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Copy after Michelangelo

A striking Mannerist composition featuring a central female figure surrounded by figures and birds, captured in this exquisite 1550 drawing after Michelangelo by Bartolomeo Passarotti, ready to grace your collection.

Italian Mannerist painter Bartolomeo Passerotti (1529-1592) of Bologna. Known for genre scenes & influence on Baroque art, explore his works & legacy.

Giclées et impressions d'art

Impressions giclées ou sur toile de qualité musée, avec une production rapide et des finitions au choix. ( Commander la reproduction peinte à la main Passer au format numérique)

Corner sample of the P118B picture frame: polystyrène moulé, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: polystyrène moulé, 5 cm wide and 3 cm thick
P118H €10
Corner sample of the P118W picture frame: polystyrène moulé, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: polystyrène moulé, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: polystyrène moulé, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: polystyrène moulé, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: polystyrène moulé, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: polystyrène moulé, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: bois massif, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: bois massif, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: bois massif, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: bois massif, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: bois massif, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: bois massif, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: bois massif, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: bois massif, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: bois massif, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: bois massif, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: bois massif, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: bois massif, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: bois massif, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: bois massif, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: bois massif, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: bois massif, 6 cm wide and 3.5 cm thick
W953PJ €8

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Prix total

€ 71

Copy after Michelangelo

Giclées et impressions d'art

Format de la reproduction

-

Prix total

€ 71

Informations clés

  • Artistic style: Mannerist
  • Notable elements: Figures in various positions, birds
  • Year: 1550
  • Title: Copy after Michelangelo

A Masterful Echo of the Renaissance

In this evocative drawing, titled Copy after Michelangelo, we find ourselves transported to the heart of the sixteenth century, where the shadows of the High Renaissance meet the burgeoning complexity of Mannerism. Created around 1550 by the Bolognese master Bartolomeo Passariente (Passarotti), this work serves as a profound dialogue between generations. The composition centers on a striking female figure, seated with a raw, grounded presence that commands the viewer's immediate attention. Her posture, legs spread wide in a moment of uninhibited vulnerability or perhaps primal strength, anchors a scene teeming with life and movement. As she sits amidst a constellation of surrounding figures, the piece captures a sense of orchestrated chaos, where every limb and gesture contributes to a larger, rhythmic dance of form.

The technique employed here reflects the meticulous discipline of Passarotti’s Roman training. Under the influence of masters like Taddeo Zuccari, the artist utilizes line and shadow to sculpt bodies that feel both ethereal and tangibly heavy. The interplay of light across the central figure's skin creates a luminous quality, drawing the eye through the swirling arrangement of secondary characters. Subtle details, such as the delicate presence of birds fluttering near the periphery, introduce an element of nature’s fleeting grace, contrasting with the monumental, almost sculptural weight of the human forms. This mastery of line work ensures that even in a monochromatic or limited palette, the emotional depth of the scene remains strikingly vivid.

Symbolism and the Mannerist Spirit

To gaze upon this work is to witness the transition from the balanced ideals of the Renaissance to the expressive tension of Mannerism. The arrangement of figures—scattered, overlapping, and captured in various states of repose or motion—suggests a world that is no longer static, but fluid and psychologically complex. The central woman acts as an axis mundi, a focal point around which the drama of the composition revolves. Her nudity and grounded stance may symbolize a return to primordial truths, stripped of artifice, echoing the classical themes that Passarotti so deeply admired in the works of Michelangelo. The birds, often symbols of the soul or the ephemeral nature of life, add a layer of allegorical depth, inviting collectors to contemplate the fleeting beauty of the human condition.

For the discerning collector or interior designer, this piece offers more than mere decoration; it provides a window into an era of profound intellectual and artistic transformation. The drawing’s ability to evoke both intimacy and grandeur makes it a versatile centerpiece for a sophisticated gallery wall or a stately study. Its historical resonance—as a tribute to the divine Michelangelo—lends an air of academic prestige to any space, while its fluid, emotive energy provides a much-needed focal point in modern, minimalist environments. Owning a high-quality reproduction of such a work is an invitation to live amongst the echoes of greatness, surrounding oneself with the enduring power of classical mastery.

Questions et réponses

Comment puis-je obtenir une version numérique de «Copy after Michelangelo» de Bartolomeo Passerotti ?

Pour obtenir une version numérique de «Copy after Michelangelo» de Bartolomeo Passerotti, commandez téléchargement d'une image numérique haute résolution sur sa page Image numérique haute résolution.

Quelle est la technique et la date de création de «Copy after Michelangelo» de Bartolomeo Passerotti ?

«Copy after Michelangelo» a été réalisé en 1550, en Drawing.

Quelle est l'atmosphère de «Copy after Michelangelo» de Bartolomeo Passerotti ?

«Copy after Michelangelo» dégage une atmosphère Classic.