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Centre of Contemporary Art Znaki Czasu

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iwona langowska
The Touch\n\nReference Image

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The Touch by Iwona Langowska is a multi-perspective sculpture, with each side presenting its different appearance. In the front part, the stone was roughly dressed, unsmoothed. However, the sides and back – even though the texture remains rough – have more precise, cubic design, being cut perpendicular to the ground plane. Two types of stone have been used here, they vary in tint: light-coloured at the bottom and grey-pink, in some parts polychromed, at the top. The different nature of the material is also highlighted by the diversity in composition of these elements: the block at the bottom constitutes in fact a kind of quasi-pedestal, the socle whose spatial form resembles half-length presentation of the body and the head attached. The back side of the sculpture conceals a surprise – in a niche carved in the upper part of the “bust” there is a braid, made of natural hair, running down the “back”. [N. Cieślak]The Touch by Iwona Langowska is a multi-perspective sculpture, with each side presenting its different appearance. In the front part, the stone was roughly dressed, unsmoothed. However, the sides and back – even though the texture remains rough – have more precise, cubic design, being cut perpendicular to the ground plane. Two types of stone have been used here, they vary in tint: light-coloured at the bottom and grey-pink, in some parts polychromed, at the top. The different nature of the material is also highlighted by the diversity in composition of these elements: the block at the bottom constitutes in fact a kind of quasi-pedestal, the socle whose spatial form resembles half-length presentation of the body and the head attached. The back side of the sculpture conceals a surprise – in a niche carved in the upper part of the “bust” there is a braid, made of natural hair, running down the “back”.In her sculptural activity, Iwona Langowska uses natural characteristics of the material she works with – stone – with its distinctive attributes, such as colour and texture. The artist often leaves it almost unwrought, in the state in which she found it, not developing the solid surface in great detail. At the same time, she plays with this craft, bringing non-traditional materials into her compositions – in the case of the discussed sculpture: a girl

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Iwona Langowska: A Sculptor of Perspective and Natural Materials

Born: Information unavailable, Poland
Status: Living

Iwona Langowska (also known as Iwona ługowska or Iwona lugowska) is a contemporary Polish artist recognized for her innovative sculptural work. Her artistic practice centers around exploring multi-perspective viewpoints and utilizing unconventional materials to create thought-provoking pieces.

Artistic Style and Notable Works

Langowska's signature style involves the creation of sculptures that challenge traditional notions of form and perspective. Her most recognized piece is 'The Touch,' a sculpture demonstrating her unique approach. This work exemplifies her ability to integrate diverse elements, including natural materials like hair, into complex compositions.

'The Touch': This multi-perspective sculpture is arguably Langowska’s defining achievement. It showcases her innovative use of materials and exploration of viewpoint. Notably, the sculpture incorporates a braid made of natural hair on its reverse side, adding an unexpected layer of texture and meaning.

Materials and Techniques

A key characteristic of Langowska's artistic process is her respect for the inherent qualities of the materials she employs. She often leaves them in a state that appears almost 'unwrought,' allowing their natural textures and forms to remain visible. This approach extends to her selection of non-traditional materials, as seen in ‘The Touch,’ where human hair becomes an integral part of the sculpture's design.

Natural Materials: Langowska frequently incorporates natural elements into her sculptures, emphasizing their inherent beauty and texture.
Unconventional Choices: Her willingness to use non-traditional materials like hair demonstrates a desire to push boundaries and explore new artistic possibilities.
Minimal Intervention: The artist's preference for minimal intervention allows the raw character of the materials to shine through, contributing to the sculptures’ unique aesthetic.

Innovation and Patents

Beyond her sculptural practice, Iwona Langowska has demonstrated an inventive spirit by filing patents related to her artistic inventions. This highlights a commitment to both creative expression and technological innovation.

Patents: Langowska’s patent filings suggest a dedication to protecting her unique artistic processes and designs.
Invention: Her involvement in inventing further underscores her multifaceted approach to creativity, blending art with technical ingenuity.

Online Presence

Iwona Langowska maintains an online presence through platforms like Facebook and LinkedIn, allowing for broader engagement with audiences interested in her work.

iwona langowska

Poland

Pikatiedot

Artistic Movement Or Style: Contemporary sculpture
Current Biography: A Polish artist known for multi- perspective sculptures and inventions.
Full Name: Iwona Langowska
Nationality: Polish
Notable Artworks: ['The Touch']
Other Names:
- Iwona ługowska
- Iwona lugowska

The Touch\n\nReference Image

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