Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 12 teosta taiteilijalta Desiderio Da Settignano luettelossamme
Lyhyesti
Gallerian silmissä Desiderio Da Settignano's tunnetuin maalaus on Virgin and Child (1450), jonka alkuperäinen teos on esillä Galleria Sabauda -museossa, kaupungissa Torino. Portrait of Marietta Strozzi (1460) ja Meeting of Christ and St John the Baptist as Youth (1453) täydentävät kolmikon, jonka jokainen silmä tunnistaa. Galleria esittelee Desiderio Da Settignano teoksista 12 tunnetuimmat 12 teosta alla; jokainen on alkuperäisteos, josta kerrotaan vuosi, museo sekä teoksen erityispiirteet.
To gaze upon Desiderio da Settignano's Virgin and Child is to step directly into the luminous heart of the Italian Renaissance. This exquisite marble sculpture, dating from 1450, transcends mere artistry; it captures a moment of profound, quiet intimacy. The piece presents the Virgin Mary cradling the infant Jesus Christ, rendered with a breathtaking naturalism that seems to breathe life back into the cold stone. Desiderio’s mastery is evident in…
Desiderio da Settignano’s “Portrait of Marietta Strozzi” isn't merely a depiction of a young woman; it’s a carefully constructed window into the heart of 15th-century Florence. Completed around 1460, this exquisite marble bust transcends its material form to embody the ideals of beauty, intellect, and social standing that defined the era. The sculpture, now residing in the Staatliche Lindenau Museum in Berlin, immediately captivates with its serene composure – a…
Desiderio da Settignano's “Meeting of Christ and St John the Baptist as Youth,” created in 1453, stands as a cornerstone of Florentine Renaissance sculpture—a testament to humanist ideals fused with profound spiritual contemplation. Executed in grayscale marble, this circular relief captures a moment of serene intimacy between two youthful figures, embodying the burgeoning fascination with classical beauty and Christian piety that characterized the era.
A woman’s profile emerges from the cool, white marble, her features caught in a moment of quietude. The stone does not feel like rock; it feels like skin under a soft, diffused light. Her hair is a complex architecture of braids and curls, each strand rendered with a precision that suggests the artist’s chisel moved with the lightness of a brush. There is a profound stillness in her gaze, a…
In a recessed niche within the walls of Santa Trinità in Florence, a marble figure emerges from the stone. This high relief sculpture, carved in 1464, captures Mary Magdalene in a moment of quiet introspection. She is positioned centrally within an ornate architectural frame, her form integrated into the very fabric of the building. The figure holds a lamp aloft, a gesture that directs the viewer's attention toward the interplay…
Within the hushed reverence of a Florentine chapel, or perhaps now adorning a discerning collector's home, resides “The Christ Child” by Desiderio da Settignano – a sculpture that transcends mere representation to embody the very essence of nascent divinity. Crafted in the luminous embrace of white marble around 1460, this intimate portrait captures a moment suspended between earthly vulnerability and celestial grace. More than just a depiction of infancy, it’s…
Desiderio da Settignano's "A Little Boy," a marble bust sculpted around 1460, isn’t merely a portrait; it’s a poignant distillation of the Florentine Renaissance spirit – a fleeting capture of youthful beauty and an exploration of idealized innocence. This exquisite piece, currently housed at the National Gallery of Art in Washington D.C., offers a rare glimpse into the artistic sensibilities of a master sculptor who, despite his relatively short career,…
Desiderio da Settignano’s “Laughing Boy,” crafted around 1453, isn't merely a sculpture; it’s a frozen moment of pure, unadulterated delight. Housed within the Kunsthistorisches Museum in Vienna, this small marble bust transcends its modest size to deliver an astonishingly potent emotional experience – a testament to the artist’s remarkable ability to capture fleeting human expression. Born into a family steeped in Florentine stonemasonry, Desiderio emerged as a prodigious talent, quickly…
Desiderio da Settignano (c. 1430 – 1464) oli italialainen maalari ja kuvanveistäjä, joka jäi Firenzeen keskiajalla vaikuttavan vaikutuksen kokijaksi. Hän syntyi Settignanoon, joka sijaitsee Lago Comoon rannalla Toscanaan, ja hän oli osa suurta taiteellista perhettä, jonka käsityötaidot olivat keskeisiä hänen oman työnsä kehitykselle.
The Tomb of Carlo Marsuppini (detail) is a marble sculpture by Desiderio da Settignano. Created about 1453, this work functions as a memorial. It captures a fragment of a larger funerary monument located within the Basilica di Santa Croce in Florence, Italy.
Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.
Tämän sivun teoksista eniten sisältävät 8 museota.
| Museo | Kaupunki | Desiderio Da Settignano teokset | Tämän listan maalaukset |
|---|---|---|---|
 San Lorenzon basilika |
Firenze | 3 | Tabernacle (detail), Tabernakel, Tabernacle (detail) |
 National Gallery of Art |
Washington | 2 | The Christ Child (.), A Little Boy |
 Santa Croce - Firenze |
Firenze | 2 | Tomb of Carlo Marsuppini (detail), Carlo Marsuppinin hauta |
 Galleria Sabauda |
Torino | 1 | Virgin and Child |
 Staatliche Museen zu Berlin |
Berliini | 1 | Portrait of Marietta Strozzi |
 Louvre |
Pariisi | 1 | Meeting of Christ and St John the Baptist as Youth |
 Santa Trinità |
Firenze | 1 | Mary Magdalene |
 Kunsthistorisches Museum |
Wien | 1 | Laughing Boy |
Desiderio Da Settignanon ura tällä sivulla kestää 15 vuotta, vuodesta 1450 vuoteen 1464: jokainen vuosi on esitetty tässä omia, tunnetuimpia alkuperäisteoksiaan sisältäen.
Valitse vuosi nähdäksesi alkuperäisteokset.
To gaze upon Desiderio da Settignano's Virgin and Child is to step directly into the luminous heart of the Italian Renaissance. This exquisite marble sculpture, dating from 1450, transcends mere artistry; it captures a moment of profound, quiet intimacy. The piece presents the Virgin Mary cradling the infant Jesus Christ, rendered with a breathtaking naturalism that seems to breathe life back into the cold stone. Desiderio’s mastery is evident in…
Desiderio da Settignano's “Meeting of Christ and St John the Baptist as Youth,” created in 1453, stands as a cornerstone of Florentine Renaissance sculpture—a testament to humanist ideals fused with profound spiritual contemplation. Executed in grayscale marble, this circular relief captures a moment of serene intimacy between two youthful figures, embodying the burgeoning fascination with classical beauty and Christian piety that characterized the era.
Lisää teoksia 1453
Desiderio da Settignano’s “Portrait of Marietta Strozzi” isn't merely a depiction of a young woman; it’s a carefully constructed window into the heart of 15th-century Florence. Completed around 1460, this exquisite marble bust transcends its material form to embody the ideals of beauty, intellect, and social standing that defined the era. The sculpture, now residing in the Staatliche Lindenau Museum in Berlin, immediately captivates with its serene composure – a…
Lisää teoksia 1460
A woman’s profile emerges from the cool, white marble, her features caught in a moment of quietude. The stone does not feel like rock; it feels like skin under a soft, diffused light. Her hair is a complex architecture of braids and curls, each strand rendered with a precision that suggests the artist’s chisel moved with the lightness of a brush. There is a profound stillness in her gaze, a…
In a recessed niche within the walls of Santa Trinità in Florence, a marble figure emerges from the stone. This high relief sculpture, carved in 1464, captures Mary Magdalene in a moment of quiet introspection. She is positioned centrally within an ornate architectural frame, her form integrated into the very fabric of the building. The figure holds a lamp aloft, a gesture that directs the viewer's attention toward the interplay…
Virgin and Child (1450), Galleria Sabauda, Torino. Seuraavina ovat Portrait of Marietta Strozzi (1460) ja Meeting of Christ and St John the Baptist as Youth (1453).
20 vuotta vanha: Virgin and Child on peräisin vuodelta 1450, ja Desiderio Da Settignano on syntynyt vuonna 1430.
Virgin and Child, Portrait of Marietta Strozzi, Meeting of Christ and St John the Baptist as Youth, Tabernacle (detail), Mary Magdalene, The Christ Child (.), A Little Boy, Laughing Boy, Tabernakel ja Tomb of Carlo Marsuppini (detail). Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Katalogissamme on 12 teosta taiteilijalta Desiderio Da Settignano, aikaväliltä 1450–1464.
Pääasiassa San Lorenzon basilika (Firenze), National Gallery of Art (Washington) ja Santa Croce - Firenze (Firenze). Yllä oleva museotaulukko listaa ne kaikki.
Aikakaudella 1460: 5 sivun 12 teoksista on tehty silloin, joista Portrait of Marietta Strozzi.
Tällä sivulla vanhin on Virgin and Child (1450) ja uusin Mary Magdalene (1464).
Marble (7), Sculpture (6) ja Marble sculpture (5), yhteensä 12 teosta tällä sivulla.
Marble, 8 teoksesta sivun 12 teoksesta.
Renaissance ja Early renaissance, tämän sivun alkuperäisteosten perusteella.
Tabernacle (detail), Tabernakel ja Tabernacle (detail): San Lorenzon basilika, Firenze -ssä on 3 tämän sivun teoksista.
