The Rope Corral
Ostke kõrglahutusel ja täiustatud digitaalne pilt, mis on oluliselt parem kui veebilehel näidatud eelvaade.
Iga fail on meie spetsialistide poolt hoolikalt ette valmistatud, kasutades kaasaegseid tööriistu ja professionaalset käsitsi retušeerimist. Tagame, et igal pildil on erakordne selgus, täpne värvitäpsus ja peen detail.
Lõplik fail saadetakse e-posti teel 72 tunni jooksul, olles optimeeritud koheseks kasutamiseks professionaalsetes, toimetuslikes ja trüki keskkondades. See on sama kvaliteet, mida usaldavad tipptasemel disainistuudiod, kirjastused ja galeriid.
Digitaalne kunstiteos
Laadi alla kõrge resolutsiooniga fail isiklikuks vaatamiseks, trükkimiseks ja loomingulisteks projektideks.
Sisse kuulub iga digitaalse pildi tellimusega
Eksperdi digitaalne kohaletoimetamine, garanteeritud
Valides OriginalUniqueArt.com, ei saa sa lihtsalt pilti – saad professionaalselt parandatud digitaalse teose, mida on valmistatud täpsusega ja mis on toetatud rahuldamatusgarantiiga. Siin on kõik, mis sinu tellimusega automaatselt kaasneb:
Kiire digitaalne saatmine
Teie kõrge resolutsiooniga digitaalne pildifail saadetakse teile e-posti 72 tunni jooksul pärast tellimist – kohe kasutamiseks valmis.
Tehisintellektiga täiustatud digitaalne fail
Teie teos on professionaalselt optimeeritud arenenud tehisintellekti tööriistade ja käsitsi redigeerimise abil, tagades maksimaalse detailitaseme, selguse ja värvitäpsuse.
Tasuta eluaegne uuesti saatmine
Kas kustutasid faili kogukalu unustamisel või kustutamisel? Puudub mure – saad selle uuesti igal ajal ilma lisatasuta.
Puuduvad importimaksed – alati
Nautige oma teoseid koheselt ilma tolli-, maksude või tarnimaskuludeta – digiletchargused on alati maksuvabadud.
Värvitäpsuse garantii
Me tagame, et teie digitaalne pilt kajastaks originaali värve professionaalsete tööriistade ja värvihalduse abil võimalikult täpselt.
60-päevane rahulolu garantii
Kui te ei ole oma digipildiga rahul, parandame seda või tagastame 100% summast 60 päeva jooksul – küsimusi ei esita.
100% raha tagastamise garantii
Ei ole rahul? Saate täielise tagastaja 60 päeva jooksul pärast digitaalse faili kättesaamist – küsimata.
Suurema tellimuse soodustused
Osta 3 pilti, säästa 10% - Osta 5, säästa 15% - Osta 10+, säästa 20%. Sobib suurepäraselt loomingulisteks projektideks, galeriideks ja agentuurideks.
Kunstniku biograafia
harold dow bugbee was an american western artist, illustrator, painter, and curator of the panhandle-plains historical museum in canyon, texas. bugbee sought with considerable success to become the dominant artist of the texas south plains, as his role model, charles m. russell of montana, accordingly sketched life of the northern great plains.bugbee was born in lexington, massachusetts, to charles h. bugbee and the former grace l. dow. in 1914, the family moved to the texas panhandle at the suggestion of a cousin, cattleman t.s. bugbee, and established a ranch near clarendon, the seat of donley county east of amarillo. as a youth, bugbee began sketching the multiple facets of ranch life hoping to preserve for posterity a rapidly vanishing way of life. his own experiences offered keen insight into ranch living in the panhandle. bugbee graduated from clarendon high school in 1917 and attended then methodist-affiliated clarendon college, since a public community college. in 1918, he enrolled at texas a&m university at college station.
bugbee spent many summers at the taos art colony in taos, new mexico, where bert geer phillips urged him to attend the cumming school of art in des moines, to study under the portrait painter charles atherton cumming, who had established the art department at the university of iowa in iowa city. in 1921, he completed in two years a four-year curriculum at the cumming school. in annual trips to taos, bugbee painted with w. herbert dunton, leon gaspard, frank hoffman, and ralph meyers. he often went camping in the rockies to get a close-up view of nature.
bugbee returned to west texas in 1921. his early patron was ernest o. thompson (1892–1966), a hotel owner, amarillo mayor and, later, long-serving member of the texas railroad commission. thompson commissioned fourteen oil paintings for the longhorn room of his prestigious amarillo hotel. he also sponsored bugbee's first large art showing. in 1942, thompson authorized bugbee to paint eleven murals for the tascosa room of his herring hotel. bugbee sold paintings to both ranchers and western art collectors. he also sketched christmas card designs available internationally.
in 1933, bugbee began illustrating pen and ink sketches for books, magazines such as ranch romances, western stories, country gentleman, and field and stream, and also historical editions of local and regional newspapers. he also illustrated such trade publications as the shamrock and thirty-four issues of the panhandle-plains historical review. starting in 1936, with the publication of charles goodnight: cowman and plainsman, a biography of legendary cattleman charles goodnight, bugbee began an enduring association with west texas historian j. evetts haley. he also did the illustrations for willie n. lewis' between sun and the sod, s. omar barker's songs of the saddleman, james r. gober's cowboy justice: tale of a texas lawman, and rufe o'keefe's cowboy life. during this period, bugbee exhibited his work in clarendon and other texas cities, as well as in kansas city, missouri, chicago, denver, and new york city. he was a popular fixture too at the tri-state fair (texas, oklahoma and new mexico) held annually in amarillo.
in 1951, bugbee became the art curator for the panhandle-plains historical society. this part-time position, which he retained until his death, pemitted him to devote much of his time to painting. another artist featured at panhandle-plains is frank reaugh, an illinois native, who painted scenes similar to those adopted by bugbee. bugbee sold or donated more than 230 paintings, drawings, and prints to the society's museum in canyon, the seat of randall county south of amarillo. bugbee completed twenty-two murals on indian life and ranching for the museum, the greatest of which is the cattleman (1934), underwritten with a grant from the federal arts project of the new deal. his trail-driving scene of texas cattleman r. b. masterson, painted on wood panels, hangs in the texas hall of state in dallas.
one of bugbee's designs which depicts longhorns and a cowboy crossing the red river at doan's crossing north of vernon, texas, is featured on the 1931 trail driver's monument at the ghost town of doans, where the postmaster corwin f. doan (1848-1929) also operated a store to supply the cowboys. since 1884, doan’s may picnic has been held on the first saturday of may at doans. a barbecue lunch and t-shirts are available for sale, and a king and queen is crowned at the event. riders cross the river each year from oklahoma and usually arrive just before noon. the 1881 adobe house, the oldest in wilbarger county, is open for tours during the picnic.
in 1942, bugbee at forty-one, was drafted into the armed forces, but he was discharged after a year because of health problems. he painted three murals for amarillo army air field in 1943; two of the three are in the national museum of american art, a part of the smithsonian institution.
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harold dow bugbee
1900 - 1963 , United States of America
