The stable (Pieter Wouwerman)
Pieter Wouwerman (1623–1682) on loonud teose The stable. Teos asub Fitzwilliam Museum kogamuses United Kingdom.
The stable lühidalt
- Pealkiri
- The stable
- Kunstnik
- Pieter Wouwerman (1623–1682)
- Kunstnik on sündinud
- Haarlem, Netherlands
- Kus seda näeb
- Fitzwilliam Museum, United Kingdom
Kumba muuseumis asub teos The stable?
Fitzwilliam Museum
United Kingdom
Fitzwilliami muuseumi ajalugu Fitzwilliami muuseum on Cambridge Ülikooli kunsti- ja antikvariati muuseum, mille sügavad juured ulatuvad ajast 1816, mil loodi Richard FitzWilliam, 7. viscount FitzWilliam, testamenti põhjal. See asutamine muutis eraomandisse kuulnud pärandi avalikuks institutsiooniks, mis on pühendunud kunsti ja ajaloo uurimisele.
The stable kõrge resolutsiooniga pildid
Avalik omanik: kunstnik suri aastal 1682.
Pieter Wouwerman, The stable, Fitzwilliam Museum. Avalik omaniklik õigus
Küsimused teemal The stable – vastused
Kas teos "The stable" on ilma autoriõigusteta?
Autoriõiguse teave teose „The stable“, autor Pieter Wouwerman kohta: teos kuulub luba ala avalikus õiguses – selle autoriõigud onหมดunud. See määrab, kas kujundist on lubatud vabadelt reproduktsioone teha.
Kes on teose "The stable" kunstnik?
Teose "The stable" looja on Pieter Wouwerman. Teos on kataloogitud nime Pieter Wouwerman all.
Miks on teose "The stable" autoriõiguste staatus selline, nagu see on?
Pieter Wouwerman teos "The stable" on avalikus õiguses – selle autoriõigud onหมดunud. Autoriõiguse kaitseajad arvutatakse alates kunstniku surmaõigustest ning Pieter Wouwerman suri aastal 1682.
Kunstnikust, Pieter Wouwerman
1623–1682, Netherlands
Pieter Wouwerman
Pieter Wouwerman: A Dutch Baroque Visionary Pieter Wouwerman (1623 – 1682) stands as a prominent figure within the Dutch Golden Age, renowned for his captivating depictions of hunting scenes and cavalry portraits—a genre that cemented his reputation as one of the era’s foremost landscape painters. Born in Haarlem, Belgium, he was part of a family deeply rooted in artistic tradition; his brother Jan Wouwerman and Philips Wouwerman were also accomplished artists specializing in Italianate landscapes, mirroring a stylistic trend prevalent at the time – a deliberate homage to Pieter van Laer's success in Rome. The anecdotes surrounding Philips’s destructive tendencies toward his sketches offer a glimpse into the competitive spirit of the artistic milieu, hinting at rivalries and anxieties about maintaining prestige within the burgeoning art market. The story recounted by Arnold Houbraken—that Philips burned his sketchbook out of fear of diminishing his brother's fame—is debated amongst scholars, yet it underscores the pressures faced by artists striving for recognition during this period.
Teel Pieter Wouwerman kohta Pieter Wouwerman silmapaistvad teosed