Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 93 teost Philipp Peter Roos meie kataloogis
Lühidalt
Kõigist Philipp Peter Roos jäetud originaalteostest on kõige kuulsam Goats and Flock of Sheep (1681), mis kuulub Bavaria riiklikud maalidema kogumikud kogele linnas München. Järgnevad sellest Piece of Livestock (1681) ja Landscape with Cattle and Shepherd (1681). Meie kataloogist löytyb 93 teost kunstnikult Philipp Peter Roos; galeriist on säilitatud 92 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
Goats and Flock of Sheep is an oil painting by Philipp Peter Roos. The artist, who was also known by the moniker Rosa di Tivoli, produced this work about 1681. He was a German Baroque painter born in Sankt Goar, Germany.
Piece of Livestock is an oil painting by Philipp Peter Roos, executed in 1681. The work originates from the Baroque period, a time when the artist was establishing his presence within the Italianate landscape tradition.
Landscape with Cattle and Shepherd is a work by the German Baroque painter Philipp Peter Roos. Created about 1681, the painting reflects the artist's specialized focus on pastoral scenes and animal subjects. Roos was a significant figure in the development of Italianate landscapes, often characterized by his intimate study of livestock and the natural environment.
In Piece of Livestock, Philipp Peter Roos organizes a pastoral scene through a close-up, ground-level perspective that establishes an immediate intimacy with the subjects. The composition is dominated by a large, seated cow positioned slightly to the right of the center. To the left, a smaller lamb or calf provides a sense of scale, while a woman interacts with a dog in the space behind the primary subject. This arrangement…
Resting Flock with Shepherds is an oil painting by the German Baroque artist Philipp Peter Roos. Created about 1681, this work captures a quiet moment within a rugged landscape. The composition focuses on a group of livestock and a shepherd, rendered with a sense of immediate presence that draws the viewer into the scene.
Resting Flock with Shepherds is an oil painting by Philipp Peter Roos. The canvas captures a heavy stillness among livestock and their guardian. This work was created about 1681. It presents a scene of animals and men gathered in a quiet, layered space under a turbulent sky.
In this Baroque-style oil painting, the mythological drama of the Liberation of Io unfolds with a sudden, heavy intensity. Created by Philipp Peter Roos about 1681, the scene captures a moment of profound tension between the divine and the mortal. A massive, powerful bull dominates the foreground, its muscular form rendered with a weight that feels almost tangible. This central figure looms over the landscape, its presence commanding the space…
This oil on canvas painting, dated 1681, presents a monochromatic scene rendered in various shades of gray. In the foreground, a young woman is positioned amidst a group of livestock, including sheep or goats. The composition is a medium shot, placing the human subject and the animals in the immediate front and middle ground. The terrain is undulating, forming rolling hills that recede into a background of hazy mountains and…
Returning Flock with Shepherds is an oil painting by Philipp Peter Roos. Created about 1681, the work captures a quiet moment of pastoral movement. The artist, a German Baroque painter, was born in Sankt Goar. He would later become known by the moniker Rosa di Tivoli.
The scene unfolds in Shepherd with Cow, Sheep and Goats in Italian Mountain Landscape, a work that captures a quiet moment of pastoral life. This painting, created about 1680, brings together a shepherd and his diverse herd amidst a rugged, mountainous setting. The figures and animals exist within a landscape that feels both immediate and deeply rooted in the natural world.
Goat Herd with a Goatherd1680 · Slovaki Riiklik Kunstigaleri
12
The Herd1698 · Jekaterinburgi bildkunste muuseum
13
Cattle Piece1688 · Statens Museum For Kunst
14
Landscape with a Bull, Sheep and Goats1688 · Statens Museum For Kunst
15
A Shepherd with his Herd1688 · Statens Museum For Kunst
16
Goats and Sheep1690 · Krakovi Riiklik Muuseum
17
Goats and Sheep1690 · Krakovi Riiklik Muuseum
18
Shepherd's Idyl in a Romantic Landscape with Ruins1700 · Slovaki Riiklik Kunstigaleri
19
Herd by an Ancient Well1700 · Slovaki Riiklik Kunstigaleri
20
Shepherd Couple and Small Livestock in Italian Landscape1710 · Bavaria riiklikud maalidema kogumikud
21
Orpheus and the animals1700 · Gemäldegalerie
22
Shepherd and sheeps1700 · Musée d'art et d'histoire de Narbonne
23
Various animals gathered before Noah's Ark1669 · Museo del Prado
24
A Military Encampment1655 · Detroit Institute of Arts
25
Landscape with Cattle, Goats and Figures
26
Caravan at the Fountain1681 · Bavaria riiklikud maalidema kogumikud
27
Shepherd Scene1680 · Bratislava City Gallery
28
Herdestück1681 · Bavaria riiklikud maalidema kogumikud
29
Piece of Cattle1681 · Bavaria riiklikud maalidema kogumikud
30
Herdestück1681 · Bavaria riiklikud maalidema kogumikud
31
The Animals Leave the Ark of Noah1680
32
Bolognese Dog1688 · Statens Museum For Kunst
33
The Rest after the Hunt1695
34
Ravine with a Stream, a Shepherd and His HerdRahvuslik Galerii Praha
35
Herd with Sleeping ShepherdsKunsthistorisches Museum
36
Landscape with a Grotto1690 · Hermitage muuseum
37
Shepherd with Goat Herd, Horse and Two DogsBavaria riiklikud maalidema kogumikud
38
Landscape with CattleNational Gallery of Ireland
39
Landscape with shepherd and animalsNational Museum of Fine Arts
40
Landscape with figures and animalsNational Museum of Fine Arts
41
Shepherd and animals in a landscapeNational Museum of Fine Arts
42
Shepherd and animals in a landscapeNational Museum of Fine Arts
43
Landscape with Goatherd and GoatsMuseum of Fine Arts
44
Horse and Goats GrazingRahvuslik Galerii Praha
45
Shepherd with a Herd of Sheep and GoatsRahvuslik Galerii Praha
46
Landscape
47
A Landscape with a Milkmaid
48
Rider MeetingKunsthistorisches Museum
49
PigeonsStatens Museum For Kunst
50
Landscape with a WaterfallHermitage muuseum
51
Dead HareNationalmuseum
52
Landscape with Flock of SheepKunsthistorisches Museum
53
Sheep and Goat in a Rocky Landscape,Städel Museum
54
Landskap med hjordNationalmuseum
55
A Goat RestingNationalmuseum
56
Grasing sheeps
57
Landscape with SheepHarvard Art Museums
58
Rams with ruins in the backgroundVarssavi Rahvusmuuseum
59
Herd in the mountainsVarssavi Rahvusmuuseum
60
Cattle at the waterfallVarssavi Rahvusmuuseum
61
Birds in a Landscape
62
Landscape with Shepherd Boy and Sheep
63
The stag hunt
64
Horse and Goats
65
Landscape with Shepherd, Sheep and Dog
66
Landscape with Bull, Goats and Attendant
67
Sheep and Landscape
68
Cattle and Sheep
69
A Goatherd and His FlockCalke Abbey
70
Landscape with Sheep
71
The Shepherd and His Horse
72
Pastoral landscape
73
Shepherd with Dog, Goats and Sheep
74
Cattle in an Italian Landscape
75
Landscape with Cattle
76
A waterfall
77
A Shepherd Boy with Sheep, Goats and CattleBelton House
78
Goatherd and Goats
79
Sheep
80
Hounds Attacking a Bull
81
Herdsman Sleeping Amidst His Sheep, Goats and Cattle
82
Goats
83
Farm Animals in a Landscape with an Old Man Drinking
84
Herdsman with Sheep and GoatsNostell Priory
85
Landscape with Goats and Cattle
86
A Shepherd and His Flock in a LandscapeNostell Priory
87
Study of Goats
88
Studies in Human and Animal Anatomy
89
Italianate Landscape with a Goat and Sheep
90
A Goat, Sheep and a Dog Resting in a Landscape
91
Landscape with a HerdHermitage muuseum
92
Lammas ja kariloomad joovamas lillehoo jõelFondazione Brescia Musei
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Philipp Peter Roos teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 15 | Goats and Flock of Sheep, Piece of Livestock, Landscape with Cattle and Shepherd |
 Statens Museum For Kunst |
Kooberemaa | 5 | Cattle Piece, Landscape with a Bull, Sheep and Goats, A Shepherd with his Herd |
 National Museum of Fine Arts |
Buenos Aires | 4 | Landscape with shepherd and animals, Landscape with figures and animals, Shepherd and animals in a landscape |
 Slovaki Riiklik Kunstigaleri |
Bratislava | 3 | Goat Herd with a Goatherd, Shepherd's Idyl in a Romantic Landscape with Ruins, Herd by an Ancient Well |
 Rahvuslik Galerii Praha |
Praha | 3 | Ravine with a Stream, a Shepherd and His Herd, Horse and Goats Grazing, Shepherd with a Herd of Sheep and Goats |
 Kunsthistorisches Museum |
Viin | 3 | Herd with Sleeping Shepherds, Rider Meeting, Landscape with Flock of Sheep |
 Hermitage muuseum |
Stiiitlinburg | 3 | Landscape with a Grotto, Landscape with a Waterfall, Landscape with a Herd |
 Nationalmuseum |
Stockholm | 3 | Dead Hare, Landskap med hjord, A Goat Resting |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
This large-scale oil painting, dated 1669, presents a crowded, maximalist composition of diverse animal species. The arrangement is packed, with various animals overlapping to create a sense of density and movement. The color palette relies on deep, earthy tones, including rich browns, blacks, and dark ochres. These dark shades are interrupted by specific highlights of white and cream, alongside splashes of red from a rooster and parrots. The lighting follows…
Goats and Flock of Sheep is an oil painting by Philipp Peter Roos. The artist, who was also known by the moniker Rosa di Tivoli, produced this work about 1681. He was a German Baroque painter born in Sankt Goar, Germany.
A heavy, dark-colored cow anchors the center of this scene, its presence felt in the weight of its silhouette. To the left, two goats rest upon the ground, one a pale contrast of white and light tan against the shadows. A man sits nearby, leaning back in a moment of stillness, his gaze directed toward the animals or perhaps the viewer. The air in the enclosure feels thick and dim,…
In this work, titled Shepherd's Idyl in a Romantic Landscape with Ruins, the artist Philipp Peter Roos presents a quiet moment of rural existence. Created about 1700, the painting captures a shepherd tending to his flock amidst a landscape of rolling hills and weathered stone structures. There is a sense of stillness in the way the figures and animals occupy the space, suggesting a life governed by the rhythms of…
Goats and Flock of Sheep (1681), Bavaria riiklikud maalidema kogumikud, München. Järgnevad Piece of Livestock (1681) ja Landscape with Cattle and Shepherd (1681).
24 aastat vanus: teos Goats and Flock of Sheep on pärinev aastast 1681 ning Philipp Peter Roos sündis aastal 1657.
Goats and Flock of Sheep, Piece of Livestock, Landscape with Cattle and Shepherd, Piece of Livestock, Resting Flock with Shepherds, Resting Flock with Shepherds, Liberation of Io, Piece of Cattle, Returning Flock with Shepherds ja Shepherd with Cow, Sheep and Goats in Italian Mountain Landscape. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 93 teost kunstnikult Philipp Peter Roos, mis on pärinevad ajastust 1669 kuni 1700.
Peamiselt Bavaria riiklikud maalidema kogumikud (München), Statens Museum For Kunst (Kooberemaa) ja National Museum of Fine Arts (Buenos Aires) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1680s: 21 92 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Goats and Flock of Sheep.
Sellel lehel on kõige vanem teos Various animals gathered before Noah's Ark (1669) ja kõige värskeim Shepherd's Idyl in a Romantic Landscape with Ruins (1700).
Landscape (33), Animals (29) ja Goats (19), kogu selle lehekülje 92 teose kohta.
Oil On Canvas, 18 teoseks 92 töödelt sellel lehel.
Baroque, seda lähtudes selle lehe originaalteostest.
Goats and Flock of Sheep, Piece of Livestock ja Landscape with Cattle and Shepherd: Bavaria riiklikud maalidema kogumikud, München säilitab 15 selle lehel olevat teost.
Itaalia baroki kuldjases valuses on väheseid nimesid, mis suudaksid kutsuma esile maastiku pastoralist rahu nii otseotevasti kui Philipp Peter Roos. Ajaloo on teda tuntnud tema kütkavama monaakriga Rosa di Tivoli, ning see Saksa maastikumeister mueris maastikunäidete žanri sügava ja peaaegu viskeerse sidusega loodusmaailmaga. Sündinud 1655. aastal Reini piirkonnas — täpsemalt lähedal Sankt Goarile — oli Roos onneks mõeldud kunstnik juba oma varajastest aastadest peale. Ta oli Johann Heinrich Roosi, lugupidava maastikukunstniku, Poeg, kes andis talle alguse toonide harmoonia ja kompositsioonilise tasakaalu õppimisel, mis määrkas hiljem kunstniku täiskasvanuline stiili. See varajane õppeperiood ei olnud pelgalt tehnika omandamine; see oli süvenemine maailma nägemisele läbi valguse, varju ja maa vaikse väärikuse.
Roosi elu suund pöördis drastiliselt muutuks 1677. aastal, mida trükkis edasispöörile Hesse-Kasseli valdustepealaine Charles Ii่วม generosity. Tunnustades noore kunstniku kasvavat talent, pakkus valdustepealaine Roosile finantsvahendeid, et ta saaks alustada transformatiivset teekonda Rooma. Migratsioon germaansest traditsioonist Itaalia baroki südames võimaldas Roosil imelda Rooma kunsti vibratilist energiat. Just siin otsis ta mentorlust kuulsalt Giacinto Brandil, kelle mõju aitas täiendada Roosi võimet ühendada klassikaline struktuur spontaalsema ja atmosfäärilise realismiga. See Rooma periood oli ka sügavalt isiklik; just needel aastatel armastus Roosi ja tema mentori tütarlinna Isabella Brandi vahel algas. Nende liit viis ta lõpuks asuma Tivolis, liigutus, mis seostas tema identiteedi igavesti maastikuga, mida ta nii väga armastas.
Rosa di Tivoli teosel on eristav tema loomate teemade võõrustamatu autentikkus. Erinevalt paljudest tema kaasajastest, kes kasutasid loomi maastikus vaid dekoratiivsete lisandena, koheldis Roos iga olendit — massivsest härjast painuki nimble leiteni — portretisti väärikusega. Tema elukoht Tivolis oli kuulsalt loodud kontseptsioonil, mis sarnnes elavale studiouule; ta hoidis üles eksootiliste ja kodaste loomade laia kollektsiooni, muudades oma ümbrivkonna pidevaks liikumise, anatomia ja temperamentide uuringuks. See intiimne lähedus võimaldas tal jäädvustada kõrva peenimad liiged või looma lihaslikku pinge staatust, andes tema linatele hingavalt elavuse.
Tema tehniline meistriarvutus on nähtav måheliselt viisid, kuidas ta navigeeris baroki esteetika keerukuste seas. Kuigi tema kompositsioonid mängivad sageli Hollandi kuldajastu rahustavate ja atmosfääraliste kvaliteetidega, on need täidetud Itaalia kooli iseloomuliku dramaatilise intensiivsusega. Tema teosed peegeldavad sageli:
Philipp Peter Roosi ajalooline tähtsus peitub tema võimes ühendada Põhja-Euroopa struktureeritud maastiktraditsioonid ja Itaalia emotiivne, valgust täis dramaatika. Ta ilmus ajastul, mil selle ajastu teaduslik uurimine hakkas nõudma täpsemat loodusmaailma jälgamist, isegi kui religioosne ja mütooloogiline teema domineeris veel kunstilises teadvuses. Tema maalidest leiab nii naturalisti täpne detailika ja romantiku poeetilise täisvervluse. Dokumenteerides Rooma maastiku flora- ja faunat nii pühendumusega, lõi ta visuaalse rekordsi, mis räägib sama palju kui ajastu vaim, kui ka tema teemast.
Kuigi ta lahkus 1706. aastal, jättes endast Tivoli mullasse etNinatud pärandi, kestis tema mõju. Ta on oluline tegelane kõigile, kes uurib loomapildide (animalier) evolutsiooni ja itaali stiilis maastiku arengut. Tema silmad läbi ei näe meid lihtsalt karja kogumit; me ongi peen tõistund elus, mida ta tähistab kõige igasema ja puhtama vormis. Tema töö jätkub resoneerimas kui tunnistusk vaatlemise jõust ja pastoralistliku ideaali igavesti kestavast kauniduses.
