. The penis, thighs, and knees of a man are seen between the boat and the triangular, pale lilac-purple sail. The sail is painted with long, curling strokes of violet purple up its center. A long, white pennant with two gold stars flutters from the boat’s burgundy-red mast, which has a crosspiece just below the pennant. The water is painted with strokes of royal blue, which partially drip over a white skull at the lower center. The boat is set against a background layered in washes of white, shell pink, and baby blue, with swirls and thin strokes of brick red scattered across it. A yellow sun outlined in deeper gold peeks above the horizon in the lower left, and is repeated with more orbs that together make an arc that curves to the upper right corner. A few geometric line drawings hover next to the woman, on our left, such as a compass-like cross with a crosshatched oval at each end. A black number '1' floats in the lower left, above the water, and a black number '7' floats near the upper left. Two more black sevens float near the upper right, next to another heart-shaped line drawing. The background transitions from the pale washes to darker orbs of pink and blue, that overlap a band of black that nearly spans the top edge. In that upper zone, a black, gold, and red compass floats near the top of the mast, to our left. A sheet with anatomical illustrations hangs from the left arm of the mast. The drawings show cell clusters and human fetuses, some circled in red. A second drawing of a house circled in lilac purple hangs on the right arm, next to a third drawing of concentric circles.

Biographie de l'artiste

Kerry James Marshall: A Visionary Confronting Racial Stereotypes

Kerry James Marshall (born October 17, 1955) is an American artist whose monumental paintings and sculptures have become synonymous with a courageous dialogue about race, identity, and the indelible imprint of the Civil Rights Movement. His formative years in Birmingham, Alabama—marked by the seismic tremors of the Watts riots of 1965—served as a catalyst for artistic introspection and fueled a lifelong dedication to dismantling prejudiced representations within American visual culture. Moving to Los Angeles as a child, Marshall absorbed the dynamism of South Central, encountering figures like Charles White who instilled in him a foundational understanding of social realism and the moral imperative inherent in artistic expression. Marshall’s academic pursuits culminated in a BFA from Otis College of Art and Design in 1978, where he honed his mastery of drawing and sculpture—skills that would become cornerstones of his distinctive visual language. Immediately distinguishing himself through an audacious palette dominated by black hues—a deliberate repudiation of conventional Western artistic conventions—Marshall confronted ingrained biases head-on. This stylistic choice transcended mere aesthetics; it represented a conscious assertion against societal prejudices and a fervent desire to reclaim narratives historically silenced. The 1980s and 1990s witnessed Marshall’s ascent as an artist, during which he perfected his signature style—characterized by colossal canvases populated with stylized Black figures bathed in strikingly vibrant colors. Drawing inspiration from masters like Picasso and Rembrandt, Marshall skillfully assimilated techniques derived from art history to elevate African American subjects into positions of dignity and profound complexity. He actively challenged visual hierarchies established centuries prior, proclaiming that “Black people occupy a space, even mundane spaces, in the most fascinating ways.” This conviction underpinned his artistic endeavors—a commitment to portraying Black experiences with nuance and confronting societal injustices through powerful imagery. Marshall’s oeuvre extends beyond painting into sculpture and installation art, reflecting his multifaceted engagement with contemporary issues. His monumental sculpture *A Monumental Journey*, erected in Hansen Triangle Park, Des Moines, Iowa, stands as a testament to his unwavering dedication to public discourse and artistic innovation—a symbol of Marshall's belief that art possesses the capacity to inspire reflection and foster meaningful connections within communities. Throughout his prolific career, Marshall’s work has garnered critical acclaim for its intellectual rigor and emotional resonance. He received a MacArthur Fellowship in 1997—a prestigious honor recognizing his groundbreaking contributions to the visual arts—and was appointed by President Barack Obama to the President's Committee on the Arts and Humanities in 2013. His artistic legacy continues to inspire artists and scholars alike, cementing Marshall’s place as one of the most influential voices shaping the landscape of contemporary art.
  • Notable Exhibitions: Documenta X (1997), Whitney Biennial (2008), Venice Biennale (2015), Royal Academy Exhibition (2016)
  • Awards & Honors: MacArthur Fellowship (1997), Guggenheim Fellowship (2003)
  • Publications: *Kerry James Marshall: Mastry* (Museum of Contemporary Art Chicago, 2016); *Kerry James Marshall: Painting and Other Stuff* (National Gallery of Art, Washington D.C., 2013)

L'essentiel de l'artiste

  • Artistic Movement Or Style: Neo-Expressionisme
  • Artists Or Movements Influenced By This Artist: ['Renaissance Painting']
  • Artists Who Influenced This Artist: ['Charles White']
  • Date Of Birth: 17 octobre 1955
  • Date Of Death: vivant
  • Full Name: Kerry James Marshall
  • Nationality: Américain
  • Notable Artworks:
    • Small Pin-Up (Fingerwag)
    • Scout (Girl)
  • Place Of Birth: Birmingham, Alabama