Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 123 teost Bartholomaeus Bruyn Vanem meie kataloogis
Lühidalt
Portrait of a knight (1531) on Bartholomaeus Bruyn Vanem maalide kõige silmapaistvam teos; originaal kuulub museumi Kunsthistorisches Museum, Viin. Pärast seda suunatakse pilk Portrait of Wilhelm Kannengiesser (1550) ja Portrait of Elisabeth Bellinghausen (1530) suunas. Meie kataloogis olevatest Bartholomaeus Bruyn Vanem 123 teosest on need 100 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
The gaze of the sitter meets us directly in Portrait of a knight, a work that carries the weight of a specific identity. Painted by Bartholomaeus Bruyn the Elder, the image captures a man whose status is etched into his very presence. While the title identifies him simply as a knight, other names for this same figure suggest a more specific history. He is known in some circles as a…
A single light source strikes from the upper left, carving the face of Wilhelm Kannengiesser out of a heavy, dark silence. He sits in a three-quarter view, his gaze directed toward the right, fixed on something beyond the frame. His beard is a stark, white landscape of fine lines, contrasting sharply against the deep black of his heavy garment. This fabric falls in thick, sculptural folds, absorbing the light and…
To look upon this portrait is to encounter a moment of quiet intention from the year 1538. This is not a grand, sweeping scene, but an intimate half-length study of Elisabeth Bellinghausen, rendered with the meticulous precision characteristic of the Northern Renaissance. She is presented against a deep, solid blue background that pushes her figure forward, making the textures of her attire feel almost tangible. There is a certain stillness…
Margaretha von Mochau sits before us, her presence steady and dignified in the soft light of 1524. She is twenty-six years old, caught in a quiet moment of poise that feels as though it might break at any second. Her gaze is calm, directed slightly away, while her pale skin glows against the deep, atmospheric green of the background. She wears a heavy black garment, its weight suggested by the…
The sitter, Cardinal Bernhardus Clesius, is presented in a medium close-up, captured from the waist up against a deep green backdrop. His expression is solemn and contemplative, projecting a sense of gravity and ecclesiastical weight. He is draped in heavy, saturated red robes and a matching cap, the folds of which are defined by sharp, purposeful lines that suggest the substantial weight of silk or satin. Light enters from the…
The work titled Portrait of a young man holding gloves presents a quiet study of identity. Created by the artist Bartholomaeus Bruyn The Elder, the painting captures a single figure in a moment of stillness. The subject is a young man, his presence defined by the weight of his dark attire and the steady gaze directed toward the viewer. He holds gloves, a small detail that anchors the composition and…
The portrait presents a woman in a medium close-up, positioned slightly off-center and facing toward the left. She is depicted against a dark, undifferentiated background that pushes her figure into the foreground. Her attire consists of a heavy black gown and a white headpiece that creates sharp, defined folds. Around her neck, a delicate white ruff or pleated linen collar provides a textural contrast to the smooth, dark fabric of…
In this oil on panel, titled Virgin and Child with Saint Anne, Saint Gereon, and a Donor, we encounter a significant example of the German Renaissance. The work is attributed to Bartholomaeus Bruyn the Elder, a painter who was active in Cologne. Measuring 78.4 x 57.9cm, the panel presents a complex arrangement of figures that bridges the gap between the divine and the earthly through its specific iconographic program.
Crucifixion Altar: Saint Agnes and Donor is an oil on panel work by Bartholomaeus Bruyn the Elder. Created between 1515 and 1520, the piece reflects the stylistic developments of the German Renaissance. The composition is characterized by a vertical orientation, measuring 0.322m x 0.97m.
The composition is a dense, multi-layered arrangement that fills the frame from foreground to background. At the center of this celestial and earthly convergence lies the infant Jesus, whose presence emanates a divine light that cuts through the nocturnal shadows. Surrounding the manger are the Virgin Mary, Joseph, and various angels, all rendered with the meticulous detail characteristic of the German Renaissance. The scene is framed by the sharp architectural…
Virgin and Child with Saint Margaret and Dorothy and angels playing music1517 · Bavaria riiklikud maalidema kogumikud
12
Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors1517 · Bavaria riiklikud maalidema kogumikud
13
Pietà1514 · Varssavi Rahvusmuuseum
14
Cyriacus Cycle: Saint Cyriacus Baptizes Arthemia1532 · Bavaria riiklikud maalidema kogumikud
15
Lamentation Altarpiece, Outer Wing: Saint Suitbert1531 · Bavaria riiklikud maalidema kogumikud
16
Cyriacus Cycle: Death of Saint Cyriacus1532 · Bavaria riiklikud maalidema kogumikud
17
Cyriakus Cycle: Saint Cyriacus is Welcomed by the Persian King1532 · Bavaria riiklikud maalidema kogumikud
18
Lamentation Altarpiece: Saint Stephen with the Donor Stephan Vell von Wevelinghoven1531 · Bavaria riiklikud maalidema kogumikud
19
Lamentation Altarpiece: A Saint with the Donor Bernhard (?) von Huchtenbroich1531 · Bavaria riiklikud maalidema kogumikud
20
Lamentation Altarpiece, Outer Wing: Saint Kunibert1531 · Bavaria riiklikud maalidema kogumikud
21
Cyriakus Cycle: Emperor Diocletian Shakes Hands with Saint Cyricus1532 · Bavaria riiklikud maalidema kogumikud
22
Cyriacus Cycle: Saint Cyriacus Delivers Jobia from the Evil Spirit1532 · Bavaria riiklikud maalidema kogumikud
23
Christ Bids Farewell to His Mother1532 · Wallraf-Richartz-Museum
24
Sybilla von Aich, born Reidt, with four daughters1520 · Bavaria riiklikud maalidema kogumikud
25
Christ carrying the cross1520 · Bavaria riiklikud maalidema kogumikud
26
Donor image of the Cologne patrician family Rinck: Virgin Mary1530 · Bavaria riiklikud maalidema kogumikud
27
Donor image of the Cologne patrician family Rinck: Saint Anne1530 · Bavaria riiklikud maalidema kogumikud
28
Johann von Aich, mayor of Cologne, with his two sons1520 · Bavaria riiklikud maalidema kogumikud
29
The lamentation of Christ1531 · Bavaria riiklikud maalidema kogumikud
30
The martyrdom of Saint Cyriacus1532 · Bavaria riiklikud maalidema kogumikud
31
Wing of an Altarpiece: Saint Catherine and a Donor1521 · Bavaria riiklikud maalidema kogumikud
32
Portrait Diptych of Johann von Rolinxwerth and his Wife, Christine von Sternberg1529 · Mauritshuis
33
Saint Barbara1520
34
Saint Bartholomew1520
35
Adoration of the Magi1525 · National Museum of Fine Arts
36
Christ appearing to Mary Magdalene1520 · Varssavi Rahvusmuuseum
37
The Annunciation1520 · Varssavi Rahvusmuuseum
38
The Nativity1520 · Thyssen-Bornemisza Museum
39
Portrait of a Young Man1528 · Royal Museum of Fine Arts Antwerp
40
Crucifixion1532 · Wallraf-Richartz-Museum
41
Homo bulla: A Boy Blowing Bubbles1532 · Germanisches Nationalmuseum
42
Adoration of the magi1532 · Wallraf-Richartz-Museum
43
Mary with the child, adored by the Duke of Cleves1528 · Gemäldegalerie
44
Portrait of a Man, traditionally said to be Roger, Count Blitterswyk-Geldern1528 · Harvard Art Museums
45
Christ appearing before Mary1520 · Varssavi Rahvusmuuseum
46
Portrait of a Woman with Rosary and Carnation1547 · Gemäldegalerie
47
Portrait of Chancellor Balthasar von Kerpen1535 · Kunstmuseum
48
Portrait of Sibylla Kessel1542 · Städel Museum
49
Portrait of Peter Heyman1542 · Städel Museum
50
Portrait of an unknown family: a father with his three sons1549 · Bavaria riiklikud maalidema kogumikud
51
Passion Altarpiece of the Siegen Family: Left Panels1540 · Bavaria riiklikud maalidema kogumikud
52
Passion Altarpiece of the Siegen Family: Right Panels1540 · Bavaria riiklikud maalidema kogumikud
53
Donor image of the Cologne patrician family Rinck: Christ Crowned with Thorns1540 · Bavaria riiklikud maalidema kogumikud
54
Passion Altarpiece of the Siegen family: Central Panel1540 · Bavaria riiklikud maalidema kogumikud
55
Margarethe von Aich (1517–1570)1540 · Museum of Fine Arts
56
Johann von Aich (1510–1549)1540 · Museum of Fine Arts
57
Man's portrait with armour, rear: child wifh skull1544 · Wallraf-Richartz-Museum
58
Portrait of a Woman1534 · Gemäldegalerie
59
Portrait of a Woman1537 · Harvard Art Museums
60
Portrait of a Man1537 · Harvard Art Museums
61
Portrait of a Man1550 · Bavaria riiklikud maalidema kogumikud
62
Rinck Altar II: Saint Benedict1550 · Bavaria riiklikud maalidema kogumikud
63
Saint Barbera and the donor Sibylla Rinck-Kannegießer1550 · Bavaria riiklikud maalidema kogumikud
64
Rinck-Altar II:Saint Catherine with donor Hermann Rinck1550 · Bavaria riiklikud maalidema kogumikud
65
Portrait of a Man with a Book1550 · Bonnefanten Museum
66
Lamentation over the dead Christ1550 · Musée des Beaux-Arts
67
Kreuzigungs-Triptychon, St. Andreas Köln1550
68
Portrait of a Woman1565 · Saint Louis Art Museum
69
Portrait of a Woman of the Slosgin Family of Cologne1557 · Metropolitan Museum of Art
70
Portrait of a Young Woman with a Pink1660 · Walters Art Museum
71
Bacchus with putti1747 · Plantin-Moretus Museum
72
Portrait of Scholar Petrus von Clapis1528 · Szépművészeti Múzeum
73
Vanitas Still-lifeKröller-Müller Museum
74
Portrait of a Woman1539 · Thyssen-Bornemisza Museum
75
Portrait of a Woman1541 · Yale University Art Gallery
76
German, )1493
77
Crucifixion of christ1515 · Böttcherstraße Museums
78
Portrait of a Woman1533 · Metropolitan Museum of Art
79
Portrait of a Man1533 · Metropolitan Museum of Art
80
Portrait of a Man with Three Sons1530 · Hermitage muuseum
81
Burgomaster Arnold von Brauweiler1535 · Wallraf-Richartz-Museum
82
Crucifixion Altar: Emperor Henry II the SaintBavaria riiklikud maalidema kogumikud
83
Crucifixion Altar: Saint HelenaBavaria riiklikud maalidema kogumikud
84
Portrait of a Man (Vanitas Portrait)Bavaria riiklikud maalidema kogumikud
85
Appearance of the Risen Christ before MaryBavaria riiklikud maalidema kogumikud
86
Crucifixion Altar: Saint Bishop (Lambertus of Liège?) with FoundressBavaria riiklikud maalidema kogumikud
87
Portrait of Johannes Draconites
88
Resurrection of ChristRoyal Museum of Fine Arts Antwerp
89
Portrait of a ManRoyal Museum of Fine Arts Antwerp
90
Portrait of a WomanRoyal Museum of Fine Arts Antwerp
91
Triptych with DonorsRoyal Museum of Fine Arts Antwerp
92
Portrait of a ManRoyal Museum of Fine Arts Antwerp
93
Portrait of a Lady
94
Portrait of a Man
95
Portrait of a clergymanVarssavi Rahvusmuuseum
96
CATHERINE DE BOREMusée Condé
97
Saint Jérôme pénitent
98
PHILIPP VON GAILLouvre'i muuseum
99
PORTRAIT D'HOMME AVERS
100
PORTRAIT DE FEMME
#9 Crucifixion Altar: Saint Agnes and Donor
#10 The Nativity with the Donors Peter von Clapis and Bela Bonenberg
#11 Virgin and Child with Saint Margaret and Dorothy and angels playing music
#12 Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors
#13 Pietà
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Bartholomaeus Bruyn Vanem teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 34 | Crucifixion Altar: Saint Agnes and Donor, Virgin and Child with Saint Margaret and Dorothy and angels playing music, Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors |
 Royal Museum of Fine Arts Antwerp |
Antverp | 6 | Portrait of a Young Man, Resurrection of Christ, Portrait of a Man |
 Wallraf-Richartz-Museum |
Köln | 7 | Christ Bids Farewell to His Mother, Crucifixion, Adoration of the magi |
 Varssavi Rahvusmuuseum |
Varssavi | 5 | Pietà, Christ appearing to Mary Magdalene, The Annunciation |
 Kunsthistorisches Museum |
Viin | 3 | Portrait of a knight, Cardinal Bernhardus Clesius, Portrait of a young man holding gloves |
 Städel Museum |
Frankfurt | 3 | The Nativity with the Donors Peter von Clapis and Bela Bonenberg, Portrait of Sibylla Kessel, Portrait of Peter Heyman |
 Gemäldegalerie |
Berliin | 3 | Mary with the child, adored by the Duke of Cleves, Portrait of a Woman with Rosary and Carnation, Portrait of a Woman |
 Harvard Art Museums |
Cambridge | 3 | Portrait of a Man, traditionally said to be Roger, Count Blitterswyk-Geldern, Portrait of a Woman, Portrait of a Man |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Crucifixion Altar: Saint Agnes and Donor is an oil on panel work by Bartholomaeus Bruyn the Elder. Created between 1515 and 1520, the piece reflects the stylistic developments of the German Renaissance. The composition is characterized by a vertical orientation, measuring 0.322m x 0.97m.
Margaretha von Mochau sits before us, her presence steady and dignified in the soft light of 1524. She is twenty-six years old, caught in a quiet moment of poise that feels as though it might break at any second. Her gaze is calm, directed slightly away, while her pale skin glows against the deep, atmospheric green of the background. She wears a heavy black garment, its weight suggested by the…
The gaze of the sitter meets us directly in Portrait of a knight, a work that carries the weight of a specific identity. Painted by Bartholomaeus Bruyn the Elder, the image captures a man whose status is etched into his very presence. While the title identifies him simply as a knight, other names for this same figure suggest a more specific history. He is known in some circles as a…
The artwork titled Portrait of a Woman with Rosary and Carnation is a painting by Bartholomaeus Bruyn the Elder. This work is dated 1547. The subject is presented in a half-length composition, positioned slightly off-center against a dark, muted green background. The sitter faces toward the left of the frame, wearing an elaborate headpiece of white and gold fabric with flowing white veils. Her attire consists of a black bodice…
A single light source strikes from the upper left, carving the face of Wilhelm Kannengiesser out of a heavy, dark silence. He sits in a three-quarter view, his gaze directed toward the right, fixed on something beyond the frame. His beard is a stark, white landscape of fine lines, contrasting sharply against the deep black of his heavy garment. This fabric falls in thick, sculptural folds, absorbing the light and…
Portrait of a knight (1531), Kunsthistorisches Museum, Viin. Järgnevad Portrait of Wilhelm Kannengiesser (1550) ja Portrait of Elisabeth Bellinghausen (1530).
38 aastat vanus: teos Portrait of a knight on pärinev aastast 1531 ning Bartholomaeus Bruyn Vanem sündis aastal 1493.
Portrait of a knight, Portrait of Wilhelm Kannengiesser, Portrait of Elisabeth Bellinghausen, Portrait of Margaretha von Mochau, wife of Gerhard von Westerburg, Cardinal Bernhardus Clesius, Portrait of a young man holding gloves, Portrait of a Woman with a Prayer Book, Virgin and Child with Saint Anne, Saint Gereon, and a Donor, Crucifixion Altar: Saint Agnes and Donor ja The Nativity with the Donors Peter von Clapis and Bela Bonenberg. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 123 teost kunstnikult Bartholomaeus Bruyn Vanem, mis on pärinevad ajastust 1514 kuni 1550.
Peamiselt Bavaria riiklikud maalidema kogumikud (München), Royal Museum of Fine Arts Antwerp (Antverp) ja Wallraf-Richartz-Museum (Köln) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1530s: 29 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Portrait of a knight.
Sellel lehel on kõige vanem teos Pietà (1514) ja kõige värskeim Portrait of Wilhelm Kannengiesser (1550).
Man (40), Woman (34) ja Landscape (20), kogu selle lehekülje 100 teose kohta.
Oil On Panel, 77 teoseks 100 töödelt sellel lehel.
Northern renaissance, seda lähtudes selle lehe originaalteostest.
Crucifixion Altar: Saint Agnes and Donor, Virgin and Child with Saint Margaret and Dorothy and angels playing music ja Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors: Bavaria riiklikud maalidema kogumikud, München säilitab 34 selle lehel olevat teost.
