Tilaa käsin maalattu teos kohteesta Compulsory wedding - Mature Period

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In the work of art the composition is consist of three parts, the wedding party of Layla and Ibn Salam has been depicted. In lower left part, Ibn Salam with white aba sitting in tent and sunk in thoughts, in the right side next to him crying Layla in red dress has been depicted who has turned her face from him. In the center of the painting guests surrounding the golden coloured wedding tent and in the upper part camel caravan going in the darkness have been painted.The composition full of dramatic effects is in a dark purple frame. Dark blue, red, yellow and green colours have been used.

Taiteilijan elämäkerta

Mikayil Abdullayev: A Visionary Painter of Soviet Azerbaijan

Mikayil Huseyn oglu Abdullayev (19 December 1921, Baku – 21 August 2002, Baku) stands as a towering figure in Azerbaijani art history—a testament to the enduring legacy of Soviet realism blended with profound artistic sensitivity. Born in Baku, Azerbaijan SSR, during a period marked by significant social and political transformation, Abdullayev’s life was inextricably linked to the burgeoning cultural landscape of his homeland. His formative years were shaped by the influence of Sergei Vasilyevich Gerasimov, a celebrated Russian artist whose pedagogical approach championed lyrical landscape as taught by Konstantin Korovin and Sergei Ivanov—a cornerstone of Abdullayev's artistic development.

Early Education & Artistic Training:
Moscow Art Institute: A Synthesis of Tradition and Innovation
Exploring India: Color, Symbolism, and Narrative Depth
Portraiture as Reflection of Character and Societal Values
Legacy and Recognition: People’s Artist Honors

Abdullayev's artistic journey commenced with studies at the Baku Art College, where he honed his skills under Azim Azimzadeh—a figure revered for his mastery of Azerbaijani art. Subsequently, he pursued higher education at the Surikov Moscow Art Institute, immersing himself in Gerasimov’s teachings and absorbing the stylistic precepts of Russian masters like Korovin and Ivanov. This dual influence proved pivotal in shaping Abdullayev's artistic vision—a harmonious blend of realism and lyrical expression that distinguishes his oeuvre. The artist’s fascination with India propelled him to embark on extensive expeditions throughout Asia, resulting in a series of paintings that captivated audiences worldwide. These works transcended mere visual representation; they functioned as narratives imbued with symbolic depth and conveying profound emotional resonance. Abdullayev's palette—characterized by vibrant hues and subtle tonal variations—became synonymous with the expressive power of color, mirroring Gerasimov’s masterful technique in capturing the essence of Russian landscapes. His canvases depict scenes from India, Afghanistan, Hungary, Poland, Italy and other countries, showcasing his artistic versatility and unwavering commitment to exploring diverse cultural contexts. Abdullayev's prolific output encompassed portraits that captured not only physical likeness but also psychological nuance—reflecting his astute understanding of human character and societal values. Among his notable subjects were luminaries of Azerbaijani culture: Uzeyir Hajibeyov, Samad Vurgun, Mirza Fatali Akhundov and Farhad Badalbeyli—figures whose lives and accomplishments he immortalized with meticulous detail and artistic grace. His paintings were exhibited in prominent cities across Europe and Asia, cementing his reputation as a globally recognized artist. Abdullayev’s contribution to Azerbaijani art was formally acknowledged through the prestigious titles of People's Painter of the USSR (1963) and People’s Painter of Azerbaijan SSR (1963)—honors bestowed upon him for his unwavering dedication to artistic excellence and his profound impact on the cultural heritage of his nation. His enduring legacy continues to inspire artists and scholars alike, ensuring that Mikayil Abdullayev's name remains etched in the annals of Soviet and Azerbaijani art history—a beacon of creativity and artistic integrity.

mikayil huseyn oglu abdullayev

1921 - 2002 , Azerbaijan

Pikatiedot

Artistic Movement Or Style: Social realism
Artists Or Movements Influenced By This Artist: ['Impressionism']
Artists Who Influenced This Artist: ['Sergei Vasilyevich Gerasimov']
Date Of Birth: December 19, 1921
Date Of Death: August 21, 2002
Full Name: Mikayil Huseyn oglu Abdullayev
Nationality: Azerbaijani
Notable Artworks:
- Bengali Girls
- Rajasthani Women
- An Old Afghan
Place Of Birth: Baku, Azerbaijan

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