Is Chrysanthemum under copyright?

No, this artwork is in the public domain.

Hankige koopia Chrysanthemum

Teose kirjeldus

A cluster of white chrysanthemum blossoms and their rich green leaves and stalks stand out against a gold-leafed background. The seal and signature—indicating his age as eighty-one— of the artist Ogata Kenzan, one of the principal masters of the mid-Edo period Rinpa school, appear to the right. The fan painting is striking for the bold but simple design, its limited palette and close-up view of the flowers and leaves, and an overlapping of the blossoms that provides a three-dimensional quality, contrasting with the flatness of the gilded background.Tenzan, younger brother of the renowned painter Ogata Kōrin (1658–1716), was educated in literature and the arts as befitted a well-to-do gentleman, and became a skilled calligrapher, although he is known primarily as a ceramics artist. For his ceramic wares he sometimes collaborated with Kōrin, who provided painted designs to ornament the vessels. However, Kenzan was himself a gifted painter, and created paintings in various formats. This fan reflects the influence of his brother, who produced numerous images of chrysanthemums, inspired by Chinese and Japanese literary references to the flowers associated with the autumn season and longevity.

Kunstniku elulugu

Ogata Kenzan: A Master of Tranquility and Innovation

Ogata Kenzan (尾形乾山; 1663–1743), originally Ogata Shinsei (尾形深省), was a Japanese potter, painter, and calligrapher whose work embodies the spirit of the Edo period—a harmonious blend of tradition, craftsmanship, and contemplative beauty. Born into a wealthy merchant family in Kyoto, Kenzan’s artistic lineage extended back to Hon'ami Kōetsu and Nonomura Ninsei, masters who profoundly shaped his formative years and instilled within him an appreciation for refined aesthetics. His elder brother, Ogata Kōrin (1658–1716), a pivotal figure in the Rinpa school—a movement that championed asymmetrical compositions and expressive brushwork—served as both mentor and inspiration, establishing Kenzan’s artistic trajectory.

Early Life & Training: Kenzan's upbringing fostered an immersion in artistic excellence. He diligently studied under Ninsei, mastering the techniques of Kyō ware pottery – a distinctive style characterized by its subtle glaze hues and graceful forms. This foundational training would prove instrumental in shaping his future creative endeavors.
Establishing His Kiln & Artistic Style: Recognizing the importance of preserving tradition, Kenzan established Shuseidō House near Ninna-ji Temple and subsequently built his first kiln in Narutaki, mirroring Ninsei’s workshop environment. This deliberate choice underscored his commitment to upholding established ceramic traditions while simultaneously pursuing artistic innovation.
Collaboration with Kōrin & The Rinpa School: Kenzan's partnership with Kōrin was transformative. Together they cultivated a distinctive Rinpa style—renowned for its asymmetrical arrangements and evocative depictions of nature—where brushstrokes conveyed emotion and intention alongside visual splendor. This collaborative spirit cemented Kōrin’s legacy as the founder of Rinpa, ensuring Kenzan’s place within its influential canon.
Kyō Ware & Decorative Motifs: Kenzan's signature achievement lay in his mastery of Kyō ware pottery. He skillfully employed grasses, blossoms, and birds—symbols imbued with Zen Buddhist significance—as decorative motifs, achieving a remarkable equilibrium between form and design. His pieces resonated with serenity and understated elegance, reflecting the core tenets of Rinpa’s aesthetic philosophy.
Legacy & Influence: Kenzan's enduring influence extends beyond his artistic creations. His works are housed in prominent international collections—including the British Museum, Metropolitan Museum of Art, LACMA, and Raku Museum—serving as timeless exemplars of Edo period artistry. He remains a cornerstone of Japanese art history, embodying the harmonious fusion of tradition, creativity, and spiritual contemplation.

Source: Bernard Leach, *Kenzan and His Tradition* (Fabers & Faber, 1966)

ogata kenzan

1663 - 1743

Lühikesed faktid

Artistic Movement Or Style: Rinpa School
Artists Or Movements Influenced By This Artist: ["Hon'ami Kōetsu"]
Artists Who Influenced This Artist: ['Ogata Kōrin']
Date Of Death: 1743
Full Name: Ogata Kenzan
Nationality: Japanese
Notable Artworks: ['Autumn Flowerbaskets']
Place Of Birth: Kyoto

Chrysanthemum

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