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StatistikaLike Every Day
2009
100.0 x 70.0 cm
Devi Art Foundation
Loe lähemalt
Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.
See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.
Giclée / Kunstiprint
Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. (
Telli käsitsi maalitud reproduktsioon Ülemineku digitaalse pildi müügi kanalisse)
Vali meie eelmääratud suurused, mis vastavad teose algupärastele proportsioonidele.
Sisestage vajalik laius ja kõrgus, et see sobiks teie raamile või seinale. Trükki saab ainult lõigata, seda ei saa kunagi pildist suuremaks teha, seega ka differentse vormiga suurus kaotab osa pildist. Enne trükkimist saadame teile kinnitamiseks digitaalse näidisprojektsiooni. Sellel lehel näidatud pilt ei kujuta reaalset lõiget — seda näitab ainult näidisprojekttsioon.
Ülemaailmne tarne () 2 nädala jooksul, tavalise 4/5 nädala asemel. (23 oktoober)
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Kõrgekvaliteediline lina-kangastest muld
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100 päeva tagastusõigus (ainult defektide korral)
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Hulgusoodustus
Klaasivalik on saadaval ainult kuni 110 cm suuruses teostes
Like Every Day
Giclée / Kunstiprint
Reproduktsiooni mõõtmed
-
Lõppsumma
€ 70
Kunstniku elulugu
A Vision Between Eras
Shadi Ghadirian stands as a profound voice in contemporary photography, capturing the intricate textures of life in Tehran. Born in 1974, her artistic journey is deeply intertwined with her experiences as a Muslim woman navigating the complexities of post-revolutionary Iran. Her work serves as a poignant meditation on the delicate balance between tradition and modernity, exploring the silent tensions that exist within the domestic and public spheres. Through her lens, the contradictions of everyday life are made visible, revealing the subtle pushes and pulls of cultural identity and the evolving status of women in a rapidly changing society.
Ghadirian’s academic foundation was laid at the Islamic Azad University, Central Tehran Branch, where she studied under the esteemed Bahman Jalali. This period of formal training provided her with the technical mastery required to execute her highly constructed and symbolic compositions. Her photographic practice is not merely about documentation; it is a deliberate act of subverting traditional portraiture to comment on censorship, religion, and the persistence of heritage amidst globalized influences.
The Dialogue of Tradition and Modernity
The artist gained significant international recognition through her groundbreaking series, most notably Qajar and Like Every Day. In the Qajar series, created in 1998, Ghadirian masterfully employs a technique that evokes the formal studio photography of the 19th-century Qajar dynasty. By arranging portraits of women—often friends and family—in elaborate costumes and poses reminiscent of that era, she establishes an immediate historical connection to Iran's past. However, she brilliantly disrupts this sense of antiquity by introducing contemporary Western props such as boom boxes, Pepsi cans, and sunglasses.
This deliberate juxtaposition creates an arresting visual tension, acting as a shorthand for the complexities of a nation navigating rapid modernization while grappling with deeply rooted traditions. Her subsequent works continue to explore these themes of identity and contradiction:
- Miss Butterfly: A series that delves into the layers of female identity.
- Nil, Nil: Works that offer quiet observations on everyday reality and societal nuances.
- Ctrl+Alt+Delete: An exploration of the digital and modern shifts in culture.
- West by East: A reflection on the intersection of Eastern and Western influences.
Symbolism and Social Commentary
Beyond the striking aesthetics, Ghadirian’s work is deeply symbolic, often using minimalist elements to convey profound messages about the constraints placed upon women's lives. In pieces such as Nil Nil #5, a simple scene of a vacuum cleaner and handbags becomes a masterful distillation of domesticity and the quiet realities of female existence. Her ability to find meaning in the mundane allows her to critique social norms and the complexities of negative stereotypes without relying on overt political rhetoric.
Through her various photographic series—including Be Colourful, My Press Photo, and Out of Focus—she has built a body of work that transcends borders. While her subject matter is rooted in the specificities of Iranian life, her exploration of gender roles, religion, and the struggle for autonomy resonates with women across the globe. Ghadirian remains a vital figure in contemporary art, using the camera to illuminate the beautiful, often difficult, intersections of history and the present moment.
Shadi Ghadirian
1974 - , Iran
Lühikest infot
- Artistic Movement Or Style: Contemporary photography
- Artists Who Influenced This Artist: ['Bahman Jalali']
- Full Name: Shadi Ghadirian
- Nationality: Iranian
- Notable Artworks:
- Qajar
- Like Every Day
- Nil Nil
- Miss Butterfly
- Place Of Birth: Tehran, Iran
- Date Of Birth: 1974