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Polynesian Fantasy

Mõõtmed
20.0 x 25.0 cm

A surreal blend of dreamlike imagery and vibrant nature defines Polynesian Fantasy by Merlyn Oliver Evans, a captivating 1938 masterpiece that invites you to explore the enigmatic world of British surrealism.

Discover Merlyn Oliver Evans’s captivating fantasy art – surreal scenes, evocative figures & dreamlike landscapes. Explore his unique style at SCAD Museum of Art.

Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.

See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.

Giclée / Kunstiprint

Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. ( Osta käsitsi maalatud teos Lülita digitaalse pildi juurde)

Corner sample of the P118B picture frame: vormitud polüstüreen, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: vormitud polüstüreen, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: vormitud polüstüreen, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: vormitud polüstüreen, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: vormitud polüstüreen, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: vormitud polüstüreen, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: vormitud polüstüreen, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: vormitud polüstüreen, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: vormitud polüstüreen, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: vormitud polüstüreen, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: massivpuit, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: massivpuit, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: massivpuit, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: massivpuit, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: massivpuit, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: massivpuit, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: massivpuit, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: massivpuit, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: massivpuit, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: massivpuit, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: massivpuit, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: massivpuit, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: massivpuit, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: massivpuit, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: massivpuit, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: massivpuit, 6 cm wide and 3.5 cm thick
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€ 71

Polynesian Fantasy

Giclée / Kunstiprint

Reproduktsiooni suurus

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Koguhind

€ 71

Teave teose kohta

  • Dimensions: 20 x 25 cm
  • Subject or theme: Nature, human body parts, and dreamlike items
  • Artistic style: Surrealism, Fantasy, Symbolism
  • Year: 1938

A Dreamscape of Surrealist Splendor

In the enigmatic realm of Merlyn Oliver Evans, reality is merely a suggestion, a thin veil waiting to be pierced by the imagination. His 1938 masterpiece, Polynesian Fantasy, serves as a breathtaking portal into a subconscious world where the boundaries between the organic and the inanimate dissolve. This intricate composition presents a vibrant blue expanse that acts as both a cosmic void and a tranquil ocean, upon which a surreal parade of objects floats in a delicate, gravity-defying dance. The viewer is immediately drawn into a meticulously detailed landscape where human forms, nature’s most delicate insects, and exotic birds coexist in a state of dreamlike equilibrium. It is a work that demands slow contemplation, rewarding the eye with every discovery of a hidden shape or a subtle, symbolic gesture.

The technique employed by Evans in this piece showcases a profound mastery of form and color. Each element—from the sharp edge of a knife to the soft curve of an apple or a bowl—is rendered with a precision that lends weight and presence to these otherwise impossible objects. The artist utilizes a rich, saturated palette that breathes life into the scene; the deep blues provide a striking contrast to the vivid, multi-colored plumage of the scattered birds and the intricate patterns of the insects. This interplay of light and shadow creates a sense of three-dimensionality, making the surrealist elements feel startlingly tangible. For the collector or interior designer, this painting offers a sophisticated focal point, bringing a sense of intellectual depth and visual complexity to any curated space.

Beyond its aesthetic brilliance, Polynesian Fantasy is steeped in the symbolic language characteristic of Evans’s unique brand of British Surrealism. The inclusion of objects that resemble human body parts alongside everyday items like cups and fruit suggests a profound meditation on the interconnectedness of life, consumption, and the physical self. There is an underlying tension between the peacefulness of the blue backdrop and the potentially unsettling nature of the fragmented forms, a hallmark of the era's fascination with the psyche. This piece does not merely decorate a room; it invites a dialogue. It evokes a sense of wonder and a touch of melancholy, making it an ideal acquisition for those who seek art that transcends mere decoration to become a profound emotional experience.

Korduvad küsimused

Kas saan näha teose „Polynesian Fantasy“, autor Merlyn Oliver Evans röntgenpilti?

Teose „Polynesian Fantasy“, autor Merlyn Oliver Evans Röntgenuuring leht on interaktiivne vaatur, mis võimaldab liikuda läbi teose üheksateist optilise kihti, sealhulgas röntgenlaadunäoga vaadet.

Millised on teose „Polynesian Fantasy“, autor Merlyn Oliver Evans proportsioonid ja millised on selle mõõdud?

Teose "Polynesian Fantasy" vorming on Landscape ning originaali mõõdud on 20 x 25 cm. Mõlemad on kasulikud reproduktsiooni planeerimisel.

Millal loodi teos "Polynesian Fantasy"?

Teos "Polynesian Fantasy" on pärit aastast 1938. See ajastu aitab mõista teost Merlyn Oliver Evans karjääri ja selle ajastu kontekstis.


Kunstniku elulugu

A Dream Weaver: The Enigmatic World of Merlyn Oliver Evans

Merlyn Oliver Evans (1910-1973) remains a fascinating, yet somewhat elusive figure in 20th-century British art. Though not a household name, his work – a captivating blend of fantasy, surrealism, and symbolic imagery – has steadily gained recognition for its unique atmosphere and technical mastery. Born in Wales, Evans’s life details are surprisingly sparse; he preferred to let his paintings speak for themselves, shrouding himself in an intentional mystique that only adds to the allure of his creations. He emerged onto the art scene after serving in the military during World War II, a period which undoubtedly influenced the melancholic undertones present in much of his oeuvre. While biographical information is limited, the power and consistency of his artistic vision are undeniable.

Early Influences & Artistic Development

Evans’s formative years were steeped in the rich traditions of British Romanticism and Symbolism. He absorbed the evocative landscapes of artists like William Blake and Samuel Palmer, but filtered them through a distinctly modern sensibility. The Art Deco movement also left its mark, visible in the streamlined forms and elegant compositions that characterize many of his paintings. However, Evans wasn’t merely imitating these influences; he synthesized them into something entirely new. His early works often featured classical figures – nymphs, satyrs, and muses – but they were rarely depicted in idyllic settings. Instead, they inhabited dreamlike landscapes populated by strange creatures and imbued with a sense of longing or foreboding. This juxtaposition of the familiar and the uncanny became a hallmark of his style. He developed a meticulous technique, employing smooth brushwork and subtle glazing to create luminous surfaces that enhance the otherworldly quality of his scenes.

The Language of Symbols & Surreal Visions

Evans’s paintings are not narratives in the traditional sense; they are more akin to visual poems or allegories. Recurring motifs – birds, trees, water, and architectural fragments – function as symbols, inviting viewers to interpret their meaning on a personal level. Birds, for example, often represent freedom, spirituality, or the passage of time. Trees can signify growth, connection to nature, or ancestral roots. Water frequently embodies the subconscious mind or emotional depths. His compositions are carefully balanced and often feature dramatic lighting effects that heighten the sense of mystery. While he is often categorized as a Surrealist, Evans’s work differs from the more overtly psychological explorations of artists like Salvador Dalí or René Magritte. His surrealism is less about shocking the subconscious and more about evoking a specific mood – one of quiet contemplation, wistful nostalgia, or subtle unease. He wasn't interested in Freudian analysis but rather in creating images that resonated with universal archetypes and emotions.

Major Themes & Artistic Achievements

Throughout his career, Evans consistently explored themes of mythology, fantasy, and the human condition. His paintings often depict figures engaged in enigmatic rituals or lost in thought within fantastical landscapes. He had a particular fascination with Welsh folklore and Arthurian legends, which he reinterpreted through his own unique lens.
  • His depictions of female figures are particularly striking – they are rarely portrayed as passive objects but rather as powerful, independent beings connected to the natural world.
  • Evans’s architectural elements—ruined castles, crumbling temples, and labyrinthine gardens—suggest a sense of lost civilizations or forgotten knowledge.
  • The artist's use of color is masterful; he favored muted tones and subtle gradations that create a dreamlike atmosphere.
While Evans exhibited regularly throughout his lifetime, he never achieved widespread commercial success. However, his work was admired by a dedicated following of collectors and fellow artists. Today, his paintings are held in numerous public and private collections, including the SCAD Museum of Art, which showcases a significant body of his work.

Legacy & Historical Significance

Merlyn Oliver Evans’s legacy lies in his ability to create a uniquely evocative and atmospheric world that continues to captivate viewers today. He stands as a testament to the power of imagination and the enduring appeal of symbolic art. His paintings offer a refuge from the mundane, inviting us to explore the depths of our own subconscious minds. In an era dominated by abstract expressionism and pop art, Evans remained committed to figurative painting, forging his own path and developing a style that is instantly recognizable. His work serves as a reminder that fantasy can be a powerful tool for exploring complex emotions and universal truths. He represents a bridge between the Romantic tradition and the Surrealist movement, offering a distinctive voice within British art history—a dream weaver whose visions continue to resonate with audiences seeking beauty, mystery, and a touch of enchantment.

Lühikest infot

  • Artistic Movement Or Style: Fantasy Art
  • Artists Or Movements Influenced By This Artist: ['Surrealism']
  • Artists Who Influenced This Artist:
    • Paul Klee
    • Joan Miró
  • Date Of Birth: 1910
  • Date Of Death: 1973
  • Full Name: Merlyn Oliver Evans
  • Nationality: British
  • Notable Artworks:
    • The Sphinx
    • The Execution
    • Discrimination
  • Place Of Birth: London, England