1946
Self Portrait (Joseph Solman, 1946)
Joseph Solman (1909–2008) on loonud teose Self Portrait. See on pärinev 1946 aastast. Mõõdud on 27 × 23 cm.
- 1946
- 27 × 23 cm
Self Portrait lühidalt
- Pealkiri
- Self Portrait
- Kunstnik
- Joseph Solman (1909–2008)
- Kunstnik on sündinud
- Vitebsk, Belarus
- Kuupäev
- 1946
- Mõõtmed
- 27 × 23 cm
Self Portrait kõrge resolutsiooniga pildid
Protected by copyright: these files are for personal reference, not a licence to republish.
Joseph Solman, Self Portrait (1946).
Küsimused teemal Self Portrait – vastused
Millal loodi teos "Self Portrait"?
Teos "Self Portrait" on pärit aastast 1946. See ajastu aitab mõista teost Joseph Solman karjääri ja selle ajastu kontekstis.
Mis on teose „Self Portrait“, autor Joseph Solman tegelik suurus?
Originaalteose „Self Portrait“, autor Joseph Solman mõõdud on 27 x 23 cm.
Kas teos "Self Portrait" on ilma autoriõigusteta?
Teos „Self Portrait“, autor Joseph Solman on lubaõiguslikult on endiselt autoriõiguse all under kaitse. See staatus reguleerib teose pildi reprodüseerimise võimalusi.
Kes on teose "Self Portrait" looja?
Teose "Self Portrait" looja on Joseph Solman. Teos on kataloogitud nime Joseph Solman all.
Kui vana oli Joseph Solman, kui ta loositud teose "Self Portrait" aastal 1946?
Joseph Solman oli 37 aastane, kui ta teosest "Self Portrait" aastal 1946 lõi. Vanus on arvutatud kunstniku sünnaaasta põhjal, 1909.
Miks on teose "Self Portrait" autoriõiguste staatus selline, nagu see on?
Joseph Solman teos "Self Portrait" on on endiselt autoriõiguse all under kaitse. Autoriõiguse kaitseajad arvutatakse alates kunstniku surmaõigustest ning Joseph Solman suri aastal 2008.
Kunstnikust, Joseph Solman
1909–2008, Belarus
Joseph Solman
The Soul of the Urban Canvas: The Life and Legacy of Joseph Solman Born amidst the shifting tides of the Russian Empire in Vitebsk on January 25, 1909, Joseph Solman’s journey to becoming a cornerstone of American Expressionism was one defined by movement and profound observation. His early years were marked by the upheaval of fleeing the Cossacks, a transition that eventually brought his family to the shores of America. This sense of displacement and the subsequent immersion into the vibrant, chaotic energy of New York City would later become the lifeblood of his art. Even as a young adolescent, Solman possessed an unwavering clarity regarding his vocation, recognizing that his true purpose lay in the meticulous study of the human condition through the tip of a brush.