Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 130 teost Carlo Maratta meie kataloogis
Lühidalt
André Le Nôtre (1681) on Carlo Maratta maalide kõige silmapaistvam teos; originaal kuulub museumi Château de Versailles, Versailles. Pärast seda suunatakse pilk Apollo Chasing Daphne (1681) ja Saint John the Baptist Pointing to Christ in a Landscape (1656) suunas. Meie kataloogis olevatest Carlo Maratta 130 teosest on need 100 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
André Le Nôtre’s portrait, painted in 1681 by Carlo Maratta, offers a glimpse into the mind of a man who fundamentally reshaped the landscape of Europe. More than simply a gardener, Le Nôtre was the “King of Gardeners,” Controller General of Buildings, Arts and Manufactures for France, and, crucially, Gardener to the King – a position that afforded him unparalleled influence over the aesthetic sensibilities of his era. The painting…
Carlo Maratta’s “Apollo Chasing Daphne,” completed in 1681, isn't merely a depiction of Greek mythology; it’s an exquisitely crafted distillation of humanist ideals within the Baroque aesthetic. Hanging proudly at the Musées Royaux des Beaux-Arts in Brussels—a testament to Belgian cultural heritage—the canvas commands attention with its serene composure and subtle dynamism.
A single arm cuts through the air, a diagonal line of intent that directs the eye from the rugged foreground toward a distant, blue-mantled figure. Saint John the Baptist reclines in the landscape, his body angled toward the viewer while his gaze seeks something beyond the immediate frame. He wears a heavy, magenta cloak that anchors the composition, a deep splash of color against the earthy browns and muted greens…
The oil on canvas titled Saint John the Evangelist on Patmos is a work by the Roman painter Carlo Maratta. Created between about 1680 and about 1720, the painting captures a moment of divine transcription. The subject focuses on the evangelist Johannes as he writes upon the island of Patmos.
The air in the room feels heavy with the weight of a final breath. In this 1676 oil painting, the earthly realm and the heavens collide in a single, breathless moment. Below, the mortal figures gather around the bed where Saint Joseph lies in his final hours. The Virgin Mary, Jesus, and Joseph form a central triangle of light, their faces illuminated by a theatrical glow that cuts through the…
Portrait of Cavalier Burnes is a painting by the Italian artist Carlo Maratta. Executed about 1676, this work belongs to the genre of portraiture. It presents a single male figure, capturing the likeness of a man through a focused, bust-length composition.
The air feels heavy with the weight of a sudden departure. In this scene, the Holy Family moves through a landscape that seems to pulse with both urgency and divine grace. The Virgin Mary sits upon a rocky bank, her form draped in a deep blue mantle that rests heavily over a pink robe. She cradles the Christ Child closely, her gaze fixed on the path ahead. To her side,…
This oil painting on canvas presents a close-up view of the upper bodies of the Madonna and Child. The figures are positioned along a diagonal axis that moves from the top left toward the bottom right of the frame. A beam of light descends from the upper left corner, striking the faces of both the mother and the infant. This lighting creates a chiaroscuro effect, where bright highlights on skin…
The light enters from the upper left, striking a face etched with quiet intelligence. It is the portrait of Andrea Sacchi, captured in the year 1661. A sharp white collar cuts through the darkness, providing a crisp boundary between the skin and the deep blacks of his clothing. The subject sits slightly off-center, his gaze meeting the viewer with a solemn weight. Dark, wavy hair falls in soft, blended strands…
The scene unfolds within The Vanity of the Earthly, an allegorical oil painting that captures a moment of profound stillness and reflection. Created by Carlo Maratta, the work emerges from the mid-seventeenth century, dating to about 1669. It exists as a window into the Baroque era, where the weight of existence meets the fleeting nature of worldly pursuits. The subject matter invites a quiet wonder regarding the transient beauty of…
Madonna and Child Enthroned with Angels and Saints1680 · Santa Maria in Vallicella
12
Virgin and Child with St John1704 · Kunsthistorisches Museum
13
Adoration of the Shepherds1690 · Hermitage muuseum
14
Rebecca and Eliezer at the Well1655 · Indianapolis Museum of Art
15
Portrait of a Cardinal (Barberini)1650
16
Prédication de Saint Jean Baptiste1655 · Musée des Beaux-Arts de Pau
17
Portrait of Giovanni Pietro Bellori1650
18
Magdalene in the desert1650 · Museo del Prado
19
The Angel of the Annunciation in a Garland of Flowers1651
20
Study for the altarpiece of Saint Rosalie among the Plague-Stricken1658 · Yale University Art Gallery
21
Portrait of a gentleman1650
22
Christ and the Samaritan woman.1650
23
Alpheus and Arethusa1655
24
Depiction in the Temple1669 · Bavaria riiklikud maalidema kogumikud
25
Sleeping, Naked Child1669 · Bavaria riiklikud maalidema kogumikud
26
Christ on the Mount of Olives1669 · Bavaria riiklikud maalidema kogumikud
27
Mary with Child and Infant John1669 · Bavaria riiklikud maalidema kogumikud
28
Madonna and Child1669 · Bavaria riiklikud maalidema kogumikud
29
Pope Clement IX1669 · Bavaria riiklikud maalidema kogumikud
30
Carolus1669 · Bavaria riiklikud maalidema kogumikud
31
Bathing wood nymph1669 · Bavaria riiklikud maalidema kogumikud
32
Caritas by Carlo Maratti1669 · Bavaria riiklikud maalidema kogumikud
33
Portrait of Maria Madalena Rospigliosi1664
34
Portrait of Giovanna Garzoni1665
35
Portrait of Maria Maddalena Rospigliosi Panciatichi1664
36
The Rape of Europa1682 · National Gallery of Ireland
37
The Flight into Egypt1677
38
The Vision of Saint Stanislas Kostka1685 · Royal Collection
39
The Origin of the Red Rose1676 · Statens Museum For Kunst
40
The finding of Romulus and Remus1686
41
Bath of Diana1684
42
Flora1690
43
Virgin and Child1697 · Statens Museum For Kunst
44
The Adoration of the Shepherds1689 · Statens Museum For Kunst
45
Cupids and Garlands of Flowers with a Parrot1694
46
Portrait of Francesca Gommi Maratti1701 · Cleveland Museum of Art
47
Marchese Niccolò Maria Pallavicini (1650-1714) guided to the Temple of Virtù by Apollo with a Self-portrait of the Artist1705
48
Madonna and Child1711 · Minneapolis Institute of Art
49
The Judgment of Paris1708 · Tsarskoye Selo
50
Assumption of Mary1713 · Fries Museum
51
Annunciation1713
52
Hagar and Ishmael1701 · Museo del Prado
53
Saint John on Patmos1669 · Bavaria riiklikud maalidema kogumikud
54
The Virgin and Child in Glory1680 · Museo del Prado
55
Portrait of Count Franz Anton Berka of Dubá1670 · Rahvuslik Galerii Praha
56
Adoration of the Shepherds1690 · Hermitage muuseum
57
A Young Man1663 · Berliini Riigimuseumid
58
Virgin in contemplationMuseo del Prado
59
Self-portrait1684 · British Museum
60
Adoration of the Magi (in Garland)Hermitage muuseum
61
Time driving a boat ferries the four seasons and a sleeping figure toward death1713 · Civic Museums of Reggio Emilia
62
The Holy Night (The Nativity)1656 · Staatliche Kunstsammlungen Dresden
63
Retrato de Faustina Maratti.1686
64
The Virgin Appearing to St Philip Neri1675 · Galleria Palatina
65
St. Mark the EvangelistThyssen-Bornemisza Museum
66
Self-portrait
67
Assumption and the Doctors of the Church1689 · Santa Maria del Popolo
68
The Virgin teaching the infant Christ to readFitzwilliam Museum
69
The AnnunciationRoyal Collection
70
Virgin and ChildFinnish National Gallery
71
The Flagellation of ChristMuseum of Fine Arts
72
Virgin Mary
73
NativityKrakovi Riiklik Muuseum
74
The Visitation
75
The Martyrdom of St. Andrew
76
The Holy Family With Angels
77
Annunciation
78
The Birth of the Virgin
79
The Assumption of the Virgin
80
The Adoration of the Magi
81
The Madonna with the Young Christ Sleeping
82
The Virgin and Child with the Young St. John the Baptist
83
Christ and the Samaritan Woman
84
Studies for the head of Jael
85
Painter Andrea Sacchi
86
The Madonna and Child
87
Rebecca and Eliezer at the Well
88
Madonna and Child
89
JudithCapitoline Museums
90
Madonna and Child with the Young Saint John the BaptistDetroit Institute of Arts
91
Arcangelo Corelli1700 · Royal College of Music Museum
92
The Holy FamilyToledo Museum of Art
93
The Sleep of the Infant Jesus, with Musician Angels1697 · Louvre'i muuseum
94
Study for a Statue of the Apostle Peter1703 · Kunstpalast
95
Maria Immaculata1688 · Sanssouci bildigalerii
96
Hercules and Onfalia
97
Madonna with Saints Verso
98
The Annunciation
99
Holy Family
100
Faith and Justice Enthroned
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Carlo Maratta teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 11 | The Vanity of the Earthly, Depiction in the Temple, Sleeping, Naked Child |
 Museo del Prado |
Madrid | 5 | The Painter Andrea Sacchi, Magdalene in the desert, Hagar and Ishmael |
 Statens Museum For Kunst |
Kooberemaa | 4 | Portrait of Cavalier Burnes, The Origin of the Red Rose, Virgin and Child |
 Hermitage muuseum |
Stiiitlinburg | 4 | Adoration of the Shepherds, Adoration of the Shepherds, Adoration of the Magi (in Garland) |
 Kunsthistorisches Museum |
Viin | 3 | Death of Saint Joseph, Madonna and Child, Virgin and Child with St John |
 Royal Collection |
London | 2 | The Vision of Saint Stanislas Kostka, The Annunciation |
 National Gallery of Ireland |
Dublin | 2 | The Rape of Europa |
 Fitzwilliam Museum |
2 | The Virgin teaching the infant Christ to read |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
A single arm cuts through the air, a diagonal line of intent that directs the eye from the rugged foreground toward a distant, blue-mantled figure. Saint John the Baptist reclines in the landscape, his body angled toward the viewer while his gaze seeks something beyond the immediate frame. He wears a heavy, magenta cloak that anchors the composition, a deep splash of color against the earthy browns and muted greens…
The air feels heavy with the weight of a sudden departure. In this scene, the Holy Family moves through a landscape that seems to pulse with both urgency and divine grace. The Virgin Mary sits upon a rocky bank, her form draped in a deep blue mantle that rests heavily over a pink robe. She cradles the Christ Child closely, her gaze fixed on the path ahead. To her side,…
The air in the room feels heavy with the weight of a final breath. In this 1676 oil painting, the earthly realm and the heavens collide in a single, breathless moment. Below, the mortal figures gather around the bed where Saint Joseph lies in his final hours. The Virgin Mary, Jesus, and Joseph form a central triangle of light, their faces illuminated by a theatrical glow that cuts through the…
André Le Nôtre’s portrait, painted in 1681 by Carlo Maratta, offers a glimpse into the mind of a man who fundamentally reshaped the landscape of Europe. More than simply a gardener, Le Nôtre was the “King of Gardeners,” Controller General of Buildings, Arts and Manufactures for France, and, crucially, Gardener to the King – a position that afforded him unparalleled influence over the aesthetic sensibilities of his era. The painting…
In the quietude of a humble stable, a scene from the Nativity unfolds through a precise arrangement of figures. The composition follows a pyramidal structure, centering on the Christ Child, who acts as the primary source of illumination within the frame. This light emanates directly from the infant, casting a strong glow upon the surrounding faces and the heavy, sculptural folds of the drapery. The color palette relies on warm,…
The oil on canvas titled Saint John the Evangelist on Patmos is a work by the Roman painter Carlo Maratta. Created between about 1680 and about 1720, the painting captures a moment of divine transcription. The subject focuses on the evangelist Johannes as he writes upon the island of Patmos.
This classical Baroque-style oil painting, dating to 1711, presents a profound and intimate depiction of the Madonna and Child. The composition is centered upon the Virgin Mary, who cradles the infant Christ in her arms, forming a stable triangular structure that directs the viewer's gaze toward the faces of the subjects. An accompanying angelic figure completes the scene, contributing to the sense of divine presence.
André Le Nôtre (1681), Château de Versailles, Versailles. Järgnevad Apollo Chasing Daphne (1681) ja Saint John the Baptist Pointing to Christ in a Landscape (1656).
56 aastat vanus: teos André Le Nôtre on pärinev aastast 1681 ning Carlo Maratta sündis aastal 1625.
André Le Nôtre, Apollo Chasing Daphne, Saint John the Baptist Pointing to Christ in a Landscape, Saint John the Evangelist on Patmos, Death of Saint Joseph, Portrait of Cavalier Burnes, The Flight into Egypt, Madonna and Child, The Painter Andrea Sacchi ja The Vanity of the Earthly. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 130 teost kunstnikult Carlo Maratta, mis on pärinevad ajastust 1650 kuni 1713.
Peamiselt Bavaria riiklikud maalidema kogumikud (München), Museo del Prado (Madrid) ja Statens Museum For Kunst (Kooberemaa) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1660s: 18 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül The Flight into Egypt.
Sellel lehel on kõige vanem teos Portrait of a Cardinal (Barberini) (1650) ja kõige värskeim Assumption of Mary (1713).
Woman (38), Man (22) ja Clouds (18), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 37 teoseks 100 töödelt sellel lehel.
Baroque, seda lähtudes selle lehe originaalteostest.
The Vanity of the Earthly, Depiction in the Temple ja Sleeping, Naked Child: Bavaria riiklikud maalidema kogumikud, München säilitab 11 selle lehel olevat teost.
