Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 47 teost Giambologna meie kataloogis
Lühidalt
Galleriist vaadatuna on Giambologna kõige kuulsam teos Rape of the Sabines (1581), mille originaal ripub Loggia dei Lanzi-is, Firenze. Rape of the Sabines (1585) ja Crouching Venus täidavad kolmikut, mille iga silm tunnistab. Kunstnii Giambologna 47 teose põhjal esitleb galeriis allpool 47 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
The struggle unfolds in marble, a frozen moment of intense movement known as the Rape of the Sabines. Created by the sculptor Giambologna, this work captures the sudden, violent abduction of Sabine women by Roman patricians. The figures twist and pull against one another, caught in a perpetual state of tension that defies the stillness of the stone. It is a scene of profound upheaval, where the force of the…
The sculpture titled Rape of the Sabines by the artist Giambologna depicts a specific moment of abduction and struggle. This work was completed between 1579 and 1583 for Francesco I de' Medici of Tuscany. The subject matter originates from the legendary tale of the founding of Rome, specifically the event where Etruscan kings abducted Sabine women to secure alliances. This narrative provides the basis for the physical interaction between the…
To gaze upon Giambologna's Crouching Venus is to encounter a moment suspended between dream and reality. This magnificent bronze sculpture does not merely depict the goddess; it embodies her very essence—a confluence of divine beauty, earthly sensuality, and exquisite artistic tension. The figure is captured in a pose that is both languidly graceful and dynamically charged. She seems caught mid-thought, or perhaps mid-sigh, allowing the viewer an intimate glimpse into…
Giovanni da Bologna, universally known as Giambologna (1529 – 1608), remains a titan amongst sculptors of the Italian Renaissance and Baroque eras. Born in Douai, Flanders—now France—his artistic trajectory began with foundational training under Jacques Du Broeucq in Antwerp before he decisively chose Rome in 1550 as his creative crucible. This relocation wasn’t merely geographical; it was a profound immersion into the intellectual currents of classical sculpture and the stylistic…
To stand before a depiction such as the Anointment of the Dead Christ is to be drawn into a moment suspended between profound death and nascent resurrection. This bronze painting captures an intimacy that transcends mere narrative; it breathes with the weight of sacred ritual. The composition centers on the figure reclined upon the stone slab, his hands folded in a gesture of ultimate surrender or quiet acceptance. It is…
Giambologna's "Astronomy," a bronze sculpture created around 1580, isn’t merely a depiction of a woman gazing upwards; it’s an invitation to contemplate the vastness and beauty of the cosmos. This masterpiece, currently residing within the Metropolitan Museum of Art in New York City, embodies the height of Mannerist artistry – a style characterized by its elegant restraint, dynamic poses, and profound psychological depth. The sculpture immediately draws the viewer in…
The bronze figure of Apollo emerges from the shadows, a classical male form captured in a moment of grace. Created by the sculptor Giambologna, this work presents the mythological deity in a state of poised vitality. The metal carries the weight of history, holding the shape of a god who moves with an effortless, rhythmic elegance. Every muscle and curve of the bronze speaks to a life caught in mid-motion,…
Giambologna's "Bathing Venus," a bronze sculpture of breathtaking elegance and subtle sensuality, isn’t merely a depiction of a goddess; it’s an embodiment of the Renaissance fascination with classical ideals, a testament to masterful technique, and a poignant exploration of beauty itself. Created during the late 16th century, this captivating work transcends its historical context, offering a timeless allure that continues to resonate with viewers today. The sculpture captures Venus in…
Mercury (rear view) is a bronze sculpture by the Flemish-born artist Giambologna. Created in 1580, the work represents the Roman messenger god, a figure defined by his swiftness and intellect. This specific perspective offers a view of the deity from behind, emphasizing the physical tension and the complex arrangement of the limbs.
Giambologna's "Astronomy," a bronze sculpture commanding attention with its opulent gilding and dynamic pose, isn’t merely a depiction of a figure; it’s an invitation to contemplate the vastness of the cosmos. Created during the height of Mannerism in the early 17th century, this piece transcends simple portraiture, embodying a profound connection between humanity and the heavens. The sculpture, housed within the Metropolitan Museum of Art in New York City, immediately…
Rape of the Sabines1581 · Loggia dei Lanzi
12
Fountain of Neptune1563 · Piazza Maggiore
13
Triumph of Virtue over Vice1564 · Palazzo Vecchio
14
Mercury1563 · Museo Civico Medievale
15
Neptune from the Fountain of Neptune1563 · Piazza Maggiore
16
Rape of the Sabines (12)1581 · Loggia dei Lanzi
17
Schreitender Mars1590
18
Abduction of a Sabine Woman1583 · Palazzo Vecchio
19
The Rape of a Sabine Woman1583
20
Turkey1560 · Museo Nazionale del Bargello
21
Venus1573
22
Venus1573
23
The Fountain of Oceanus1576 · Boboli aiad
24
Perseus1576 · Boboli aiad
25
Appenine1570 · Villa Medici aed
26
Appenine (detail)1570 · Villa Medici aed
27
Rape of the Sabines1581 · Loggia dei Lanzi
28
Mercury (front view)1580 · Museo Nazionale del Bargello
29
Rape of the Sabines (back view)1581 · Loggia dei Lanzi
30
Equestrian Portrait of Cosimo I1587 · Piazza della Signoria
31
Equestrian Portrait of Cosimo I (11)1587 · Piazza della Signoria
32
Equestrian Portrait of Cosimo I (12)1587 · Piazza della Signoria
33
Cosimo I Triumphant over Siena (detail)1595 · Piazza della Signoria
34
Hercules and the Centaur1600 · Loggia dei Lanzi
35
Saint John the Evangelist1602
36
BullMetropolitan Museum of Art
37
Francesco I De' MediciMetropolitan Museum of Art
38
Anointment of the Dead ChristMetropolitan Museum of Art
39
Psychomachia Or Victory of Virtue over Vice
40
Hercules and CerberusWalters Art Museum
41
FortunaMetropolitan Museum of Art
42
Tugend, das Laster bezwingend1600
43
Mars Gradivus1580
44
Door KnockerMetropolitan Museum of Art
45
Triton
46
Virgin of Humility with Saints
47
Lion Attacking a HorseWalters Art Museum
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseum | Linn | Giambologna teosed | Selle nimekirja maalid |
|---|---|---|---|
 Metropolitan Museum of Art |
New York | 10 | Crouching Venus, Anointment of the Dead Christ, Astronomy |
 Loggia dei Lanzi |
Firenze | 6 | Rape of the Sabines, Rape of the Sabines, Rape of the Sabines (12) |
 Piazza della Signoria |
Firenze | 4 | Equestrian Portrait of Cosimo I, Equestrian Portrait of Cosimo I (11), Equestrian Portrait of Cosimo I (12) |
 Palazzo Vecchio |
Firenze | 3 | Apollo, Triumph of Virtue over Vice, Abduction of a Sabine Woman |
 Museo Nazionale del Bargello |
Firenze | 3 | Mercury (rear view), Turkey, Mercury (front view) |
 Piazza Maggiore |
Bologna | 2 | Fountain of Neptune, Neptune from the Fountain of Neptune |
 Boboli aiad |
Firenze | 2 | The Fountain of Oceanus, Perseus |
 Villa Medici aed |
Pratolino | 2 | Appenine, Appenine (detail) |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The Fountain of Neptune is a bronze and stone monument located in Piazza del Nettuno, adjacent to Piazza Maggiore in Bologna, Italy. Created by the sculptor Giambologna, the work emerged from a collaboration with the architect Tommaso Laureti. The project was commissioned to glorify the Papal State of Pope Pius IV. It was constructed between 1563 and 1566.
The sculpture titled Venus is a work by the artist Giambologna. This figure represents a female nude, depicted in a seated position. The subject matter focuses on the goddess Venus, often associated with themes of love and fertility.
The struggle unfolds in marble, a frozen moment of intense movement known as the Rape of the Sabines. Created by the sculptor Giambologna, this work captures the sudden, violent abduction of Sabine women by Roman patricians. The figures twist and pull against one another, caught in a perpetual state of tension that defies the stillness of the stone. It is a scene of profound upheaval, where the force of the…
The bronze sculpture titled Schreitender Mars captures a singular moment of movement. Created by the sculptor Giambologna, the work presents a muscular male figure in a heroic pose. This depiction of a Roman god occupies the space with a sense of weight and purpose. The metal holds the tension of a stride caught in mid-motion.
The marble sculpture Hercules and the Centaur by Giambologna captures a moment of violent collision. Created about 1600, the work freezes the struggle between the hero Hercules and the centaur Nessus. It is a study of muscle against muscle, a knot of limbs caught in a sudden, heavy tension.
Rape of the Sabines (1581), Loggia dei Lanzi, Firenze. Järgnevad Rape of the Sabines (1585) ja Crouching Venus.
52 aastat vanus: teos Rape of the Sabines on pärinev aastast 1581 ning Giambologna sündis aastal 1529.
Rape of the Sabines, Rape of the Sabines, Crouching Venus, Mercury, Anointment of the Dead Christ, Astronomy, Apollo, Bathing Venus, Mercury (rear view) ja Astronomy. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 47 teost kunstnikult Giambologna, mis on pärinevad ajastust 1560 kuni 1602.
Peamiselt Metropolitan Museum of Art (New York), Loggia dei Lanzi (Firenze) ja Piazza della Signoria (Firenze) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1580s: 15 47 sellel lehel olevat teost on sellel perioodil loodud, sellest Rape of the Sabines.
Sellel lehel on kõige vanem teos Turkey (1560) ja kõige värskeim Saint John the Evangelist (1602).
Sculpture (20), Bronze (15) ja Man (14), kogu selle lehekülje 47 teose kohta.
Bronze, 17 teoseks 47 töödelt sellel lehel.
Mannerism, seda lähtudes selle lehe originaalteostest.
Crouching Venus, Anointment of the Dead Christ ja Astronomy: Metropolitan Museum of Art, New York säilitab 10 selle lehel olevat teost.
