Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 59 teost Henry Inman meie kataloogis
Lühidalt
Kõigist Henry Inman jäetud originaalteostest on kõige kuulsam Tenskwatawa (1831), mis kuulub National Portrait Gallery kogele linnas Washington, D.C.. Järgnevad sellest Portrait of Mrs. James W. Wallack (1828) ja John Wesley Jarvis (1822). Meie kataloogist löytyb 59 teost kunstnikult Henry Inman; galeriist on säilitatud 57 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
This oil on canvas portrait depicts Tenskwatawa, a Shawnee prophet and holy man who lived from approximately 1775 to 1837. The subject is the brother of the Shawnee leader Tecumseh. The work is dated 1831. It was executed by the American artist Henry Inman, who was born in 1801.
The Portrait of Mrs. James W. Wallack is an oil on canvas painted by Henry Inman. Created in the United States, this work captures the likeness of Susan Johnstone, known as Mrs. James W. Wallack. The portrait emerged from the artist's brush circa 1828.
Henry Inman presents a formal portrait of John Wesley Jarvis, executed around 1822. The sitter is captured in a three-quarter view, positioned centrally against a nebulous, atmospheric background. This work emerged during a period when Inman was refining his technical precision under the mentorship of established masters in New York City.
In this close-up bust portrait, Henry Inman focuses the viewer's attention entirely on the subject's face and upper torso. The composition is centered, with the woman's head turned toward the viewer. While her body faces forward, her gaze is directed slightly off to the left, creating a sense of quiet engagement. The background remains plain and dark, isolating the figure and emphasizing her presence within the frame.
This artwork is a portrait of John Wesley Jarvis, executed by the artist Henry Inman. The work dates to 1822. The subject is presented as a single individual, depicted as a dignified gentleman.
Henry Inman created Children in the Park in 1824. This watercolor engraving captures a quiet moment of companionship. Two children walk through a wooded or park-like setting, their figures moving through the soft light of a shaded grove. The scene is a small, intimate window into a private afternoon.
In the Portrait of Clara Fisher, Henry Inman presents a single female figure that commands the space with a quiet, steady presence. This three-quarter length portrait captures her in a moment of poised stillness, positioned slightly off-center to create a sense of natural, unforced grace. She does not meet the viewer's gaze directly; instead, her eyes are turned toward the left of the frame, as if lost in a private…
Alethea Lenox sits within an oval frame, her presence commanding a quiet, steady attention. She faces the viewer directly, her expression poised and calm, as if she has just paused in a moment of private reflection. The light catches the curve of her neck and the soft contours of her face, emerging from a deep, shadowy background that pushes her forward into the viewer's space. She wears a gown of…
Henry Inman captures the subject in a three-quarter view, facing toward the right of the frame. The portrait presents an elderly man, Henry Rutgers, rendered with the precision of classical realism. A stark black coat and a bright white cravat anchor the composition, providing a sharp contrast to the warm, muted tones of the background. Deep browns, ochre, and burnt sienna define the space behind him, creating a sense of…
In this intimate oil portrait, we encounter Mrs. Robert Lenox (Rachel Carmer, 1763-1843), a work executed by the American artist Henry Inman. The painting offers a quiet study of Rachel Carmer, capturing her presence with a sense of dignity that reflects her social standing during the early nineteenth century. It is a piece that invites a closer look at the individual behind the name, presenting a woman of character through…
Frances Wright (1795–1852)1824 · New York Historical Society
12
Portrait of a Lady1825 · Metropolitan Museum of Art
13
Portrait of a Gentleman1830 · Metropolitan Museum of Art
14
Mary Ward Betts1834 · Cleveland Museum of Art
15
Frederic Betts; Mary Ward Betts1834 · Cleveland Museum of Art
16
Emma Embury1833 · National Portrait Gallery
17
Eleazer Parmly1835 · National Portrait Gallery
18
Mr. Hackett, in the Character of Rip Van Winkle1832 · National Portrait Gallery
19
David Paul Brown1832 · Pennsylvania Academy of Fine Arts
20
Georgianna Buckham and Her Mother (Anna Traphagen Buckham)1839 · Museum of Fine Arts
21
Tshi-Zun-Hau-Kau (He-Who-Runs-with-Deer), Winnebago1832 · Fine Arts Museums of San Francisco
22
Cornelia Rutgers Livingston1833 · New Britain Museum of American Art
23
Mrs. John Bishop Hall (d. 1901)1839 · New York Historical Society
24
John Bishop Hall (1807–1889)1839 · New York Historical Society
25
Anthony Morris (1791-1839) or Herman Morris (1794-1849)1838 · New York Historical Society
26
Martin Van Buren (1782-1862)1835 · New York Historical Society
27
The Reverend Hooper Cumming (1787–1825)1832 · New York Historical Society
28
William Charles Macready as William Tell1826 · Metropolitan Museum of Art
29
Daniel Huntington1842 · National Portrait Gallery
30
Major George Washington Whistler1843 · Cincinnati Art Museum
31
John Church Hamilton1825 · Detroit Institute of Arts
32
Martin Van Buren1837 · Metropolitan Museum of Art
33
Mrs. Charles Cummings (Rebecca Pittard)1825 · Metropolitan Museum of Art
34
Lieutenant Philip Augustus Stockton1833 · Detroit Institute of Arts
35
The Young Fisherman1829 · Metropolitan Museum of Art
36
Black Hoof1831 · National Portrait Gallery
37
Ebenezer Martin1838 · Smithsonian American Art Museum
38
Mr. Rutherford1820 · Smithsonian American Art Museum
39
John Inman1830 · Metropolitan Museum of Art
40
Portrait of a Lady1827 · Metropolitan Museum of Art
41
Portrait of a Gentleman1825 · Smithsonian American Art Museum
42
Unidentified Lady1835 · New York Historical Society
43
A Gentleman of the Wilkes Family1838 · Metropolitan Museum of Art
44
Henry G. Stebbins1838 · Metropolitan Museum of Art
45
George Pope Morris1836 · National Gallery of Art
46
Dr. George Ackerly1835 · Smithsonian American Art Museum
47
Portrait of a Woman1840 · Georgia Museum of Art
48
Janet Halleck Drake1825 · Metropolitan Museum of Art
49
Portrait of a Young ManNew York Historical Society
50
Hayne Hudjihini, Eagle of Delight1832 · Metropolitan Museum of Art
51
John MarshallLibrary of Virginia
52
James Bogert, Jr.1835 · Metropolitan Museum of Art
53
No-Tin (Wind)
54
Pes-Ke-Le-Cha-Co1832 · Metropolitan Museum of Art
55
Angelica Singleton Van Buren (Mrs. Abraham Van Buren)1842
56
Dismissal of School on an October Afternoon1845 · Museum of Fine Arts
57
Rip Van Winkle Awakening from his Long Sleep1823 · National Gallery of Art
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Henry Inman teosid | Selle nimekirja maalid |
|---|---|---|---|
 Metropolitan Museum of Art |
New York | 15 | Portrait of a Lady, Portrait of a Lady, Portrait of a Gentleman |
 New York Historical Society |
New York City | 11 | Alethea Lenox (1807-1878), Henry Rutgers (1745–1830), Mrs. Robert Lenox (Rachel Carmer, 1763-1843) |
 National Portrait Gallery |
Washington, D.C. | 6 | Tenskwatawa, Emma Embury, Eleazer Parmly |
 Smithsonian American Art Museum |
Washington, D.C. | 5 | John Wesley Jarvis, Ebenezer Martin, Mr. Rutherford |
 Detroit Institute of Arts |
Detroit | 3 | Children in the Park, John Church Hamilton, Lieutenant Philip Augustus Stockton |
 Cleveland Museum of Art |
Cleveland | 2 | Mary Ward Betts, Frederic Betts; Mary Ward Betts |
 Museum of Fine Arts |
Boston | 2 | Georgianna Buckham and Her Mother (Anna Traphagen Buckham), Dismissal of School on an October Afternoon |
 National Gallery of Art |
Washington | 2 | George Pope Morris, Rip Van Winkle Awakening from his Long Sleep |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The Portrait of Mrs. James W. Wallack is an oil on canvas painted by Henry Inman. Created in the United States, this work captures the likeness of Susan Johnstone, known as Mrs. James W. Wallack. The portrait emerged from the artist's brush circa 1828.
This oil on canvas portrait depicts Tenskwatawa, a Shawnee prophet and holy man who lived from approximately 1775 to 1837. The subject is the brother of the Shawnee leader Tecumseh. The work is dated 1831. It was executed by the American artist Henry Inman, who was born in 1801.
This 1842 portrait captures more than a mere likeness; it seeks to reveal the inner dignity and intellect of the young man. The composition relies on the interplay of light and shadow to breathe life into his features, creating a psychological depth that feels intimate. There is a quietude in his expression, a sense of a moment frozen in time, where the viewer is invited to wonder about the thoughts…
Tenskwatawa (1831), National Portrait Gallery, Washington, D.C.. Järgnevad Portrait of Mrs. James W. Wallack (1828) ja John Wesley Jarvis (1822).
30 aastat vanus: teos Tenskwatawa on pärinev aastast 1831 ning Henry Inman sündis aastal 1801.
Tenskwatawa, Portrait of Mrs. James W. Wallack, John Wesley Jarvis, Portrait of a Lady, John Wesley Jarvis, Children in the Park, Portrait of Clara Fisher, Alethea Lenox (1807-1878), Henry Rutgers (1745–1830) ja Mrs. Robert Lenox (Rachel Carmer, 1763-1843). Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 59 teost kunstnikult Henry Inman, mis on pärinevad ajastust 1820 kuni 1845.
Peamiselt Metropolitan Museum of Art (New York), New York Historical Society (New York City) ja National Portrait Gallery (Washington, D.C.) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1830s: 30 57 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Tenskwatawa.
Sellel lehel on kõige vanem teos Portrait of a Lady (1820) ja kõige värskeim Dismissal of School on an October Afternoon (1845).
Man (20), Portrait (15) ja Woman (11), kogu selle lehekülje 57 teose kohta.
Oil On Canvas, 23 teoseks 57 töödelt sellel lehel.
Academic realism ja Romanticism, seda lähtudes selle lehe originaalteostest.
Portrait of a Lady, Portrait of a Lady ja Portrait of a Gentleman: Metropolitan Museum of Art, New York säilitab 15 selle lehel olevat teost.
Üliilmneks muutumas nineteenth-century Ameerika kunstimaastrikus ei suutnud vähegi tegelane tabama noore riigi arenevat identiteeti nii intiimselt kui Henry Inman. Sündinud 1801. aastal New Yorgi osariigis asuvas Uticas, inglise immigrantide perre, oli Inman nii vanima maailma traditsioonide kui ka uue maailma ambitsioonide produkt. Tema varajased aastad Uticas lõid aluse töökasale iselolekule, kuid just liikumine 1812. aastal vibratil ja kasvaval New Yorki metropolisile sünditas tema kunstilise saatusest tõelise tul.
Tundete ja oskuste arendamiseks tegutses Inman tunnustatud meistrite, nagu John Wesley Jarvis ja John Quidor, juhendamisel. Ta lihvis tehnilist täpsust, mis sai tema kaubamärgiks, õppides navigeerima õrna tasakaalu realistliku esituse ja sieluka avalduse vahel, mida nõudis kõrge ühiskonnapiiri portreemaalimine. Inmani kunstiline teekond ei piirdunud kunagi ühe žanriga; see oli pigem Ameerika kogemuse mitmekülgne uurimine. Kuigi tal oli imetlusväärne talent tabada elu vaikseid, igapäevaseid hetki läbi oma žanriteksenduste — eriti tema emotsionaalselt võivad kujutised teemadel „Rip Van Winkle” ja „The News Boy” — kuulus tema süda siiski inimliku iseloomu uuringule. Tema portreendid olid rohkem kui lihtsalt sarnasuudlikud jäljed; need olid psühholoogilised uuringud, mis püüdisid paljastada oma teema sisemaailma väärikust ja intellekti. Valgusest ja varjust hoolikalt rakendamise kaudu ühendas ta elu ajastu mõjuvate tegelaste nägude sisse, luues visuaalse dokumentatsiooni juhtimiskunstist ja intellektist, mis on endiselt hädavajalik meie arusaatuseks Ameerika ajaloost.
KPerhaps Inmani karjääri sügavim peatükk peitub tema monumentaalses panuses põlisamerika rahvaste pärandi säilitamises. Tehes koostööd kuulsuse nimet Thomas L. McKenээy, võttis Inman enda õele Herculeuse ülesande, et luua teos „The History of the Indian Tribes of North America”. See püüdlem nõudis temalt üle sada algselt Charles Bird Kingi poolt maaldud õlimaali täpsustusega kopeerimist. See ei olnud pelgalt tehniline reproduktsiooni haridus; see oli ajaloolise säilitamise tegu. Oma hagi ja pühendumuse kaudu aitas Inman tagada, et põlisamerika juhtide sarnasuudlikkus ja kultuuriline väärikus oleks graveeritud Ameerika kunstikuvi loendisse igavesti.
Tema elu see periood demonstreeris sügavalt juurdunud empatiat ja ühtlestarvust oma ajastu intellektuaalsete vooludega, mis püüdis dokumenteerida muutuva kontinenti keerukusi. Tema võime tõsta nende algupäraste teoste suurmeedlusรูปแบบ, mis oli kättesaadav laiemale publikule, kinnistas tema mainet kunstnikuna, kellel on oluline sotsiaalne ja ajalooline vastutus. Tegemiselmas ta sillutas tee fine kunsti ja etnograafilise dokumendi vahel, muutes temast võtmetegelase varajases Ameerika liikumises kultuurilise dokumenteerimise suunas.
Inmani portreetide laius toimib kui Who's Who nineteenth-century Ameerika prominentide seas. Tema linaed sisaldasid erakordset tuntud isikute hulka, sealhulgas:
Lisaks oma üksikuid linaede, ulatus Inmani mõju isegi nendeni institutsioonideni, mis kujundasid Ameerika kunsti. Tema roll National Academy of Design asutamise protsessis rõhutab tema pühendumust kunstilise suurepärluse ametliku struktuuri loomisele Ameerikas. Kuigi tema elu oli traagiliselt lühike, lõppudes 1846. aastal, on tema töö mõju kustutamatu. Ta jättis järele pärandi, mida iseloomustas haruldane tehniline virtuoossus ja sügav austus oma kujutatud teemade vastu, tagades, et mineviku näod jätkavad kõnelemist praeguse põlvkonna jaoks.
