1969

Factory Workers (Saul Steinberg, 1969)

Saul Steinberg (1914–1999) on loonud teose Factory Workers. See on pärinev 1969 aastast. Mõõdud on 59 × 74 cm.

  • 1969
  • 59 × 74 cm
Factory Workers autor Saul Steinberg, 1969
Factory Workers autor Saul Steinberg, 1969.

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Factory Workers lühidalt

Pealkiri
Factory Workers
Kunstnik
Saul Steinberg (1914–1999)
Kunstnik on sündinud
Râmnicu Sărat, Romania
Kuupäev
1969
Mõõtmed
59 × 74 cm

Factory Workers kõrge resolutsiooniga pildid

Factory Workers autor Saul Steinberg, 1969
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Tekstiline viide

Saul Steinberg, Factory Workers (1969).

Küsimused teemal Factory Workers – vastused

Millal loodi teos "Factory Workers"?

Teos „Factory Workers“, autor Saul Steinberg loodi aastal 1969.

Mis on teose „Factory Workers“, autor Saul Steinberg tegelik suurus?

Originaalteose „Factory Workers“, autor Saul Steinberg mõõdud on 59 x 74 cm.

Kas teos „Factory Workers“, autor Saul Steinberg kuulub avalikku omandisse?

Autoriõiguse teave teose „Factory Workers“, autor Saul Steinberg kohta: teos kuulub luba ala on endiselt autoriõiguse all under kaitse. See määrab, kas kujundist on lubatud vabadelt reproduktsioone teha.

Kes on teose "Factory Workers" kunstnik?

Teose "Factory Workers" looja on Saul Steinberg. Teos on kataloogitud nime Saul Steinberg all.

Kui palju oli Saul Steinberg aastane, kui teos "Factory Workers" loodi?

Saul Steinberg loobus teose "Factory Workers" 55 aasta vanuses. Kunstnik on sündinud aastal 1914 ning teos on dateeritud 1969.

Miks on teose "Factory Workers" autoriõiguste staatus selline, nagu see on?

„Factory Workers“, autor Saul Steinberg on on endiselt autoriõiguse all under kaitse. Tegijakeskuse kaitse kestus arvatakse kunstniku surmaajaest, mis toimus aastal 1999.

Kunstnikust, Saul Steinberg

1914–1999, Romania

Saul Steinberg

The Writer in Line: The Visionary World of Saul Steinberg To encounter the work of Saul Steinberg is to step into a realm where the boundaries between thought and line, between reality and metaphor, begin to dissolve. Often described by the man himself as “a writer who draws,” Steinberg did not merely illustrate; he used the tip of his pen to reason on paper, constructing complex philosophical inquiries through the deceptively simple medium of ink. His journey began in Râmnicu Sărat, Romania, born into a family of Russian Jewish descent, and was shaped by a life defined by movement, displacement, and an ever-watchful eye for the absurdities of modern existence. This profound sense of observation would later become the heartbeat of his most iconic contributions to The New Yorker, where he transformed the printed page into a stage for surrealist exploration.

Ka Saul Steinberg teosed