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Emo Eve (Two faces)

Vibrant mixed-media portrait featuring blue hair and scattered papers by Winfred Nana Amoah (2020); discover this contemporary Ghanaian exploration of identity.

Winfred Nana Amoah is a Ghanaian artist (b. 1996) creating mixed-media art from recycled materials. His work explores identity, community & contemporary Ghana through textiles, plastics & found objects.

Tällä sivulla esitettyä taideteosta suojaa tekijänoikeuslaki, mikä tarkoittaa, ettemme voi laillisesti luoda tai myydä täsmälleen samanlaista jäljennöstä. Tämä suoja toteutetaan kansainvälisten sopimusten, kuten esimerkiksi Berne-konventio ja kansallisilla laeilla, mukaan lukien niillä määritellyt Yhdysvaltain tekijänoikeuslaki – Luku 17. Kaikki oikeudet pidätetään. Luvaton kopiointi tai jäljittely on kielletty.

Kunnioittavana ja laillisena vaihtoehtona tarjoamme alkuperäisestä inspiroituneita, yksilöllisiä ja käsinmaalattuja taideteoksia. Taitavat ja ammattimaiset taiteilijamme tutkivat huolellisesti alkuperäisen teoksen tyyliä, tunnelmaa ja taiteellista ydintä luodakseen uuden, ainutlaatuisen teoksen, joka herättää saman tunteen – säilyttäen samalla oman itsenäisen alkuperäisyytensä.

Tämä menetelmä noudattaa täysin tekijänoikeussäännöksiä, sillä se ei sisällä suojatun taideteoksen kopioimista tai jäljentämistä. Sen sijaan kyseessä on luova uudelleentulkinta – uusi maalaus, joka ammentaa vaikutteita alkuperäisestä, mutta ei ole sen identtinen kopio.

Käsinmaalattu öljyvärinen jäljennös

Käsinmaalattu öljyväri kankaalle haluamassasi koossa ja kehyksissä, taiteilijoidemme valmistamana tilauksesta. ( Vaihda tulosteeseen Siirry digitaaliseen kuvaan)

Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B 10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118H 10
Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118W 10
Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z 10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH 12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH 12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H 10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z 10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ 10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G 10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ 10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH 10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ 12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C 8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G 10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH 8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y 10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ 10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G 10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ 8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y 10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ 8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J 10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY 15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH 15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G 12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H 8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG 15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ 8

Vakiokoko
mittatilaustyö
CM
INCH

Valitse valmiista mitoistamme sellaiset, jotka vastaavat teoksen alkuperäisiä mittasuhteita.

leveys
korkeus

Voit syöttää omat mitat sopimaan tiettyyn kehykseen tai tilaan. Jos valitsemasi koko ei vastaa alkuperäisen kuvan mittasuhteita, rajaamme taideteoksen tai jatkamme maalausta käsin maalatuilla elementeillä. Digitaalinen esikatselu lähetetään hyväksyttäväksi ennen tuotannon aloittamista.
Huomioithan, että näytöllä oleva esikatselu ei vastaa todellista rajausta tai jatkamista. Vain digitaalinen mallikuva näyttää lopullisen sommittelun tarkasti.
Vaikka mittatilaustyöt ovat mahdollisia, suosittelemme valitsemaan mitan ennalta määritetystä listasta alkuperäisten mittasuhteiden säilyttämiseksi.

Esimerkkejä muokattavista asioista: Vaihda kasvot asiakkaan omaan valokuvaan; Lisää lemmikki (esim. korvaa kissa koiralla); Lisää taustalle piilotettu viesti; Muuta taustan maisemaa tai elementtejä.
Tilauksen jälkeen OriginalUniqueArt.com -tiimi lähettää asiakkaalle sähköpostitse ohjeet ja esikatselukuvan.

Maailmanlaajuinen toimitus () 3–4 viikossa tavallisen 5 viikon sijaan. (9 lokakuu). Laadusta ei tingitä.

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Määräalennus saatavilla

Kokonaishinta

€ 258

Emo Eve (Two faces)

Reproduktiotapa

Replikaatin koko

-

Kokonaishinta

€ 258

Pikaista tietoa

  • Medium: Mixed-media
  • Subject or theme: Personal identities and community belonging
  • Artistic style: Contemporary Ghanaian art
  • Notable elements or techniques:
    • Repurposed materials
    • Acrylic paintings
  • Artist: Winfred Nana Amoah

Taidevisakysely

Jokaisessa kysymyksessä on vain yksi oikea vastaus.

Kysymys 1:
What is the primary medium used by Winfred Nana Amoah in his artwork?
Kysymys 2:
The series 'Emo Eve (Two faces)' primarily depicts what subject matter?
Kysymys 3:
According to the photo description, what distinctive feature is noted about the woman in the painting?
Kysymys 4:
What concept does the artist explore through the faces depicted in his work?
Kysymys 5:
What is the geographical origin of the artist, Winfred Nana Amoah?

The Language of the Face: An Encounter with Winfred Nana Amoah's Vision

To stand before an artwork by Winfred Nana Amoah is to engage in a profound act of co-creation. His series, exemplified here by pieces like Emo Eve (Two faces), does not merely present images; it presents dialogues. The face, as the universal canvas for human expression, becomes the central preoccupation. Amoah invites us into an intimate space where smiles are questioned and stern gazes demand interpretation. He suggests that seeing a face is inherently an act of assumption—we see happiness, we assume joy—and in this very act of assumption lies the fertile ground for artistic inquiry. His work compels the viewer to become an ‘accomplice’ in deciphering the unspoken narratives etched into human features.

Material Alchemy: Transforming Refuse into Resonance

What elevates Amoah's practice from mere portraiture to vital commentary is his radical commitment to material transformation. He rejects the pristine confines of traditional art supplies, instead championing a powerful dialogue with waste. From discarded plastics and textiles remnants to old credit cards and newspapers, he gathers objects often relegated to refuse piles in contemporary Ghanaian life. This process is not simply recycling; it is an act of alchemy. By meticulously weaving these found materials into his mixed-media compositions, Amoah imbues the mundane with profound significance. The resulting texture—a collage of history, consumerism, and personal narrative—gives the work a palpable depth that speaks directly to the complexities of modern existence.

A Portrait in Contemporary Ghanaian Identity

Rooted deeply in his origins in Hohoe, Ghana, Amoah’s art is inseparable from the pulse of contemporary Ghanaian life. His exploration of identity and community belonging takes on an urgent resonance when viewed through this lens. The faces depicted are not just individuals; they are embodiments of a culture navigating rapid modernization while fiercely holding onto its heritage. When we observe the vibrant depiction—such as the striking image featuring blue hair against a backdrop of scattered papers—we see more than just aesthetic flair. We witness a dialogue between deep-seated tradition and the dazzling, sometimes chaotic, influx of global influences.

Emotional Echoes for the Modern Collector

For the collector or designer seeking art that transcends mere decoration, Amoah’s work offers intellectual depth alongside visual splendor. The emotional impact is immediate yet layered; it feels both intensely personal and universally relatable. Reproducing this piece allows one to bring into a space not just a painting, but a conversation starter—a meditation on what we choose to discard and what stories we choose to amplify. It possesses an undeniable energy, making any room feel charged with thoughtful contemplation and vibrant, resilient life.

Kysymykset ja vastaukset

Kuka on teoksen "Emo Eve (Two faces)" taiteilija?

Teos "Emo Eve (Two faces)" on yhdistetty Winfred Nana Amoah.

Mikä paletti ja hallitseva väri määrittelevät teoksen "Emo Eve (Two faces)"?

Winfred Nana Amoah:n "Emo Eve (Two faces)"-teoksessa käytetään Neutrals väripalettia, jossa Midnight Blue (#0a4789) on hallitseva väri.

Mistä maasta Contemporary Art-tyylinen teos "Emo Eve (Two faces)" on peräisin?

Contemporary Art-tyylinen teos "Emo Eve (Two faces)" on Ghana:ssa syntyneen taiteilijan käsialaa.

Minä vuonna teos Winfred Nana Amoah:n "Emo Eve (Two faces)" on luotu?

Teos Winfred Nana Amoah:n "Emo Eve (Two faces)" on valmistunut vuonna 2020.

Voiko teoksen Winfred Nana Amoah:n "Emo Eve (Two faces)" kuvaa käyttää vapaasti jäljentämiseen?

Tekijänoikeustiedot teokselle Winfred Nana Amoah:n "Emo Eve (Two faces)": teos on on edelleen tekijänoikeuden suojaama. Tämä määrittää, voidaanko kuvasta tehdä vapaasti jäljennöksiä.

Kuinka vanha Winfred Nana Amoah oli, kun "Emo Eve (Two faces)" luotiin?

Kun "Emo Eve (Two faces)" luotiin vuonna 2020, Winfred Nana Amoah (syntynyt 1996) oli 24 vuotias.

Mistä voin löytää tilastoja teoksesta Winfred Nana Amoah:n "Emo Eve (Two faces)"?

Winfred Nana Amoah:n "Emo Eve (Two faces)" -teoksen Tilastot esittää julkiset käyntitilastot: teoksen kuukausittaiset vierailut, vertailun taiteilijan katsotuimpiin teoksiin sekä tiedot siitä, mistä vierailijat ovat kotoisin.


Taiteilijan elämäkerta

Winfred Nana Amoah: Transforming Waste into Vision

Winfred Nana Amoah’s artistic journey began in Hohoe, Ghana, a region steeped in tradition and increasingly shaped by the complexities of modern life. Born in 1996, he possesses an innate understanding of both heritage and contemporary concerns—a duality that profoundly informs his distinctive approach to artmaking. Rather than relying on conventional mediums like paintbrushes and canvases, Amoah champions a radical reimagining of artistic expression through repurposed materials. He meticulously gathers discarded plastics, textiles remnants, old credit cards, research articles, and newspapers – objects often overlooked as refuse – transforming them into sculptural forms that resonate with layered meanings.
  • Early Influences: Amoah’s formative years were marked by exposure to the vibrant cultural landscape of Ghana, fostering a deep appreciation for storytelling and visual representation within indigenous traditions.
  • Material Exploration: His fascination with recycled materials stems from a desire to confront issues of sustainability and resource consumption while simultaneously honoring the beauty inherent in discarded objects. He sees potential where others perceive waste.
  • Technique & Process: Amoah’s technique is characterized by painstaking assemblage and manipulation, combining sculptural carving with textile weaving and collage methods. This deliberate process underscores his commitment to transforming ordinary items into extraordinary artworks.
His artistic output centers around exploring themes of identity and belonging—particularly within the context of contemporary Ghana. Pieces like “Emo Eve (Two faces)” and “Dumevi (A native of the town)” exemplify this preoccupation, presenting fragmented figures constructed from plastic and textile fragments that simultaneously convey vulnerability and resilience. These artworks aren’t merely decorative; they are statements about cultural heritage and personal experience interwoven into a broader critique of societal narratives. Amoah's work speaks to the challenges faced by individuals navigating shifting social landscapes while retaining connection to their roots.

Notable Achievements & Recognition

Though relatively young, Amoah’s artistic endeavors have garnered considerable attention within Ghana’s burgeoning art scene. Exhibitions showcasing his sculptures and textile installations have been praised for their conceptual depth and skillful execution. Furthermore, collaborations with local organizations promoting environmental awareness demonstrate Amoah's commitment to using his art as a vehicle for social commentary.

Symbolism & Conceptual Depth

Amoah’s artistic vision transcends mere aesthetic appeal; it operates on multiple levels of symbolic significance. The selection of recycled materials isn’t arbitrary but deliberate—a conscious act of reclaiming discarded objects and repurposing them to communicate powerful ideas about consumption, memory, and transformation. Each piece embodies a narrative that invites contemplation regarding our relationship with the environment and the stories embedded within everyday life.

Historical Significance & Future Directions

Winfred Nana Amoah’s contribution to Ghanaian art is significant in its refusal of established conventions and its embrace of innovative approaches rooted in ecological consciousness. He represents a new generation of artists actively engaging with pressing social issues while simultaneously honoring artistic traditions. As he continues to develop his practice, Amoah promises to further enrich the dialogue surrounding identity, sustainability, and visual storytelling—solidifying his place as a compelling voice within the evolving landscape of contemporary African art.
Winfred Nana Amoah

Winfred Nana Amoah

1996 - , Ghana

Tietoa taiteilijasta

  • Full Name: Winfred Nana Amoah
  • Nationality: Ghanaian
  • Date Of Birth: 1996
  • Place Of Birth: Hohoe, Ghana
  • Notable Artworks:
    • Emo Eve (Two faces)
    • Dumevi (A native of the town)
  • Artistic Movement Or Style: Mixed media