Esikatselu
Jaa
Jaa
Tarkemmat tiedot
Lataa
Samanlaisia
Röntgenkuva
DiaesitysGrey Day
Regionalism
1963
39.0 x 59.0 cm
Näytä lisää
Giclée-printit ja taideprintit
Museolaatuisia giclée- tai kankaitaulun tulosteita nopealla tuotannolla ja joustavilla viimeistelyvaihtoehdoilla. (
Vaihda käsinmaalattuun versioon Vaihda kuvaksi)
Valitse valmiista mitoistamme sellaiset, jotka vastaavat teoksen alkuperäisiä mittasuhteita.
Voit syöttää omat mitat sopiaksesi tiettyyn kehykseen tai tilaan. Jos valittu koko ei vastaa alkuperäisen kuvan mittasuhteita, rajaamme teosta tai laajennamme kuvaa peilatulla tai yhtenäisellä reunalla. Digitaalinen mallikuva lähetetään hyväksyttäväksi ennen tuotannon aloittamista.
Huomaathan, että näytöllä näkyvä esikatselu ei vastaa lopullista rajausta tai laajennusta. Vain mallikuva näyttää lopullisen sommittelun tarkasti.
Vaikka räätälöityjä kokoja on saatavilla, suosittelemme valitsemaan mitat valmiista listasta alkuperäisten mittasuhteiden säilyttämiseksi.
Toimitus maailmanlaajuisesti () kahdessa viikossa tavallisen 4–5 viikon sijaan. (6 elokuu)
Ilmainen pikatoimitus ympäri maailman
Korkealaatuinen pellavakangas
Kattava kuljetusvakuutus
Tulliveron palautustakuu
Täydellinen värien vastaavuustakuu
60 päivän palautusoikeus (vain valmistusvirheet)
100% rahat takaisin -takuu
Määräalennus tarjous
Lasivaihtoehto on saatavilla vain alle 110 cm kokoisina teoksina
Grey Day
Giclée-printit ja taideprintit
Replikaatin koko
-
Kokonaishinta
$ 80
Teoksen kuvaus
The Artist's Background
Adolf Dehn was an American artist known for his work in lithography, illustration, drawing, watercolors, and casein painting. Born on November 22, 1895, in Waterville, Minnesota, Dehn began creating artwork at the age of six and went on to produce nearly 650 images throughout his career. He was a two-time recipient of the Guggenheim Fellowship and was known for his technical skills and high-spirited depictions of human foibles.The Painting
Grey Day is a beautiful example of Dehn's work, showcasing his ability to capture the essence of everyday life. The piece features a cityscape with snow on the ground, trees that have lost their leaves, and people scattered throughout the scene. Two dogs are also present in the painting, adding a touch of warmth and humanity to the otherwise cold and snowy landscape.- Medium: Color lithograph on paper
- Size: 15 3/8 x 23 1/4 in.
- Location: Smithsonian American Art Museum
To learn more about Adolf Dehn and his work, check out his biography on Wikipedia.
Taiteilijan elämäkerta
Early Life and Education
- Born: November 22, 1895, in Waterville, Minnesota
- Parents: Arthur Clark Dehn (father) and Emilie Haas Dehn (mother), both socialists.
- Early artistic talent evident from the age of six.
- Graduated as valedictorian from Waterville High School in 1914.
- Attended the Minneapolis School of Art (later Minneapolis College of Art and Design) from 1914 to 1917. Studied under Robert Kohler.
- Formed a close friendship with Wanda Gág, also an artist.
- Received a scholarship to the Art Students League of New York in 1917.
World War I and Early Career
- Drafted into World War I in 1918 but declared himself a conscientious objector.
- Imprisoned for four months in Spartanburg, South Carolina, due to his objection.
- Later worked as a painting teacher at an army rehabilitation hospital in Asheville, North Carolina.
- Returned to the Art Students League for further study.
- Created his first lithograph, *The Harvest*, around 1920.
- Exhibited his lithographs at the Weyhe Gallery in New York City in 1921.
European Period and Development as an Artist
- Traveled to Europe in 1921, residing primarily in Paris and Vienna.
- Associated with a group of intellectuals and artists including Andrée Ruellan, Gertrude Stein, and E.E. Cummings.
- Supported himself through illustration work for magazines like *Vanity Fair*.
- Developed his distinctive style characterized by unusual tonal and textural effects in printmaking.
- His work began to reflect the social scene of Europe, particularly Vienna and Berlin.
Return to America and Mature Artistic Style
- Returned to New York City in 1929.
- Artwork featured in magazines such as *The New Yorker* and *Vogue*.
- Began focusing on watercolor painting in the mid-1930s, achieving significant recognition.
- Received a Guggenheim Fellowship in 1939, enabling travel to the Western United States and Mexico.
- His watercolors depicted scenes of farms and farmlands in rural America, inspired by trips back to Minnesota.
- Became known for his vibrant landscapes and depictions of everyday life.
- Second Guggenheim Fellowship awarded in 1951.
Legacy and Historical Significance
- Elected as a full academician to the National Academy of Design and a member of the National Institute of Arts and Letters.
- His works are held in over 100 museums worldwide, including the Smithsonian American Art Museum, Metropolitan Museum of Art, and Museum of Modern Art.
- Recognized for his contributions to lithography, watercolor painting, and caricature.
- Influenced other artists, notably Jackson Pollock, with his innovative techniques.
- Died on May 19, 1968, leaving behind a prolific body of work that reflects his diverse experiences and artistic evolution.
- His art is considered representative of Regionalism, Social Realism, and caricature movements in American art.
Adolf Dehn
1895 - 1968 , United States of America
Pikatiedot
- Artistic Movement Or Style:
- Regionalism
- Social Realism
- Caricature
- Artists Or Movements Influenced By This Artist: ['Jackson Pollock']
- Date Of Birth: November 22, 1895
- Date Of Death: May 19, 1968
- Full Name: Adolf Dehn
- Nationality: American
- Place Of Birth: Waterville, United States
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