Boy with Rabbit (John Emery)
John Emery (1802–1893) on loonud teose Boy with Rabbit. Mõõdud on 50 × 50 cm.
- 50 × 50 cm
Boy with Rabbit lühidalt
- Pealkiri
- Boy with Rabbit
- Kunstnik
- John Emery (1802–1893)
- Mõõtmed
- 50 × 50 cm
Boy with Rabbit kõrge resolutsiooniga pildid
Avalik omanik: kunstnik suri aastal 1893.
Teised laiused, uueste lõikud ja alluding →John Emery, Boy with Rabbit. Avalik omaniklik õigus
Küsimused teemal Boy with Rabbit – vastused
Mis on originaalteose „Boy with Rabbit“, autor John Emery mõõdud?
Teose „Boy with Rabbit“, autor John Emery mõõdud on 50 x 50 cm. Reproduktsioone saab tellida muutes mõõtust, säilitades samal ajal samad proportsioonid.
Kas teos „Boy with Rabbit“, autor John Emery kuulub avalikku omandisse?
Autoriõiguse teave teose „Boy with Rabbit“, autor John Emery kohta: teos kuulub luba ala avalikus õiguses – selle autoriõigud onหมดunud. See määrab, kas kujundist on lubatud vabadelt reproduktsioone teha.
Millisele kunstnikule on teos "Boy with Rabbit" atribuutseeritud?
Teose "Boy with Rabbit" autoriks on mõeldud John Emery.
Mis selgitab teose „Boy with Rabbit“, autor John Emery autoriõiguste olukorda?
Teose "Boy with Rabbit" autoriõiguste staatus - avalikus õiguses – selle autoriõigud onหมดunud - tuleneb kunstniku surma aastast 1893.
Kunstnikust, John Emery
1802–1893
John Emery
Early Life and Origins in Staffordshire Potteries John Emery, born in the heart of Staffordshire potteries in 1802, emerged from a region steeped in artistic tradition—though one primarily focused on functional beauty rather than portraiture. This unique upbringing would subtly shape his approach to art, imbuing his work with a sense of grounded realism and an appreciation for the everyday lives of those he depicted. While details surrounding his earliest education remain scarce, it’s clear that Emery possessed a natural inclination towards visual representation, a talent nurtured within a community renowned for its skilled craftsmanship. The potteries themselves, bustling centers of industry and innovation, provided a rich tapestry of subjects—the workers, the families, the landscapes—that would later populate his canvases.