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StatistikaUntitled
Loe lähemalt
Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.
See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.
Giclée / Kunstiprint
Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. (
Osta käsitsi maalatud teos Lülita digitaalse pildi juurde)
Vali meie eelmääratud suurused, mis vastavad teose algupärastele proportsioonidele.
Sisestage vajalik laius ja kõrgus, et see sobiks teie raamile või seinale. Trükki saab ainult lõigata, seda ei saa kunagi pildist suuremaks teha, seega ka erineva mustega suurus kaotab osa pildist. Enne trükkimist saadame teile kinnitamiseks digitaalse näidisprojektsiooni. Sellel lehel näidatud pilt ei kujuta reaalset lõiget — seda näitab ainult näidisprojektsioon.
Ülemaailmne tarne () 2 nädala jooksul, tavalise 4/5 nädala asemel. (2 november)
Tasuta ekspresssaatmine üle maailma
Kõrgekvaliteediline lina-kangas
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100 päeva tagastusõigus (ainult valmistusdefektide korral)
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Klaasivalik on saadaval ainult kuni 110 cm suuruses teostes
Untitled
Giclée / Kunstiprint
Reproduktsiooni suurus
-
Koguhind
€ 71
A Labyrinth of Perception: Exploring Space with Monika Elisabeth de Vries Gohlke
Monika Elisabeth de Vries Gohlke’s Untitled (2003) is not merely an installation; it's a carefully orchestrated invitation to question the very nature of space and perception. Within the stark confines of a white-walled gallery, the artwork presents a mesmerizing complexity – a dense arrangement of stacked and staggered wooden boxes in shades of dark blue and light brown that immediately evoke a sense of disorientation. This deliberate manipulation of form, achieved through meticulous construction and placement, speaks to a core concern within contemporary conceptual art: how we construct our understanding of reality.
- Geometric Deconstruction: The artwork’s foundation lies in the masterful deployment of geometric forms – cubes, rectangles, and stairs – arranged in a manner that subtly disrupts traditional Euclidean perspective. This non-Euclidean arrangement isn't simply chaotic; it’s a calculated provocation, designed to challenge our ingrained assumptions about spatial relationships.
- Materiality as Narrative: The choice of materials—primarily plywood for the boxes and a dark blue carpet—adds another layer of meaning. The rough texture of the wood contrasts with the smooth surface of the carpet, creating a tactile experience that further enhances the sense of unease and invites closer examination.
The Staircase: Ascent or Entrapment?
Dominating one side of the composition is a steep staircase constructed from matching boxes. This element immediately draws the eye upwards, yet its placement within the labyrinthine arrangement introduces an unsettling ambiguity. Is it a symbol of ascent – a journey towards enlightenment or progress? Or does it represent something more sinister: entrapment, an endless loop, a descent into confusion?
The artist’s subtle use of symbolism invites multiple interpretations, reflecting the artwork's core theme of questioning established norms and challenging our preconceived notions. The soft, diffused lighting further amplifies this effect, casting long shadows that deepen the sense of mystery and disorientation.
Contextualizing the Disorientation
Created in 2003, Untitled reflects a broader artistic trend towards conceptual art, which emerged as a reaction against representational painting and the dominance of purely intellectual approaches to art. Influenced by artists like Francesco Clemente (whose work similarly explored mythology and subconscious imagery), de Vries Gohlke’s installation aligns with the *Transavanguardia* movement's emphasis on raw emotion and personal experience. The flattened perspective, combined with the fragmented arrangement of the boxes, contributes to a feeling of unease and disorientation – a deliberate strategy that forces the viewer to actively engage with the artwork rather than passively observe it.
Emotional Resonance and Artistic Value
Untitled is more than just an aesthetically pleasing object; it’s a powerful statement about the subjective nature of perception. Its evocative atmosphere, combined with its technical precision, makes it a compelling piece for collectors and interior designers seeking to inject a sense of intrigue and intellectual stimulation into their spaces. The artwork's exploration of spatial ambiguity and symbolic representation ensures that it will continue to provoke thought and inspire contemplation for years to come.
Korduvad küsimused
Millist tehnikat teose "Untitled" valmistamisel kasutati ja millal see loodi?
Teos "Untitled" valmis aastal 2003, kasutades Wood tehnikat. Materjal ja kuupäev kirjeldavad, kuidas ja millal originaal on valminud.
Mis tüüpi teos on "Untitled"?
Kataloogis on teos „Untitled“, autor Monika Elisabeth De Vries Gohlke liigitatud kui Sculpture. See kategooria aitab leida sarnaseid teoseid.
Kas ma saan teost „Untitled“, autor Monika Elisabeth De Vries Gohlke enne tellimist eelvaatata?
Teose „Untitled“, autor Monika Elisabeth De Vries Gohlke eelvaade on saadaval teose Eelvaade lehel.
Kunstniku elulugu
A Botanical Journey Through Line and Light
Born in Bremen, Germany, Monika Elisabeth De Vries Gohlke has cultivated a career that breathes life into the delicate intricacies of the natural world. Her journey from her German roots to the vibrant artistic landscape of New York City is one defined by a profound connection to organic forms. While her early education immersed her in the prevailing currents of Abstract Expressionism, Pop Art, and Minimalism, these movements served more as a backdrop than a destination. Instead, she found her true calling in the quiet, meticulous study of flora, embarking on a dedicated botanical art career in 1985 that would eventually lead her to become a fellow of the Brooklyn Botanic Garden Florilegium Society.
The essence of Gohlke’s work lies in her ability to translate the ephemeral beauty of a leaf or a blossom into enduring print and pigment. Her technical repertoire is as diverse as the gardens she explores, ranging from the soft, fluid grace of watercolors to the complex, tactile depths of etching and aquatint. She possesses a masterful command over the copper plate, utilizing techniques such as scratching, scraping, burnishing, and spit-biting to capture the very soul of her subjects. Often, she enhances these prints with the delicate application of Chine-collé, adding a layer of refined texture that mirrors the organic complexity of the plants themselves.
The Art of Observation and Botanical Precision
For Gohlke, the process of creation is an intimate dialogue with nature. She often finds her inspiration within the lush confines of public and private gardens, or during winter descents into the warmth of conservatories. Her work is not merely a representation of plants but an emotional response to their existence. Whether she is capturing the dramatic silhouette of a Magnolia ashei or the heavy, sun-drenched weight of a Ponderosa citrus fruit, her art seeks to preserve the "divine magic" found in every leaf and thorn. This dedication to botanical accuracy and aesthetic beauty has earned her a place in some of the world's most prestigious institutions.
Her achievements are reflected in the esteemed collections that house her work, including:
- The Metropolitan Museum of Art
- The Hunt Institute for Botanical Documentation, Pittsburgh
- The New York Public Library
- The Library of Congress, Washington, D.C.
- The New York Historical Society
- The Brooklyn Botanic Garden
Through her meticulous etchings and paintings, Monika Elisabeth De Vries Gohlke continues to bridge the gap between scientific observation and fine art, inviting viewers to pause and witness the exquisite, often overlooked wonders of the botanical realm.
Monika Elisabeth De Vries Gohlke
1952 - , Germany
Lühikest infot
- Full Name: Monika Elisabeth De Vries Gohlke
- Notable Artworks:
- Untitled
- Caiman
- Pumpkin (Detail)
- Magnolia ashei
- Ponderosa
- Place Of Birth: Bremen, Germany
- Date Of Birth: 1952
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