1949
Composition (William Gear, 1949)
William Gear (1915–1997) on loonud teose Composition. See on pärinev 1949 aastast. Mõõdud on 116 × 89 cm.
- 1949
- 116 × 89 cm
Composition lühidalt
- Pealkiri
- Composition
- Kunstnik
- William Gear (1915–1997)
- Kunstnik on sündinud
- Methil, United Kingdom
- Kuupäev
- 1949
- Mõõtmed
- 116 × 89 cm
Composition kõrge resolutsiooniga pildid
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William Gear, Composition (1949).
Küsimused teemal Composition – vastused
Mis on teose „Composition“, autor William Gear loomisaeg?
Teos „Composition“, autor William Gear loodi aastal 1949.
Mis on originaalteose "Composition" mõõdud?
Originaalteose „Composition“, autor William Gear mõõdud on 116 x 89 cm.
Kas teos "Composition" on ilma autoriõigusteta?
Tegijateõiguse osas on teos "Composition" kuuluv klassifikatsiooni alla: on endiselt autoriõiguse all under kaitse.
Kes on teose "Composition" looja?
Teose "Composition" autoriks on mõeldud William Gear.
Mis vanuses loos William Gear teose "Composition"?
Kui teos "Composition" loodi aastal 1949, oli William Gear (sündinud aastal 1915) 34 aastane.
Miks on teose "Composition" autoriõiguste staatus selline, nagu see on?
Teose "Composition" autoriõiguste staatus - on endiselt autoriõiguse all under kaitse - tuleneb kunstniku surma aastast 1997.
Kunstnikust, William Gear
1915–1997, United Kingdom
William Gear
A Life Immersed in Abstraction: The Journey of William Gear William Gear, born in Methil, Fife, Scotland in 1915, emerged as a pivotal figure in British abstract art, a painter whose career spanned decades and reflected the seismic shifts in artistic expression throughout the 20th century. His early life hinted at the creative path he would forge; winning the Dux Arts Medal at Buckhaven High School in 1932 signaled a burgeoning talent nurtured through formal study at Edinburgh College of Art from 1932 to 1936. There, amongst his peers – Wilhelmina Barns-Graham and Margaret Mellis – Gear began to lay the foundations for a style that would ultimately blend nature’s vibrancy with the dynamism of modernism. His postgraduate scholarship in 1936–37 at the University of Edinburgh, under the tutelage of Professor David Talbot Rice, further solidified his understanding of art history, providing a crucial intellectual framework for his artistic explorations.