Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 41 teost Frans Pourbus Vanem meie kataloogis
Lühidalt
Galleriist vaadatuna on Frans Pourbus Vanem kõige kuulsam teos Jan van Hembyze (1517-1584) (1567), mille originaal ripub Kunsthistorisches Museum-is, Viin. David and Abigail (1575) ja Portrait of a Man with Brow (1564) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Frans Pourbus Vanem 41 teose põhjal esitleb galeriis allpool 39 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
The Presence of the Subject A middle-aged man is captured in a close-up bust portrait, his gaze directed forward while his body is positioned slightly off-center toward the viewer's right. The composition relies on a somber, classical atmosphere, utilizing a palette of muted, earthy tones. Deep blacks define his clothing, providing a sharp contrast to the crisp white of his collar. His skin is rendered with warm flesh tones, featuring…
David and Abigail by Frans Pourbus the Elder captures a pivotal biblical episode involving Abigail, the wife of Nabal. The scene portrays her interceding to protect her husband from the impending wrath of King David. This dramatic confrontation is set against a rugged, mountainous landscape, populated by soldiers and attendants carrying provisions.
The portrait presents a bust-length view of a young man, positioned slightly off-center. He faces toward the right of the frame while his gaze is directed toward the viewer. The subject possesses pale skin that contrasts against a dark, neutral background. A white, pleated ruff encircles his neck, providing a sharp tonal break between his face and his dark clothing. His hair is rendered with fine lines, showing texture and…
In Portrait of a Lady by Frans Pourbus the Elder, the subject is presented in a medium close-up, captured from the waist up. Positioned slightly off-center, the figure dominates the frame through a straight-on, eye-level perspective. This arrangement establishes an intimate yet formal connection between the sitter and the viewer, a hallmark of Northern Renaissance portraiture. The subject is dressed in elaborate 16th-century attire, emphasizing her high social standing and…
Christ on the Cross with Angels, an oil on canvas by Frans Pourbus the Elder, dates to 1563. The work centers on the Crucifixion of Christ, a central theme in religious art of the sixteenth century. The composition is defined by intense chiaroscuro, utilizing deep shadows and luminous highlights to establish a sense of divine sorrow.
In this portrait, titled Frans Pourbus the Elder, Viglius van Aytta, Dutch statesman, jurist, we encounter a man of significant intellectual and political standing. The subject is Viglius, a Frisian by birth who lived from 1507 to 1577. He was a prominent Dutch statesman and jurist, a man whose life was defined by the complexities of law and governance during a transformative era in Europe.
The gaze of a single male figure meets us in this 1574 work, Portrait of a man, by Frans Pourbus the Elder. The sitter occupies the center of the frame with a quiet, steady presence. He exists within a moment of stillness, his features captured with a precision that suggests a life of composure and status. This work of Realistic Portraiture presents a study of character through the steady eyes…
A Man of Rank is a portrait by Frans Pourbus the Elder. Created in 1572, the work presents a single male figure of high social standing. The subject is captured in a close-up bust portrait, a format that focuses entirely on the presence of the individual. He emerges from a dark, neutral background, his status signaled by the crisp white of a ruff collar and formal, dark attire.
The Portrait of Alexander Farnése is a significant work by the Flemish Renaissance painter Frans Pourbus the Elder. Created in 1565, this oil on panel piece captures a single male figure, identified as likely being Alexander Farnése. The portrait presents the subject in a formal manner, focusing on the head and upper torso to convey a sense of nobility and authority.
In this 1576 oil painting, Calvary, Frans Pourbus the Elder captures a moment of profound stillness amidst a scene of heavy sorrow. The work centers on the verticality of the wooden cross, where the figure of Christ is elevated above the earth. Below, the composition gathers the weight of human grief through the presence of three mourning figures. Their forms are slumped, creating organic curves that contrast with the rigid,…
Frans Sonnius, Bishop of Antwerp1575 · Royal Museum of Fine Arts Antwerp
12
The Prodigal son wasting his money1570 · Museum Mayer van den Bergh
13
Portrait of an unknown man1581 · Bavaria riiklikud maalidema kogumikud
14
Portrait of a Woman1581 · Museum of Fine Arts
15
Portrait of an unidentified man1598 · Bavaria riiklikud maalidema kogumikud
16
Male Portrait1565 · Kunsthistorisches Museum
17
Portrait of Vincenzo
18
George (c.1531–1585), 5th Lord Seton, and his Family1572 · Scottish National Gallery
19
Portrait of a young womanMuseum Boijmans Van Beuningen
20
Portrait of an Old Man (possibly Hubertus Langetus)1580
21
Portrait of a Young Woman1581 · Museum voor Schone Kunsten
22
Portrait of a Gentleman in Armour1580 · The Holburne Museum
23
Portrait of a Man1574 · Wallace Collection
24
Portrait of George Buchanan, humanist
25
Portrait of a ManGemäldegalerie
26
Portrait of a LadyMusée de Grenoble
27
Portrait of a young woman, aged 17, holding a small spaniel wearing a collar of bells
28
Portrait of Francesco IV Gonzaga
29
Portraits of Archduke Albrecht and Archduchess Isabella
30
Portrait of a ManHermitage muuseum
31
Don Inigo López de Mendoza y ZunigaKunsthistorisches Museum
32
Portrait of a WomanHermitage muuseum
33
Portrait of Maria Vertemata
34
Portrait of Isabella Clara Eugenia
35
Portrait of Marie de Médici, Queen of FranceGalleria Palatina
36
Portrait of Henry IV of France
37
Portrait of Maria de Medici
38
George (c.1531–1585), 5th Lord Seton and his Family
39
Viglius-triptiek1571 · Püha Bavoni katedraal
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Frans Pourbus Vanem teosid | Selle nimekirja maalid |
|---|---|---|---|
 Kunsthistorisches Museum |
Viin | 5 | Jan van Hembyze (1517-1584), David and Abigail, Portrait of a Man with Brow |
 Bavaria riiklikud maalidema kogumikud |
München | 3 | Christ on the Cross with Angels, Portrait of an unknown man, Portrait of an unidentified man |
 Hermitage muuseum |
Stiiitlinburg | 2 | Portrait of a Man, Portrait of a Woman |
 Palais des Beaux-Arts de Lille |
Lille | 1 | Portrait of a man |
 National Museum of Art, Architecture and Design |
Oslo | 1 | A Man of Rank |
 Slovaki Riiklik Kunstigaleri |
Bratislava | 1 | Portrait of Alexander Farnése |
 Museum of Fine Arts Ghent (MSK) |
Gent | 1 | Calvary |
 Royal Museum of Fine Arts Antwerp |
Antverp | 1 | Frans Sonnius, Bishop of Antwerp |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The Presence of the Subject A middle-aged man is captured in a close-up bust portrait, his gaze directed forward while his body is positioned slightly off-center toward the viewer's right. The composition relies on a somber, classical atmosphere, utilizing a palette of muted, earthy tones. Deep blacks define his clothing, providing a sharp contrast to the crisp white of his collar. His skin is rendered with warm flesh tones, featuring…
David and Abigail by Frans Pourbus the Elder captures a pivotal biblical episode involving Abigail, the wife of Nabal. The scene portrays her interceding to protect her husband from the impending wrath of King David. This dramatic confrontation is set against a rugged, mountainous landscape, populated by soldiers and attendants carrying provisions.
This work is titled Portrait of an unknown man, a piece executed by the Flemish painter Frans Pourbus the Elder. Created in 1581, the portrait presents a single male figure, captured in a moment of quiet presence. The sitter's identity remains a mystery, yet the artist has rendered him with a distinct sense of individual character.
Jan van Hembyze (1517-1584) (1567), Kunsthistorisches Museum, Viin. Järgnevad David and Abigail (1575) ja Portrait of a Man with Brow (1564).
22 aastat vanus: teos Jan van Hembyze (1517-1584) on pärinev aastast 1567 ning Frans Pourbus Vanem sündis aastal 1545.
Jan van Hembyze (1517-1584), David and Abigail, Portrait of a Man with Brow, Portrait of a Lady, Christ on the Cross with Angels, Frans Pourbus the Elder, Viglius van Aytta, Dutch statesman, jurist, Portrait of a man, A Man of Rank, Portrait of Alexander Farnése ja Calvary. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 41 teost kunstnikult Frans Pourbus Vanem, mis on pärinevad ajastust 1563 kuni 1581.
Peamiselt Kunsthistorisches Museum (Viin), Bavaria riiklikud maalidema kogumikud (München) ja Hermitage muuseum (Stiiitlinburg) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1570s: 9 39 sellel lehel olevat teost on sellel perioodil loodud, მათart közül David and Abigail.
Sellel lehel on kõige vanem teos Christ on the Cross with Angels (1563) ja kõige värskeim Portrait of an unknown man (1581).
Man (15), Dark background (9) ja Portrait (8), kogu selle lehekülje 39 teose kohta.
Oil On Panel, 12 teoseks 39 töödelt sellel lehel.
Renaissance, seda lähtudes selle lehe originaalteostest.
Jan van Hembyze (1517-1584), David and Abigail ja Portrait of a Man with Brow: Kunsthistorisches Museum, Viin säilitab 5 selle lehel olevat teost.
Kuni aastaks 1569 oli Frans Pourbus Vanem kindestanud oma positsiooni meistrikunstnikuna, saavutades pääsu nii Brugge kui ka Antverpi Püha Luku gildides – see oli tõestus tema suurepärase oskuse ja laialsa aua kohta. Ta ei olnud pelgalt oma talentiga tegelenema, vaid suunas oma energiat ka õpilaste kasvatamisesse, hoiudes käes uue põlvkonna kunstnikke, nagu olid Roctus Gabrelius da Bresson aastal 1572 ja Peeter Cobbe aastal 1575. Tema karjäär kevnud uute tellimustega, mis hõlmus nii religioossete teoste kui ka portreetide valdkonnas, teenides samal ajal nii Brugge kui Antverpi kasvavaid kaupmeesklasside vajadusi. Arvatakse, et kuulus portretist Anthonis Mori mõjutus on peidus olnud peaaegu nähtamatult Pourbus Vanem Frans Pourbus Vanem stiili küpomas, kuigi otsesed tõendid sellest on siin-seal kadunud. Üun üks suuremaid kunstilisi eesmärke oli aastal 1572 tellimus neljaastastele paneelidele, mis kirjastas Püha Andreasi elu Gentis asuvas St Bavon katedraalis, koos Vigilius Aytta portreedi kolmikpildi, mis oli samuti suunatud sellele katedraalile. Aastal 1574 astus ta ette veel ambitsioosema projekti vastu: Tournai St Martinuse Abatia laulukuva redecoratsiooni, mis sisaldas seitseteist teost kolmes sarjas – Kristuse kannatuste tsükli, risti löömise kujutust ning illustratsioone Püha Martinuse elust.
