Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 108 teost Bernhard Strigel meie kataloogis
Lühidalt
The Announcement to Anne and Joachim (1510) on Bernhard Strigel maalide kõige silmapaistvam teos; originaal kuulub museumi Thyssen-Bornemisza Museum, Madrid. Pärast seda suunatakse pilk Portrait of Maximiliaan I van Habsburg (1459-1519) (1500) ja St. Anthony Abbot and St. Paul the Hermit (1507) suunas. Meie kataloogis olevatest Bernhard Strigel 108 teosest on need 100 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
The painting depicts a domestic interior where a seated woman, Mary, occupies the left side of the frame. She holds a piece of cloth in her hands, her posture settled within a chair. Opposite her, a standing figure, the angel Gabriel, appears in the space of the room. The scene is grounded by a dining table positioned toward the upper right, upon which a single bowl rests. In the lower…
The air in the portrait feels heavy with the scent of polished metal and expensive dyes. Maximilian I sits in a profile view, a choice that demands respect and distances the viewer from the intimate space of the ruler. His gaze does not meet ours; instead, it looks toward a horizon only he can see. The light catches the sharp edge of his crown and the fine, meticulous embroidery of…
The oil on panel painting titled St. Anthony Abbot and St. Paul the Hermit was executed by the German artist Bernhard Strigel in 1507. This work depicts two religious figures, St. Anthony Abbot and St. Paul the Hermit, positioned in close proximity. The two subjects are shown engaged in conversation, their forms set against a gold-toned surface.
A man stares directly from the panel, his presence heavy and immediate. He wears a black hat adorned with a delicate gold trim, a piece of finery that catches the light against the dark fabric. A red cape drapes over his shoulders, providing a sudden, sharp splash of color against the more somber tones of his attire. His hand is raised, a ring glinting on his finger, as if he…
A single figure occupies the center of the frame, stripped of his garments. The skin of Christ appears pale against the heavy, textured folds of the drapery being pulled away. Around him, several figures press inward, their hands grasping at cloth and limb. The scene is set outdoors, where the dark silhouette of a tree rises in the background, grounding the divine drama in a tangible, earthly space. There is…
Mindelheim Altarpiece: Saint Servatius by Bernhard Strigel is a vertically oriented religious portrait executed about 1505. The composition centers on a seated figure shown in profile, facing toward the left of the frame. The subject is Saint Servatius, depicted in clerical attire and wearing spectacles while reading a book. This figure is positioned near a wooden bookcase, creating a focused, intimate setting. The perspective remains shallow, concentrating the viewer's attention…
In this intimate work, titled Funk Diptych: Donor Portrait of Hans Funk, we encounter a quiet moment of devotion captured by the hand of Bernhard Strigel. The portrait focuses on the individual known as Hans Funk, presented with the solemnity typical of a late Gothic donor image. It is a work that seeks to preserve the identity and piety of its subject through a formal, dignified gaze.
The air feels thick with anticipation as a procession moves through the narrow, structured gates of a city. Jesus Christ rides a donkey, his presence marked by a golden halo that glows softly against the surrounding figures. Around him, a sea of followers and onlookers surges forward, their faces etched with intense expressions. The composition is vertical and tightly packed, creating a sense of movement that pushes against the edges…
In this work, titled betrothal of Maria with the founder, Bernhard Strigel presents a solemn depiction of the Betrothal of the Virgin Mary. The scene unfolds within an indoor or semi-enclosed space, where the atmosphere is defined by a dense arrangement of figures. At the heart of the composition, a high priest or officiating figure stands centrally, mediating the ritual between the primary subjects. To the left, a woman kneels…
This painting depicts Saint Barbara and was executed by the artist Bernhard Strigel. The work is dated to 1500. Strigel was a painter associated with the Swabian school, a group of artists active in the southern German regions. He was born in Memmingen.
Buxheim Altar: Prophet Isaiah1500 · Bavaria riiklikud maalidema kogumikud
12
Altarpiece: Birth of Mary1500
13
Altarpiece: Martyrdom of Saint Quirinus1500
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Three Kings Altar: The Adoration of the Magi1500
15
Portrait of a Man1493 · Gemäldegalerie
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Prophets with Scroll1493 · Gemäldegalerie
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Prophets with Scroll1493 · Gemäldegalerie
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Prophets with Scroll1493 · Gemäldegalerie
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Prophets with Scroll1493 · Gemäldegalerie
20
Mindelheim Altarpiece: Anna and Joachim with Mary1500 · Bavaria riiklikud maalidema kogumikud
21
Virgin with child1490 · Bavaria riiklikud maalidema kogumikud
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The returning of David with the head Goliath1500 · Bavaria riiklikud maalidema kogumikud
23
Mindelheim Altarpiece: Mary Salome and Zebedee with their Childs1500 · Bavaria riiklikud maalidema kogumikud
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The Arrest of Christ1500 · Walters Art Museum
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Pilate Washing His Hands of Guilt for Christ's Death1500 · Walters Art Museum
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Christ Before the High Priest1500 · Walters Art Museum
27
Death of Mary (Reverse: St. Dorothea and Margaretha)1510 · Bavaria riiklikud maalidema kogumikud
28
Sliding Lid for the Portrait of Hieronymus II. Haller zu Kalchreuth1503 · Bavaria riiklikud maalidema kogumikud
29
Finding and Exaltation of the True Cross1507 · Veste Coburg Art Collections
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Epitaph of the Familie Funk von Memmingen, 15131513 · Museum of All Saints
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Ulrich von Frundsberg as Donor of the Family Retable1505
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St Catherine of Alexandria1505 · Städel Museum
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The Emperor Maximilian I (1459 - 1519)1508 · Upton House
34
Mindelheim Altarpiece: Cleophas and Maria Cleophae and Childs1505 · Bavaria riiklikud maalidema kogumikud
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Mindelheim Altarpiece: Mary of Clopas and Alphaeus with their Childs1505 · Bavaria riiklikud maalidema kogumikud
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Mindelheim Altarpiece: Issachar and Susanna and their Childs1505 · Bavaria riiklikud maalidema kogumikud
37
Mindelheim Altarpiece: Esmeria and Ephrem with their Childs1505 · Bavaria riiklikud maalidema kogumikud
38
Mindelheim Altarpiece: Eliud and Memelia with Saint Servatius1505 · Bavaria riiklikud maalidema kogumikud
39
Emperor Maximilan I. (1459-1519) with a Scroll1515 · Gemäldegalerie
40
Portrait of Maximilian I1515
41
Angel with Censer1520 · Louvre Abu Dhabi
42
The Thurifer Angel Dressed in a Yellow Tunic1520 · Louvre Abu Dhabi
43
Prayer of Christ in the Garden of Olives1525 · Staatliche Kunsthalle Karlsruhe
44
Sleeping guard of a grave with a crossbow1520 · Bavaria riiklikud maalidema kogumikud
45
Calvary (verso): Chris as Man of Sorrows1520 · Bavaria riiklikud maalidema kogumikud
46
St.Peter and St. Paul1521
47
Portrait d'une dame1520
48
Portrait of Mary of Burgundy1520 · Dumbarton Oaks
49
Portrait of Count Johann II, Count of Montfort and Rothenfels1523 · National Gallery of Ireland
50
Holy Family with Angels1510 · Kunsthistorisches Museum
51
Portrait of a Man1528 · Thyssen-Bornemisza Museum
52
Buxheim Altar: Prophet Zacharias Reverse: Part of an Annunciation(?)1500 · Bavaria riiklikud maalidema kogumikud
53![Hans Roth [obverse] (1527) autor Bernhard Strigel](/media/artworks/images-thumb/c0/53/c0536f9d39bebacea67dcfd17e7277dd.jpg)
Hans Roth [obverse]1527 · National Gallery of Art
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Holy Tribe1520 · Kunsthistorisches Museum
55
Portrait of Hieronymus II. Haller zu Kalchreuth1503 · Bavaria riiklikud maalidema kogumikud
56
Christ Washing the Disciples' Feet1520 · Staatliche Kunsthalle Karlsruhe
57
The Annunciation1515 · Fundación Colección Thyssen-Bornemisza
58
John the Evangelist is taught to write1510 · Kunsthistorisches Museum
59![Margarethe Vöhlin, Wife of Hans Roth [reverse] (1527) autor Bernhard Strigel](/media/artworks/images-thumb/ca/b1/cab156fa5e0148a2e9b0560926d3d422.jpg)
Margarethe Vöhlin, Wife of Hans Roth [reverse]1527 · National Gallery of Art
60![Hans Roth [reverse] (1527) autor Bernhard Strigel](/media/artworks/images-thumb/e3/a3/e3a3614e1ef6310758806a32d0c9299c.jpg)
Hans Roth [reverse]1527 · National Gallery of Art
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Margarethe Vöhlin1527 · National Gallery of Art
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Portrait of Maximilian I1459
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Emperor Maximilian I1459
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Maximilian I1459 · Kunsthistorisches Museum
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Christ Taking Leave of His Mother1520 · Berliini Riigimuseumid
66
Inside Pages of the Wings of the Schussenrieder Marienaltar1515 · Gemäldegalerie
67
Sacrifice of Isaac, and Transfiguration1510
68
Portrait of Georg Tannstetter (Collimitius)1515
69
The eight children Konrad Rehlinger1517 · Bavaria riiklikud maalidema kogumikud
70
Portrait of Martha Thannstetter (née Werusin)1515 · Liechtenstein Museum
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Portrait of Dr. Georg Thannstetter1515 · Liechtenstein Museum
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Portrait of Emperor Maximilian and His Family1515
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Sleeping guardian of a grave with sword and halberd1520 · Bavaria riiklikud maalidema kogumikud
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Saint Mary Salome and Her Family1528 · National Gallery of Art
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Saint Mary Cleophas and Her Family1528 · National Gallery of Art
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Portrait of Conrad Rehlinger and his Children1517 · Alte Pinakothek
77
Emperor Maximilian I1459
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Portrait of a Woman1510 · Metropolitan Museum of Art
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Mary and Joseph with Jesus1506 · Bavaria riiklikud maalidema kogumikud
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Lamentation of ChristStaatliche Kunsthalle Karlsruhe
81
Emperor Maximilian IBavaria riiklikud maalidema kogumikud
82
The Marriage of the VirginStaatsgalerie Stuttgart
83
Crowning of Christ with ThornsStaatliche Kunsthalle Karlsruhe
84
St Ladislas Presents Wladislav II and his Sons to the Virgin (detail)1511 · Szépművészeti Múzeum
85
Eliud with Memelia and Saint Servatius as a ChildGemäldegalerie
86
Saints Vitus and MargaretGemäldegalerie
87
Annunciation to MaryStaatliche Kunsthalle Karlsruhe
88
Portrait of Hieronymus HallerSzépművészeti Múzeum
89
Saint John the BaptistMuseum of Fine Arts
90
Pair of lovers with the Devil and CupidKupferstichkabinett
91
Portrait of the Cuspinian Family1520
92
Christ Taking Leave of His Mother1520
93
Portrait of Louis II of Hungary1515 · Kunsthistorisches Museum
94
Saint Elizabeth of Thuringia and Emperor Henry IIGemäldegalerie
95
Margaret of Antioch
96
John the Evangelist
97
John the Baptist
98
Barbara of Nicomedia
99
Hans Caspar von LaubbergStaatliche Kunsthalle Karlsruhe
100
Sleeping Grave Guards with Mace and SwordBavaria riiklikud maalidema kogumikud
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Bernhard Strigel teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 25 | Portrait of Maximiliaan I van Habsburg (1459-1519), Mindelheim Altarpiece: Saint Servatius, Funk Diptych: Donor Portrait of Hans Funk |
 Gemäldegalerie |
Berliin | 10 | Portrait of a Man, Prophets with Scroll, Prophets with Scroll |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 6 | Prayer of Christ in the Garden of Olives, Christ Washing the Disciples' Feet, Lamentation of Christ |
 National Gallery of Art |
Washington | 6 | Hans Roth [obverse], Margarethe Vöhlin, Wife of Hans Roth [reverse], Hans Roth [reverse] |
 Kunsthistorisches Museum |
Viin | 6 | Holy Family with Angels, Holy Tribe, John the Evangelist is taught to write |
 Walters Art Museum |
Baltimore | 4 | The Entry Into Jerusalem, The Arrest of Christ, Pilate Washing His Hands of Guilt for Christ's Death |
 Szépművészeti Múzeum |
Budapest | 3 | St Ladislas Presents Wladislav II and his Sons to the Virgin (detail), Portrait of Hieronymus Haller |
 Thyssen-Bornemisza Museum |
Madrid | 2 | The Announcement to Anne and Joachim, Portrait of a Man |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In this work, titled betrothal of Maria with the founder, Bernhard Strigel presents a solemn depiction of the Betrothal of the Virgin Mary. The scene unfolds within an indoor or semi-enclosed space, where the atmosphere is defined by a dense arrangement of figures. At the heart of the composition, a high priest or officiating figure stands centrally, mediating the ritual between the primary subjects. To the left, a woman kneels…
In this intimate work, titled Funk Diptych: Donor Portrait of Hans Funk, we encounter a quiet moment of devotion captured by the hand of Bernhard Strigel. The portrait focuses on the individual known as Hans Funk, presented with the solemnity typical of a late Gothic donor image. It is a work that seeks to preserve the identity and piety of its subject through a formal, dignified gaze.
The air in the portrait feels heavy with the scent of polished metal and expensive dyes. Maximilian I sits in a profile view, a choice that demands respect and distances the viewer from the intimate space of the ruler. His gaze does not meet ours; instead, it looks toward a horizon only he can see. The light catches the sharp edge of his crown and the fine, meticulous embroidery of…
The painting depicts a domestic interior where a seated woman, Mary, occupies the left side of the frame. She holds a piece of cloth in her hands, her posture settled within a chair. Opposite her, a standing figure, the angel Gabriel, appears in the space of the room. The scene is grounded by a dining table positioned toward the upper right, upon which a single bowl rests. In the lower…
A man stares directly from the panel, his presence heavy and immediate. He wears a black hat adorned with a delicate gold trim, a piece of finery that catches the light against the dark fabric. A red cape drapes over his shoulders, providing a sudden, sharp splash of color against the more somber tones of his attire. His hand is raised, a ring glinting on his finger, as if he…
The Announcement to Anne and Joachim (1510), Thyssen-Bornemisza Museum, Madrid. Järgnevad Portrait of Maximiliaan I van Habsburg (1459-1519) (1500) ja St. Anthony Abbot and St. Paul the Hermit (1507).
50 aastat vanus: teos The Announcement to Anne and Joachim on pärinev aastast 1510 ning Bernhard Strigel sündis aastal 1460.
The Announcement to Anne and Joachim, Portrait of Maximiliaan I van Habsburg (1459-1519), St. Anthony Abbot and St. Paul the Hermit, Portrait of a Gentleman, Disrobing of Christ, Mindelheim Altarpiece: Saint Servatius, Funk Diptych: Donor Portrait of Hans Funk, The Entry Into Jerusalem, betrothal of Maria with the founder ja Saint Barbara. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 108 teost kunstnikult Bernhard Strigel, mis on pärinevad ajastust 1485 kuni 1528.
Peamiselt Bavaria riiklikud maalidema kogumikud (München), Gemäldegalerie (Berliin) ja Staatliche Kunsthalle Karlsruhe (Karlsruhe) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1500s: 28 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Portrait of Maximiliaan I van Habsburg (1459-1519).
Sellel lehel on kõige vanem teos betrothal of Maria with the founder (1485) ja kõige värskeim Portrait of a Man (1528).
Man (41), People (22) ja Woman (21), kogu selle lehekülje 100 teose kohta.
Oil On Panel, 51 teoseks 100 töödelt sellel lehel.
Northern renaissance, seda lähtudes selle lehe originaalteostest.
Portrait of Maximiliaan I van Habsburg (1459-1519), Mindelheim Altarpiece: Saint Servatius ja Funk Diptych: Donor Portrait of Hans Funk: Bavaria riiklikud maalidema kogumikud, München säilitab 25 selle lehel olevat teost.
Švabi maastiku südames, ajal, mil keskaegune maailm hakkas loobuma renessantsi koitest, astus Bernhard Strigel u see valgusest ja inimlikust kohuselust meistrina. Memmingenis umbes 1461. aastal sündinud Strigel ei maalnud lihtsalt nägusid; ta tõid neisse elu läbi hoolika värvi ja vormi valduse. Tema teekond oli sügav kunstiline evolutsioon, liikudes gootika ajastu struktureeritud traditsioonidest suunades enam nuansiseeritud, tähelepanelikku stiili, mis määras saksa renessanssi. Švabi kooli võtmefiguurina toimib tema töö elutähtsa sillana keskaegse vaimsuse intensiivsuse ja XVI sajandi humanistliku selguse vahel.
Strigeli geniaalsuse alused paneti perelaboratooriumi intiimses keskkonnas. Oma isa, Hans Strigeli, juhendisel ning Ulmist pärit auastatud meistri Zeitblomi mõjutel arendas noor kunstnik silma väikestaimest detailide jaoks, mis iseloomustavad põhja-renessanssi kunsti. See varajane koolitus sisaldas temas austust tegelikkuse tekstuuride vastu — sameti riietuse raske korts, helni pearl ja küünla valguses naha pehme loist. Tema varajates kompositsioonides on vaheldatav jälgida Rogier van der Weydeni ja Dieric Boutsi meisterlikkuse kaja, kus sügav pühendumus kohtub peaaegu teadusliku täpsusega detailides.
Strigeli tõus piirkondlikust talentist Euroopa tasemel tunnustatud isikuks sai tõuke ajastu võimsaimale patroonile: keiser Maximilian I toetusele. Keiser, mees, kellel oli näljane eet, tunnistas Strigelis unikaalset võimet tabada mitte ainult sarnasu, vaid ka autoriteedi ja ülimuse olemust. See suhe muuts Strigeli karjääri, viies teda suurele kunstiline ekspeditsioonile läbi kultuurikeskuste nagu Augsburg, Innsbruck ja Viin. Tema kohalolu keiserlikudest õudest võimaldas tal osaleda oma ajastu kõige olulisemate poliitiliste ja sotsiaalsete narratiivide loomisel.
Tema korduvaimne panus portreetide ajalukku peitub tõ Perhaps tema kõige püsivam panus portreetide ajalukku peitub tema rollis murdelise Habsburg-Jagellon suhte läbirundingutes. 1515. aastal, kui teda kutsuti spetsiaalt Viini, oli Strigelile usaldatud Euroopa muutuse nägude tabamine. Tema selle ajastu portreed on iseloomustatud erakorralise selgusega ja psühholoogilise sügavusega, mis läübub dokumenteerimise üle. Tema pintslitõlguste kaudu omavad teemad vaikset väärikust ja luminotset kvaliteeti, mis viitab hinge vaatamisele pigmenti taga. Need teosed ei piirdu vaid ajalugu kirjeldamisega; nad inimlikustavad seda, pakkudes meile intiimset vaadet renessantsi eliidi nägudele.
Bernhard Strigeli tehniline briljantsus on kõige ilmavam tema luminotnse valduses. Ta omastas haruldast võimet manipuleerida valgust nii, et see näitudes emitreerivatestvat just maali seestpoolt, mitte lihtsalt selle pinnalt peegeldavat. See tehnika, koos sofisteeritud värvipaletide kasutamisega, võimaldas tal luua teoseid, mis tundusid nii füüsiliselt kätta puudutavad kui ka vaimselt kõrgustatud. Olgu ta töötanud suuremõõtmiliste ajalooliste kompositsioonide või intiimsete individuaalportreetide üle, tema täpsuse pühendumus jäi muutumatu.
Tema kunstiline saavutused saab kokkuvõtda tema karjääri mitme võtmeelementi kaudu:
Tänapäeval on Bernhard Strigeli teosed tõend asja, mis on läbi teinud sügav transformaatsiooni. Tema võime tabada hetke hämarat valgust ja säilitada see õli ja tempera püsivuses tagab, et tema pärand jätkub resoneerima. Strigeli portreedi vaatlemine on kohtumine Švabi renessantsi vaimuga — maailmaga, kus iga pintstroog on pühendumus nähtava maailma ilule.
