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StatistikaSeizure 2008/2013
- 227.0 x 496.0 cm
Loe lähemalt
Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.
See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.
Giclée / Kunstiprint
Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. (
Osta käsitsi maalatud teos Lülita digitaalse pildi juurde)
Vali meie eelmääratud suurused, mis vastavad teose algupärastele proportsioonidele.
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Seizure 2008/2013
Giclée / Kunstiprint
Reproduktsiooni suurus
-
Koguhind
€ 72
A Blue Descent into Crystalline Growth
The air within this space feels heavy, saturated with a deep, aquatic stillness. A profound blue glow permeates every corner, as if the room itself has been submerged beneath a silent, sunlit ocean. Light filters through a window framed in blue, casting soft reflections across surfaces that are no longer mere walls or floors, but a continuous, jagged landscape of mineral textures. In one corner, a small hole in the wall reveals a glimpse into the structure's bones, while bright lights from the window pierce the gloom, creating a rhythmic dance of light and shadow. The atmosphere is one of profound quietude, where the boundaries between a domestic interior and an alien, geological realm seem to dissolve entirely.
This environment emerges from a process of chemical transformation rather than traditional sculpting. The installation occupies a space defined by deep cerulean tones and the sharp, granular texture of copper sulphate crystals. These crystals have colonized the architectural elements—the walls, the ceiling, and even the bathtub—creating a dense, sapphire crust that obscures the original identity of the room. It is a landscape of growth, where the distinction between the physical structure and the inorganic mass becomes blurred.
The Alchemy of an Abandoned Space
The origins of this installation lie in a transformed abandoned council flat in South London. To achieve this crystalline state, approximately 75,000 litres of copper sulphate solution were pumped into the waterproofed dwelling. Over time, chemical reactions allowed the blue crystals to expand and encrust every reachable surface, turning a mundane domestic setting into a site of intense, biological-scale change. The sheer weight of the material is palpable, as the installation once filled the entire volume of the flat with its heavy, liquid presence.
This method of facilitating change allows the artwork to exist in a state of provocative ambiguity. By utilizing elements that mimic the properties of liquid and light, the work achieves a sense of weightlessness despite its massive physical scale. The repetition of texture and the monochromatic palette create a sensory experience that pulls the observer into a multi-layered landscape. It is an encounter with a transformed reality, where the familiar becomes something otherworldly and deeply mysterious.
Korduvad küsimused
Mis on teose „Seizure 2008/2013“, autor Roger Hiorns domineeriv väritoon?
Teose „Seizure 2008/2013“, autor Roger Hiorns domineeriv toon on Green to Violet Spectrum. See toon on paleti alusvärv.
Kas „Seizure 2008/2013“, autor Roger Hiorns sobib kingituseks ja kellele?
"Seizure 2008/2013" on soovituslik kingitus Corporate Gift, silmamiljule lugades Mood.
Milline palett ja domineeriv värv määravad teose "Seizure 2008/2013"?
Teose "Seizure 2008/2013" värvigamma on määratud Dark paletiga, mille domineeriv värv on Royal Blue (#6c80e2).
Kunstniku elulugu
The Alchemist of Form: The Art of Roger Hiorns
Born in Birmingham, United Kingdom, in 1975, Roger Hiorns has emerged as one of the most provocative voices in contemporary British sculpture. His journey into the heart of materiality began with a formal education at the Bournville College of Art and later at the prestigious Goldsmiths, University of London. It was within these academic environments that Hiorns began to cultivate a practice that defies the traditional boundaries of sculpture, moving away from the mere carving or modeling of static objects toward a more fluid, transformative engagement with space and matter. Living and working in London, he has developed a reputation for creating works that exist in a state of provocative ambiguity, where the line between the organic and the industrial becomes beautifully blurred.
Hiorngs’ artistic method is characterized by an intense pursuit of innovation and a deliberate deviation from established sculptural traditions. Rather than imposing a shape upon a medium, he often facilitates a process of change, utilizing metals, wood, plastics, and even chemical reactions to allow the artwork to emerge through adaptation and transformation. His approach is both layered and expansive, inviting the viewer into a sensory experience that challenges perceptions of stability and permanence. By repurposing and reconfiguring existing objects, he breathes new life into the mundane, turning the familiar into something otherworldly and deeply evocative.
The Spectacle of Transformation
Perhaps no single work encapsulates the visceral impact of Hiorns’ practice more than Seizure (2008/2013). This monumental installation, which earned him a nomination for the prestigious Turner Prize in 2009, serves as a masterclass in his ability to manipulate physical environments. The work, a complex copper-based sculpture and installation, possesses a crystalline, almost biological intensity that has left a lasting mark on the contemporary art landscape. Its influence even transcended the gallery walls, finding an unexpected resonance in popular culture when it served as an inspiration for the Icelandic artist Björk in her song "Crystalline."
The significance of Hiorns' work lies in its ability to provoke deep reflection on societal conventions and the nature of perception. His installations do not merely sit within a room; they command it, altering the atmosphere through their sheer presence and material complexity. This ability to manipulate the viewer's sense of reality has led to his works being featured in some of the world's most renowned institutions, including:
- The Hayward Gallery, where his immersive installations have challenged audiences in London.
- The Yorkshire Sculpture Park, providing a vast, open stage for his monumental forms like Seizure.
- The Arts Council Collection, which holds significant pieces of his transformative career.
Through the use of video, photography, and sculpture, Roger Hiorns continues to push the limits of what art can be. He remains an artist who does not simply present an object for observation, but rather orchestrates a profound encounter between the viewer, the material, and the space they inhabit, forcing us all to reconsider the very fabric of our reality.
Roger Hiorns
1975 - , United Kingdom
Lühikest infot
- Artistic Movement Or Style: Contemporary sculpture and installation
- Artists Or Movements Influenced By This Artist: ['Björk (inspiration for Crystalline)']
- Date Of Birth: 1975
- Full Name: Roger Hiorns
- Nationality: British
- Notable Artworks: ['Seizure']
- Place Of Birth: Birmingham, United Kingdom
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