Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 35 teost Georg Pencz meie kataloogis
Lühidalt
Galleriist vaadatuna on Georg Pencz kõige kuulsam teos Portrait of Lienhard Hirschvogel (1542), mille originaal ripub Bavaria riiklikud maalidema kogumikud-is, München. Portrait of a beardless man (1531) ja Caritas Romana (1538) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Georg Pencz 35 teose põhjal esitleb galeriis allpool 34 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
The man sits in a quiet, heavy stillness, his gaze directed slightly away from the viewer toward an unseen point to the right. He is Lienhard Hirschvogel, a merchant of Nuremberg, and he carries the weight of his status in the very fabric of his being. The light enters from the upper left, brushing against the high ridge of his forehead and the bridge of his nose, leaving the right…
In this intimate bust portrait, we encounter a man caught in a moment of profound contemplation. He is positioned slightly off-center, his gaze directed toward the right of the frame, as if lost in a thought that has momentarily pulled him away from the viewer. The composition is tight, bringing us into a close, almost uncomfortably personal proximity with the subject. His expression is stoic, perhaps even weary, carrying a…
Georg Pencz executed this oil on canvas in 1538. Known alternatively as Cimon and Pero, the work is titled Caritas Romana. The composition centers on an ancient Roman legend involving the bond between a father and daughter.
The oil on canvas work titled Roman Charity was executed by the German artist Georg Pencz in 1538. This painting captures a singular, heavy moment between two figures. It is a study of skin and shadow, rendered with the precision of a man who understood the weight of a line. The scene focuses on the figures of Cimon and Pero.
A quiet intimacy settles between the two figures in this monochrome study. The knight sits, a heavy presence of metal and muscle, while a younger page leans in to assist with the weight of the armor. Light falls from the upper left, carving the ridges of the steel pauldrons and catching the soft curve of a cheek. It is a moment of preparation, stripped of the clamor of battle. The…
In the quiet corridors of the Wallraf-Richartz-Museum in Cologne, there exists a window into the spiritual fervor of the sixteenth century. Georg Pencz’s Angel, painted in 1525, is not merely a depiction of a celestial being; it is an intimate encounter with the divine. This slender, vertical masterpiece, measuring a delicate 50 x 17 cm, captures a moment of profound stillness and devotion. The composition centers on a kneeling angel,…
The light enters from the left, a steady stream that carves shapes out of the shadows. In this 1541 oil painting, a woman sits with an infant cradled against her, her form anchored by the weight of motherhood. Beside them, a young boy occupies a small table, his presence part of a quiet, geometric arrangement. A cat rests near the scene, its fur rendered with a tactile softness that contrasts…
Portrait of the Nuremberg Mintmaster Jörg Herz, executed by Georg Pencz in 1545, presents a formal likeness of a man of significant professional standing. The sitter, Jörg Herz, was a prominent goldsmith and the mintmaster of Nuremberg. His identity and social position are central to the work's purpose, capturing a specific moment in the life of a key figure in the city's industrial and economic structure.
The gaze of a dignified man meets the viewer in the Portrait of a Gentleman, a work painted by Georg Pencz in 1549. This portrait captures a man of high status, his presence defined by the heavy, luxurious textures of his attire. He sits with a quiet authority, his figure draped in a dark cloak and a sleeve of deep red, accented by the soft, tactile grey of fur lining.…
The scene unfolds through Saint Jerome Meditating, a work by the German artist Georg Pencz. Created in 1548, the painting captures a quiet, heavy moment of contemplation. Pencz, a man of many talents, lived his life as an engraver, painter, and printmaker. He was born in Nuremberg, Germany, around 1500 and remained a significant figure in the artistic landscape until his death on 11 October 1550.
Desiderius Erasmus (1466-1536)1537 · Royal Collection
12
Portrait of a bearded man1533 · Kunsthistorisches Museum
13
Portrait of Elisabeth Schwetzer1545 · Bode Museum
14
The Painter Erhard Schwetzer from Nuremberg1544 · Bode Museum
15
Portrait of a Girl1547 · Minneapolis Institute of Art
16
Saint Jerome1544 · Bavaria riiklikud maalidema kogumikud
17
Portrait of a Man1540 · Szépművészeti Múzeum
18
Portrait of Count Palatine Ottheinrich1550 · Hermitage muuseum
19
Caritas1528 · Germanisches Nationalmuseum
20
Young Man in BlackRoyal Collection
21
The Martyrdom of Saint Sebastian
22
Queen Tomyris Receiving the Head of Cyrus, King of Persia
23
Writ of Fire
24
Venus and cupidGemäldegalerie
25
Portrait of Erasmus von Rotterdam
26
Christ in the crown of thorns.National Museum in Wrocław
27
A sleeping woman
28
Portrait of a bearded Gentlemen
29
Leda and the SwanMuseo del Prado
30
A winged, blindfolded woman
31
A woman eating from a plate and a monkey eating fruit
32
Portrait of a bearded man.Museum of John Paul II Collection
33
Lot and his daughters.
34
Portrait of a Seated Youth1544 · Galleria degli Uffizi
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Georg Pencz teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 3 | Portrait of Lienhard Hirschvogel, Family Portrait, Saint Jerome |
 Kunsthistorisches Museum |
Viin | 2 | Portrait of a beardless man, Portrait of a bearded man |
 Varssavi Rahvusmuuseum |
Varssavi | 2 | Caritas Romana, Roman Charity |
 Royal Collection |
London | 2 | Desiderius Erasmus (1466-1536), Young Man in Black |
 Bode Museum |
Berlin | 2 | Portrait of Elisabeth Schwetzer, The Painter Erhard Schwetzer from Nuremberg |
 Statens Museum For Kunst |
Kooberemaa | 1 | Page Dressing a Knight in his Amour |
 Wallraf-Richartz-Museum |
Köln | 1 | Angel |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 1 | Portrait of the Nuremberg Mintmaster Jörg Herz |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In the quiet corridors of the Wallraf-Richartz-Museum in Cologne, there exists a window into the spiritual fervor of the sixteenth century. Georg Pencz’s Angel, painted in 1525, is not merely a depiction of a celestial being; it is an intimate encounter with the divine. This slender, vertical masterpiece, measuring a delicate 50 x 17 cm, captures a moment of profound stillness and devotion. The composition centers on a kneeling angel,…
In this intimate bust portrait, we encounter a man caught in a moment of profound contemplation. He is positioned slightly off-center, his gaze directed toward the right of the frame, as if lost in a thought that has momentarily pulled him away from the viewer. The composition is tight, bringing us into a close, almost uncomfortably personal proximity with the subject. His expression is stoic, perhaps even weary, carrying a…
The man sits in a quiet, heavy stillness, his gaze directed slightly away from the viewer toward an unseen point to the right. He is Lienhard Hirschvogel, a merchant of Nuremberg, and he carries the weight of his status in the very fabric of his being. The light enters from the upper left, brushing against the high ridge of his forehead and the bridge of his nose, leaving the right…
In the quiet intensity of Georg Pencz’s Portrait of Count Palatine Ottheinrich, we are transported back to the vibrant, turbulent heart of the German Renaissance. This is not merely a likeness of a man; it is a profound encounter with power, piety, and the sophisticated artistry of the sixteenth century. The subject, Otto Henry—a figure of immense political significance who would later become the Elector Palatine—is captured in a moment…
Portrait of Lienhard Hirschvogel (1542), Bavaria riiklikud maalidema kogumikud, München. Järgnevad Portrait of a beardless man (1531) ja Caritas Romana (1538).
42 aastat vanus: teos Portrait of Lienhard Hirschvogel on pärinev aastast 1542 ning Georg Pencz sündis aastal 1500.
Portrait of Lienhard Hirschvogel, Portrait of a beardless man, Caritas Romana, Roman Charity, Page Dressing a Knight in his Amour, Angel, Family Portrait, Portrait of the Nuremberg Mintmaster Jörg Herz, Portrait of a Gentleman ja Saint Jerome Meditating. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 35 teost kunstnikult Georg Pencz, mis on pärinevad ajastust 1525 kuni 1550.
Peamiselt Bavaria riiklikud maalidema kogumikud (München), Kunsthistorisches Museum (Viin) ja Varssavi Rahvusmuuseum (Varssavi) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1540s: 12 34 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Portrait of Lienhard Hirschvogel.
Sellel lehel on kõige vanem teos Angel (1525) ja kõige värskeim Portrait of Count Palatine Ottheinrich (1550).
Man (13), Woman (6) ja Beard (5), kogu selle lehekülje 34 teose kohta.
Oil On Panel, 9 teoseks 34 töödelt sellel lehel.
German renaissance ja Northern renaissance, seda lähtudes selle lehe originaalteostest.
Portrait of Lienhard Hirschvogel, Family Portrait ja Saint Jerome: Bavaria riiklikud maalidema kogumikud, München säilitab 3 selle lehel olevat teost.
