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The bell cricket (Chapter 38)

Mõõtmed
33.0 x 22.0 cm

Avastage Utagawa Kunisada II hämmastavad ukiyo-e joonised! Sisaldades näitlejaid, ilukaudid ja stseenid Jaapani kirjastusest. Avastage tema pärand Edo perioodi kunstis.

Giclée / Kunstiprint

Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. ( Osta käsitsi maalatud teos Lülita digitaalse pildi juurde)

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Corner sample of the W398PJ picture frame: massivpuit, 5 cm wide and 3 cm thick
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Corner sample of the W500HY picture frame: massivpuit, 7 cm wide and 5 cm thick
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Kogu summa

€ 72

The bell cricket (Chapter 38)

Giclée / Kunstiprint

Reproduktsiooni suurus

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Koguhind

€ 72

Teave teose kohta

  • Location: Private Collection
  • Notable elements or techniques: Gold leaf embellishment
  • Artist: Utagawa Kunisada II
  • Year: 1857
  • Movement: Japanese Art
  • Dimensions: 33 x 22 cm

Kunstiteaduse kvartett

Iga küsimuse kohta on ainult üks õige vastus.

Küsimus 1:
What is the primary subject matter depicted in Utagawa Kunisada II’s painting "The Bell Cricket (Chapter 38)\?
Küsimus 2:
Which artistic technique is prominently employed in this print?
Küsimus 3:
What does the presence of a bottle symbolize within the composition?
Küsimus 4:
Kunisada II’s style is heavily influenced by his teacher Toyokuni III (Kunisada I). How does this influence manifest in Kunisada II's work?
Küsimus 5:
The painting’s atmosphere suggests what overarching theme?

The Bell Cricket (Chapter 38): A Symphony of Harmony in Edo Period Printmaking

Utagawa Kunisada II’s “The Bell Cricket” (Chapter 38), created in 1857, transcends mere visual representation; it embodies the spirit of its time—the waning Edo period and a fascination with literary themes. Published by Tsutaya Kichizo during this transitional era, this Oban tate-e print exemplifies Kunisada II’s masterful command of ukiyo-e technique and delves into profound psychological considerations. The image depicts three women engaged in conversation amidst a serene garden setting—a deliberate choice reflecting the influence of Murasaki Shikibu's seminal novel “The Tale of Genji,” which served as inspiration for this series.
  • Subject Matter: The scene captures a moment of quiet contemplation, portraying women enjoying companionship and engaging in animated discussion. A bottle sits prominently on the left side of the composition, adding to the visual richness and subtly hinting at themes of intimacy and reflection.
  • Style & Technique: Kunisada II’s signature style—characterized by meticulous detail and vibrant color palettes—is evident throughout. The print utilizes woodblock printing with ink and gold leaf, a technique perfected during the Edo period, resulting in stunning tonal gradations and luminous highlights that capture the ethereal quality of candlelight illuminating the garden.
  • Historical Context: “The Bell Cricket” emerged as part of a larger series exploring themes from “The Tale of Genji,” a cornerstone of Japanese literature. This series reflects the anxieties and aspirations of the era, grappling with notions of beauty, morality, and societal expectations—particularly concerning women’s roles in society.
  • Symbolism: The bell cricket itself symbolizes good fortune and renewal, aligning perfectly with the narrative's exploration of hope amidst adversity. The careful arrangement of figures and objects contributes to a harmonious composition that conveys a sense of tranquility and understated elegance.
Provenance: Mrs G.F. Williams – This print holds significant historical value, originating from the collection of an esteemed connoisseur who appreciated Kunisada II’s artistic legacy. Its condition—described as “Very fine colors” with “Full size”—further underscores its exceptional quality and preservation.

Exploring Kunisada II's Artistic Legacy

Kunisada II, a student of Toyokuni III (Kunisada I), skillfully honed his craft while simultaneously upholding the traditions of his master. Despite not achieving the same level of fame as his predecessor, Kunisada II’s prolific output—spanning over 40 series—solidifies his position as one of Japan's most celebrated ukiyo-e artists. His enduring influence can be seen in subsequent generations of printmakers and continues to inspire contemporary artists seeking inspiration from Edo period aesthetics. The meticulous attention to detail and masterful use of color exemplify the pinnacle of Japanese woodblock printing artistry.

A Reproduction Worth Admiring

A hand-painted reproduction of “The Bell Cricket” offers a captivating glimpse into Kunisada II’s artistic vision—a testament to his skill and an opportunity to bring this iconic image into your home. Utilizing the finest materials—premium paper, ink, and gold leaf—the reproduction faithfully captures the original print's luminosity and textural richness. It serves as more than just decoration; it’s a connection to Japanese art history and a celebration of timeless beauty.

Korduvad küsimused

Millissele perioodile Utagawa Kunisada Ii karjäärist kuulub teos "The bell cricket (Chapter 38)"?

Teos "The bell cricket (Chapter 38)" esindab kunstniku Utagawa Kunisada Ii loovperioodi Mature Edo.

Mis on soovitatav trükimõõt teosele "The bell cricket (Chapter 38)"?

Teose "The bell cricket (Chapter 38)" trükkimiseks on soovitatav kasutada suurust Large. Samade proportsioonidega on saadaval ka teisi mõõtmeid.

Kas teosele "The bell cricket (Chapter 38)" on saadaval lisatud reaalsete elementidega (AR) eelvaade?

Teost „The bell cricket (Chapter 38)“, autor Utagawa Kunisada Ii saab omaenda seinal eelvaatata teose AR-eelvaade teose kohta lehe abil, kasutades ühendataval seadmel täiendatud reaalсust.


Kunstniku elulugu

**varajärgi ja õppimine**

utagawa kunisada ii, tuntud ka nimega toyokuni iv, oli silmapaistva ja kuulsuse nimetatud Jaapani ukiyo-e puujookide disainer, kes sündis 1823. aastal Edos, Jaapanis. Tema kunstiline teekond algas utagawa kunisada i õpilasena ning oma varase loomingu alla kirjutas ta sageli nime kunimasa iii all. Umbes aastatel 1850-51 võttis ta omavalikult kasutusele nime kunisada ii, mis tähistas tema pärimust ja uusi võimalusi utagawa kooli juhtina.

**kunstiline stiil ja märkimisväärsed teosed**

kunisada ii looming on rikkaliku mitmeksidususega, sisaldades üle 40 seeriaid, mis keskenduvad peamiselt näitlejate portreetidele (yakusha-e), kuid hõlmavad ka ilukaudide kujutamist, kirjanduslikke stseene, erootikat ja palju muud. tema üks kõige austatum ja pidusamärgatavamaid teoseid on kaheksa koerapoega jutust (hakkendun inu no sōshi no uchi) aastast 1852, mis on inspireeritud kyokutei bakini eepilisest romaanist satomi klann ja kaheksa koera (nansō satomi hakkenden).

**pärand ja hilisem elu**

kunisada ii juhtis utagawa kooli ja töötas oma meistri stiilis, kuid ei saavutanud kunagi sama tasalist edu kui tema esimesed õpetajad. tema populaarsus hakkas vähenema meiji perioodil (1868–1912) ning ilmevad tõendid viivad meid uskuma, et ta lõpetas puujookide trükkimise pärast aastat 1874. ta surmas 20. juulil 1880 ja sai peetud matust banshōin kōunji kalmistus. tema budistlik postumne nimi on sankōin hōkokujutei shinji.

**olulised mainimised OriginalUniqueArt.com lehel**

**kunisada ii elu võtmehetmed**

**lisaloetav OriginalUniqueArt.com lehel**

Utagawa Kunisada Ii

Utagawa Kunisada Ii

1823 - 1880 , Japan

Lühikest infot

  • Artistic Movement Or Style: Ukiyo-e (yakusha-e)
  • Artists Or Movements Influenced By This Artist: ['Utagawa kool']
  • Artists Who Influenced This Artist: ['Utagawa Kunisada I']
  • Date Of Birth: 1823
  • Date Of Death: 1880
  • Full Name: Utagawa Kunisada II
  • Nationality: Jaapani
  • Notable Artworks:
    • Hakkendun Inu no Sōshi no Uchi
    • Osaka näitleja Kataoka Gado An no Heibei rollis
  • Place Of Birth: Tokio, Jaapan