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Copy of

Mõõtmed
179.0 x 94.0 cm

Explore Joaquín Sorolla’s 'Copy of Velázquez,' a dramatic Baroque oil painting featuring an aged man in striking chiaroscuro. A poignant study of poverty & light, showcasing impasto texture and timeless beauty.

Joaquín Sorolla oli Hispaania impressionist ning luminismi suurmeister! Tema värviküllased maalid ja päikesevalgusest täis õhtuvaated on maailma kunstiloo ikoonid. Avastus Sorollat juba täna!

Giclée / Kunstiprint

Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. ( Osta käsitsi maalatud teos Lülita digitaalse pildi juurde)

Corner sample of the P118B picture frame: vormitud polüstüreen, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: vormitud polüstüreen, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: vormitud polüstüreen, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: vormitud polüstüreen, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: vormitud polüstüreen, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: vormitud polüstüreen, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: vormitud polüstüreen, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: vormitud polüstüreen, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: vormitud polüstüreen, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: vormitud polüstüreen, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: vormitud polüstüreen, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: vormitud polüstüreen, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: vormitud polüstüreen, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: massivpuit, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: massivpuit, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: massivpuit, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: massivpuit, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: massivpuit, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: massivpuit, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: massivpuit, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: massivpuit, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: massivpuit, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: massivpuit, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: massivpuit, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: massivpuit, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: massivpuit, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: massivpuit, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: massivpuit, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: massivpuit, 6 cm wide and 3.5 cm thick
W953PJ €8

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Copy of

Giclée / Kunstiprint

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  • Notable elements: Chiaroscuro, impasto
  • Title: Copy of Velázquez
  • Year: 1882
  • Movement: Baroque
  • Influences: Rembrandt

The Weight of Years: An Encounter with Time

Joaquin Sorolla's "Copy of Velázquez," painted in 1882, isn’t merely a replication; it’s a profound meditation on age, memory, and the enduring power of light. Sorolla, already establishing himself as a master of capturing the vibrant essence of Spain, chose to revisit one of history's most iconic portraits – Velázquez’s enigmatic depiction of Charles V – not as a slavish imitation, but as a lens through which to explore his own artistic vision and the passage of time. The painting immediately draws you in with its dramatic chiaroscuro, a technique borrowed directly from Rembrandt and employed here with breathtaking skill. Darkness dominates much of the composition, enveloping the subject in a veil of shadow that speaks volumes about the burdens of experience. Yet, within this gloom, Sorolla masterfully introduces pockets of brilliant light – illuminating the face of the old man, highlighting the texture of his cloak, and casting an ethereal glow upon the rough stone wall behind him. This interplay between darkness and light isn’t simply a stylistic choice; it's a deliberate orchestration designed to evoke a deep sense of melancholy and contemplation.

A Baroque Masterclass: Form and Texture

Sorolla’s technique is rooted firmly in the traditions of the Baroque, yet he infuses it with his own distinctive sensibility. The composition is vertically oriented, mirroring the formality of Velázquez's original while simultaneously creating a sense of intimacy. The old man, positioned slightly off-center, commands immediate attention – his face etched with wrinkles and lined by time, conveying both resilience and vulnerability. Sorolla’s brushstrokes are thick and impastoed, particularly evident in the folds of the cloak and the weathered surface of the wall. This tactile quality invites the viewer to reach out and touch the canvas, experiencing the physicality of the paint itself. Linear perspective is subtly employed, flattening the space somewhat but creating a convincing illusion of depth through careful manipulation of shadows and highlights. The artist’s attention to detail is remarkable; you can almost feel the rough texture of the stone beneath his hand, or the weight of the heavy fabric draped across his shoulders.

Symbolism in Shadow: Poverty, Reflection, and Mortality

Beyond its technical brilliance, “Copy of Velázquez” resonates with layers of symbolic meaning. The subject’s age and poverty are immediately apparent, reflecting a common theme in Spanish art – the plight of the marginalized and forgotten. The darkness surrounding him suggests hardship, isolation, and perhaps even resignation. However, Sorolla doesn't succumb to mere pathos; instead, he imbues the scene with a quiet dignity. The old man’s gaze is direct and unwavering, suggesting an inner strength despite his outward circumstances. Furthermore, the painting can be interpreted as a meditation on memory and reflection – the subject appears lost in thought, contemplating his past. The rough stone wall behind him serves as a visual metaphor for time itself, relentlessly eroding and shaping all that it touches.

A Legacy of Light: Sorolla’s Spain

Joaquin Sorolla was deeply connected to the spirit of 19th-century Spain. His work is characterized by an unyielding celebration of light, color, and the vibrancy of everyday life. He sought to capture the essence of his homeland – its sun-drenched landscapes, its bustling cities, and its diverse population. “Copy of Velázquez” exemplifies this passion, transporting us to a specific moment in time and place. It’s a poignant reminder that even within the darkest corners of existence, beauty and dignity can still be found. Sorolla's ability to imbue his subjects with such profound humanity is what elevates this work beyond a simple imitation; it becomes a timeless testament to the enduring power of art to illuminate the human condition. The painting’s influence continues to inspire artists today, demonstrating Sorolla’s lasting legacy as one of Spain’s greatest painters.

Korduvad küsimused

Kas on olemas sarnaseid teoseid kui "Copy of"?

Teosed, mis sarnanevad teosega "Copy of", on loetletud selle teose Sarnased teosed lehel.

Milleks on soovitatav kasutada teose "Copy of" trükistes?

Prindi "Copy of" soovituslik kasutus on Statement.

Mis selgitab teose „Copy of“, autor Joaquín Sorolla autoriõiguste olukorda?

„Copy of“, autor Joaquín Sorolla on avalikus õiguses – selle autoriõigud onหมดunud. Tegijakeskuse kaitse kestus arvatakse kunstniku surmaajaest, mis toimus aastal 1923.


Kunstniku elulugu

Joaquín Sorolla y Bastida – A Life Bathed in Light

Joaquín Sorolla y Bastida, a name synonymous with the radiant light and vibrant energy of Spain, was more than just a painter; he was a chronicler of his nation’s soul. Born in Valencia in 1863, Sorolla's early life was marked by tragedy. Orphaned at the tender age of two following a cholera epidemic that claimed both parents, young Joaquín and his sister were raised by their maternal aunt and uncle. This early experience with loss perhaps instilled within him a profound appreciation for the fleeting beauty of life – a sentiment that would permeate his art. Though hardship shadowed his beginnings, it did not dim the spark of artistic talent that quickly became apparent. He received initial instruction in Valencia, demonstrating an aptitude that led to studies under established artists like Cayetano Capuz and José Benlliure, eventually culminating in a four-year grant to study in Rome. It was there, amidst the classical grandeur of Italy, that Sorolla began to forge his unique artistic path, absorbing influences while simultaneously developing a style distinctly his own.

Early Life and Artistic Beginnings

Joaquín Sorolla’s formative years were shaped by profound loss and circumstance. Born on February 27, 1863, in Valencia, Spain, he descended from a modest family of tradesmen. Tragically, just two years later, his parents succumbed to cholera—a devastating epidemic that gripped the city—leaving him orphaned alongside his sister, Concha. Their maternal aunt and uncle stepped forward to provide care, fostering an early awareness of vulnerability and resilience – themes that would subtly inform Sorolla’s artistic vision throughout his career. Recognizing his exceptional talent at a young age, he commenced formal art education in Valencia, honing his skills under the tutelage of prominent Valencian artists like Cayetano Capuz and José Benlliure. This foundational training instilled in him a disciplined approach to observation and representation—skills that would prove invaluable as he embarked on his artistic journey. At eighteen, Sorolla ventured to Madrid, immersing himself in the vibrant cultural landscape of the capital and dedicating himself to intensive study at the Museo del Prado, where he encountered the masterpieces of Velázquez and other titans of Spanish art.

Rome: The Crucible of Impressionism

A pivotal moment arrived when Sorolla secured a prestigious grant enabling him to pursue his artistic ambitions in Rome—the Italian capital—between 1884 and 1888. This immersion in the artistic milieu of Italy proved transformative, exposing him to the burgeoning currents of Impressionism and fostering an enduring fascination with capturing fleeting moments of light and color. Influenced by artists such as Jules Bastien-Lepage and Adolf von Menzel—whose works he meticulously studied—Sorolla began to experiment with looser brushstrokes and brighter palettes, distancing himself from the more rigid conventions of academic painting. He established connections with José Benlliure and Emilio Sala, furthering his artistic education and solidifying his stylistic evolution. During this period, Sorolla’s gaze turned towards Paris, where he encountered the epicenter of modern art—a city pulsating with innovation and intellectual ferment. Exhibitions featuring Bastien-Lepage and Menzel profoundly impacted his artistic sensibilities, shaping his approach to composition and color harmony.

The Valencian Coast: A Celebration of Light

Sorolla’s artistic focus shifted decisively upon returning to Valencia in 1890—a homecoming marked by a renewed appreciation for the luminous landscapes of his birthplace. He married Clotilde García del Castillo, forging a lifelong partnership that would inspire him creatively and provide unwavering support throughout his prolific career. Together they established a family in Madrid, where Sorolla continued to produce monumental canvases depicting scenes from Valencian life—particularly those centered around the Mediterranean coast. His fascination with capturing the effects of sunlight on water and skin reached its zenith during this period, resulting in iconic paintings like *The Return from Fishing* and *Children on the Seashore*. He adopted a technique characterized by rapid brushwork and vibrant color combinations—a deliberate departure from academic realism—reflecting his unwavering commitment to Impressionistic principles. Sorolla’s canvases are imbued with an extraordinary sense of immediacy and vitality, conveying not merely what he saw but also how he felt—a testament to his artistic empathy and profound connection to the natural world.

Major Achievements & Legacy

Sorolla achieved international acclaim during his lifetime through numerous exhibitions across Europe and America. His paintings were recognized for their technical brilliance and emotional depth, establishing him as one of Spain’s foremost artists of his era. He garnered considerable honors—including the Grand Prix at the Paris Salon in 1900—and was commissioned to undertake ambitious projects such as *Vision of Spain*, a monumental mural cycle for the Hispanic Society of America—completed posthumously—that cemented his reputation as a visionary artist and a champion of Spanish culture. Sorolla’s influence extended far beyond his own lifetime, inspiring generations of painters who embraced Luminism—the art movement that sought to capture the essence of light and atmosphere—and whose works continue to resonate with audiences today. His legacy resides not only in his stunning canvases but also in his unwavering dedication to artistic innovation and his profound appreciation for the beauty of everyday life—a painter whose enduring vision continues to illuminate our understanding of Spanish art history.
Joaquín Sorolla

Joaquín Sorolla

1863 - 1923 , Hispaania

Lühikest infot

  • Artistic Movement Or Style: Лумнизм, Импрессионизм
  • Artists Or Movements Influenced By This Artist: ['Импрессионизм']
  • Artists Who Influenced This Artist:
    • Ф. Прадилла
    • Жюль Бастиен-Лепаж
  • Date Of Birth: 27 февраля 1863 г.
  • Date Of Death: 10 августа 1923 г.
  • Full Name: Joaquín Sorolla y Bastida
  • Nationality: Испанский
  • Notable Artworks:
    • Маргарита
    • Отплытие из рыбалки
    • Бедная наследница
  • Place Of Birth: Валенсия, Испания
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