Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 62 teost David Vinckboons meie kataloogis
Lühidalt
Hercules, Dejanira and the Centaur Nessus (1612) on David Vinckboons maalide kõige silmapaistvam teos; originaal kuulub museumi Kunsthistorisches Museum, Viin. Pärast seda suunatakse pilk A Peasants' Fair (1607) ja Elderly Fisherman with a Girl (1608) suunas. Meie kataloogis olevatest David Vinckboons 62 teosest on need 58 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
In this 1612 oil on oak, we find ourselves witnessing a sudden fracture in the peace of a Flemish landscape. The scene captures a moment of profound desperation: the centaur Nessus is in the midst of abducting Dejanira, his powerful, muscular form creating a jarring diagonal against the natural order. There is a palpable sense of panic in the way her coral-pink drapery swirls, caught in the frantic movement of…
A Peasants' Fair is a work of oil on panel painted in 1607. The scene captures a moment of communal gathering, a slice of life frozen within a wooded landscape. It is a creation of David Vinckboons, an artist who navigated the shifting borders of the Southern Netherlands and the northern reaches of the Dutch Golden Age. Born in Mechelen, his hand moved through the landscapes of Antwerp and Amsterdam,…
In "Elderly Fisherman with a Girl" by David Vinckboons, the world is anchored by two figures in the foreground. An elderly fisherman and a young girl occupy the center of the frame, positioned slightly off-center to create a balanced tension. A fishing rod cuts a sharp diagonal across the space, a wooden line that connects the human presence to the surrounding landscape. They sit within a forest setting, where the…
The air feels heavy with anticipation in this dense, monochromatic landscape. A vast, dark grove of trees looms on the left, their gnarled branches and textured bark framing a scene of profound human movement. Light spills from the upper right, cutting through the gloom to illuminate a central assembly of figures. They are a diverse crowd, some seated upon the earth, others standing in quiet attention, and some perched atop…
The scene unfolds within the lively atmosphere of Banquet in a Park (The Prodigal Son among the Harlots?). This work, painted in 1619, captures a moment of intense social gathering. The artist, David Vinckboons, places the viewer directly into the midst of this festive outdoor setting. Every detail of the gathering feels immediate, as if the laughter and the clinking of vessels are still echoing through the trees.
The oil painting titled Distributing Bread to the Poor was created by the artist David Vinckboons. This work emerged in 1611, a time when the artist was active within the shifting landscapes of the Netherlands. The canvas captures a specific moment of human interaction, frozen in the heavy, dark tones of the early seventeenth century.
is an oil on panel work by the Dutch Golden Age painter David Vinckboons. Executed about 1610, the piece is known in Swedish as Allmoseutdelning. In English, the work is titled Distribution of Bread outside an Almshouse.
The composition presents a densely packed group of figures engaged in a physical struggle within a rural setting. The scene is characterized by a sense of frantic movement and tension, with limbs extended and bodies twisted in agitated poses. Earthy tones of brown, ochre, and deep green dominate the landscape, while the clothing of the central figures introduces accents of red and white. Light falls across the scene in a…
The painting presents a wide, horizontal landscape rendered in the Flemish Baroque style. In the foreground, a group of figures occupies a lush, verdant setting, their actions and the objects they hold functioning as allegorical representations of the five senses. The scene is framed by dense foliage and heavy tree trunks, with the organic shapes of shrubbery creating a complex texture across the lower portion of the panel. A deep…
The oil painting depicts a group of mounted figures navigating a rolling, hilly landscape under the light of a late afternoon sun. In the foreground and middle ground, soldiers and travelers move across the terrain, their forms rendered with anatomical accuracy. An officer appears central to the composition, positioned among his troops as they prepare for an impending encounter. The terrain consists of undulating hills covered in patches of green…
Music-making Company in the Open1610 · Academy of Fine Arts Vienna
12
Village Fair With Blind Street-Organ Player1630 · Städel Museum
13
Lovers in a landscape1629 · Staatliches Museum Schwerin
14
Country Fair1629 · Mauritshuis
15
Village street with blind hurdy-gurdy player1633 · Suermondt-Ludwig-Museum
16
Blind Hurdy-Gurdy Player1633
17
Forest Landscape with Two of Christ's Miracles1600 · Metropolitan Museum of Art
18
Landscape1620 · Brooklyn Museum
19
Kermis1605 · Gemäldegalerie
20
Landscape with a Hare Hunt, 1601-16021602 · Albertina
21
Ideal Landscape1602 · Bavaria riiklikud maalidema kogumikud
22
Way to Golgotha1604 · Bavaria riiklikud maalidema kogumikud
23
Kirmess1608 · Bavaria riiklikud maalidema kogumikud
24
The Captain of Capernaum1602 · Bavaria riiklikud maalidema kogumikud
25
Village Fair1601 · Groeningemuseum
26
Quermesse de Audenaerde by David Vinckboons, Museu Nacional de Arte Antiga1600 · National Museum of Ancient Art
27
Wooded landscape with a deerhunt and a view of a village1602 · Kunsthandel P. de Boer
28
Landscape with castle and river1603
29
Moses saved from the Waters1601 · Musée des Beaux-Arts de Strasbourg
30
Carrying of the Cross of Christ (The Procession to Golgotha)1611 · Bavaria riiklikud maalidema kogumikud
31
Landscape1612
32
Landscape with a Frozen Canal, Skaters and an Ice Yacht1615
33
Woodland Scene1614 · National Museum of Art, Architecture and Design
34
Saint John the Baptist Preaching1614
35
Wooded landscape1610 · Fitzwilliam Museum
36
Forest Landscape with two of Christ's Miracles1620 · Metropolitan Museum of Art
37
Park landscape with a company returning from the hunt (detail).1610 · Varssavi Rahvusmuuseum
38
Village Fair1610 · Royal Museum of Fine Arts Antwerp
39
Landscape with a Hunting Party and an Overturned Wagon1610 · Nationalmuseum
40
Peasant Festival or Kermesse1629 · Musée des Beaux-Arts de Quimper
41
Wooded landscape with a deerhunt1624 · Bavaria riiklikud maalidema kogumikud
42
Absaloms death (2 Samuel 18: 9-15)1625 · Kunsthistorisches Museum
43
The Fête Champêtre, David Vinckboons, c. 16101610 · Rijksmuseum
44
The Preaching of St John the Baptist, David Vinckboons, c. 16101610 · Rijksmuseum
45
Sermon of Christ at the Lake Genezareth1623 · Hermitage muuseum
46
Forest Landscape with Two of Christ's Miracles (detail)1600 · Metropolitan Museum of Art
47
The Nest RobberBavaria riiklikud maalidema kogumikud
48
Men and Animals Struggling Against Death & Father TimeMuseum of Fine Arts
49
The Temptation of St AnthonyStatens Museum For Kunst
50
A quack selling potions and remedies in a square
51
A Blind Hurdy-Gurdy Player1607
52
Folk FestivalBavaria riiklikud maalidema kogumikud
53
Christ Healing the Blind
54
Extensive Landscape
55
Distribution of Loaves to the PoorRockox House
56
Forest Scene with RobberyRockox House
57
Blind Hurdy-Gurdy Player, David Vinckboons, c. 1606 - c. 16101610 · Rijksmuseum
58
The Peasant"s Misfortune, David Vinckboons (workshop of), after c. 16191619 · Rijksmuseum
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | David Vinckboons teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 10 | A Peasants' Fair, Preaching of John the Baptist, Ideal Landscape |
 Rijksmuseum |
Amsterdam | 5 | The peasant's pleasure, The Fête Champêtre, David Vinckboons, c. 1610, The Preaching of St John the Baptist, David Vinckboons, c. 1610 |
 Statens Museum For Kunst |
Kooberemaa | 3 | Banquet in a Park (The Prodigal Son among the Harlots?), Distributing Bread to the Poor, The Temptation of St Anthony |
 Metropolitan Museum of Art |
New York | 3 | Forest Landscape with Two of Christ's Miracles, Forest Landscape with two of Christ's Miracles, Forest Landscape with Two of Christ's Miracles (detail) |
 Kunsthistorisches Museum |
Viin | 2 | Hercules, Dejanira and the Centaur Nessus, Absaloms death (2 Samuel 18: 9-15) |
 Nationalmuseum |
Stockholm | 2 | Distributing Alms, Landscape with a Hunting Party and an Overturned Wagon |
 Rockox House |
Antverp | 2 | Distribution of Loaves to the Poor, Forest Scene with Robbery |
 Institut Néerlandais |
Paris | 1 | Elderly Fisherman with a Girl |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
A Peasants' Fair is a work of oil on panel painted in 1607. The scene captures a moment of communal gathering, a slice of life frozen within a wooded landscape. It is a creation of David Vinckboons, an artist who navigated the shifting borders of the Southern Netherlands and the northern reaches of the Dutch Golden Age. Born in Mechelen, his hand moved through the landscapes of Antwerp and Amsterdam,…
In this 1612 oil on oak, we find ourselves witnessing a sudden fracture in the peace of a Flemish landscape. The scene captures a moment of profound desperation: the centaur Nessus is in the midst of abducting Dejanira, his powerful, muscular form creating a jarring diagonal against the natural order. There is a palpable sense of panic in the way her coral-pink drapery swirls, caught in the frantic movement of…
The air feels heavy with anticipation in this dense, monochromatic landscape. A vast, dark grove of trees looms on the left, their gnarled branches and textured bark framing a scene of profound human movement. Light spills from the upper right, cutting through the gloom to illuminate a central assembly of figures. They are a diverse crowd, some seated upon the earth, others standing in quiet attention, and some perched atop…
Hercules, Dejanira and the Centaur Nessus (1612), Kunsthistorisches Museum, Viin. Järgnevad A Peasants' Fair (1607) ja Elderly Fisherman with a Girl (1608).
36 aastat vanus: teos Hercules, Dejanira and the Centaur Nessus on pärinev aastast 1612 ning David Vinckboons sündis aastal 1576.
Hercules, Dejanira and the Centaur Nessus, A Peasants' Fair, Elderly Fisherman with a Girl, Preaching of John the Baptist, Banquet in a Park (The Prodigal Son among the Harlots?), Distributing Bread to the Poor, Distributing Alms, The peasant's pleasure, The Five Senses ja An Officer Preparing His Troops for an Ambush. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 62 teost kunstnikult David Vinckboons, mis on pärinevad ajastust 1600 kuni 1629.
Peamiselt Bavaria riiklikud maalidema kogumikud (München), Rijksmuseum (Amsterdam) ja Statens Museum For Kunst (Kooberemaa) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1610s: 21 58 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Hercules, Dejanira and the Centaur Nessus.
Sellel lehel on kõige vanem teos Forest Landscape with Two of Christ's Miracles (1600) ja kõige värskeim Lovers in a landscape (1629).
Trees (33), People (27) ja Landscape (20), kogu selle lehekülje 58 teose kohta.
Oil On Panel, 22 teoseks 58 töödelt sellel lehel.
Baroque, seda lähtudes selle lehe originaalteostest.
A Peasants' Fair, Preaching of John the Baptist ja Ideal Landscape: Bavaria riiklikud maalidema kogumikud, München säilitab 10 selle lehel olevat teost.
The story of David Vinckboons is one woven into the very fabric of the Dutch Golden Age, a period of unparalleled artistic flourishing in the Netherlands. Born in Mechelen, in the Southern Netherlands, his early life was marked by the movement of his family through the shifting landscapes of the era, from Antwerp to Middelburg, and eventually to Amsterdam. As a prolific painter and print designer, Vinckboons occupied a vital space in the evolution of Northern European art. He was not merely a chronicler of scenes but an architect of atmosphere, capable of transforming a simple woodland or a bustling village square into a stage for profound human drama.
His artistic lineage is deeply rooted in the traditions of his predecessors. Influenced heavily by the monumental works of Pieter Bruegel the Elder, Vinckboons carried forward a visual language that blended the pastoral with the profound. Alongside contemporaries such as Hans Bol and Roelant Savery, he played an instrumental role in the development of genre painting in the northern Netherlands. His training, likely overseen by his father Philippe, instilled in him a mastery of watercolor and canvas that allowed him to navigate between delicate print designs and expansive, detailed oil compositions.
Vinckboons possessed a unique ability to marry elegant human figures with lush, immersive landscapes. He became particularly renowned for his fête champêtre—scenes of outdoor merry companies where young, elegantly clad couples sought refuge in idyllic woodland settings. In these works, one finds a recurring theme of courtship, music-making, and the simple pleasures of life, often set against backdrops that reflect the influence of Gillis van Coninxloo. His compositions were innovative for their time; while he respected the tradition of small-figured landscapes, he frequently reduced the number of figures and brought them closer to the picture plane, creating a more intimate and immediate connection with the viewer.
Beyond the idyllic, his oeuvre captured the grit and complexity of contemporary life. He was a master of depicting village festivals, known as Kermis, and the seasonal rhythms of rural existence. His paintings could shift from the lightheartedness of a summer festival to the somber reality of winter, as seen in his depictions of village life during the colder months. Furthermore, he did not shy away from more serious or biblical subject matter. From the preaching of St. John the Baptist to the poignant narratives of the Prodigal Son, Vinckboons utilized the landscape as a spiritual vessel, where the natural world served to amplify the weight of the religious or social message being conveyed.
The historical significance of David Vinckboons lies in his role as a bridge between the late Renaissance traditions of the Southern Netherlands and the burgeoning realism of the Dutch Golden Age. His ability to navigate various themes—ranging from the pastoral and the biblical to the social and the seasonal—allowed him to become one of the most popular and sought-after artists of his era. His influence extended through his students, including figures such as Claes Janszoon Visscher, ensuring that his approach to landscape and genre painting would resonate in the generations that followed.
Though his life was marked by the political and religious upheavals of the 16th and 17th centuries, his artistic output remained a testament to the enduring power of the human narrative within the natural world. His works remain vital pieces of art history, offering a window into the social textures, the religious devotion, and the aesthetic aspirations of a transformative period in European history.
