A chuva de oiro
Oil On Canvas
WallArt
Surrealist Movement
1984
Modern
147.0 x 70.0 cm
Serralvesi Fond
Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.
Austasena ja seaduslikuna alternatiivina pakume originaalist inspireeritud, käsitsi maalitud isikupärastatud teoseid. Meie osutavad ja professionalsed kunstnikud uurivad hoolikalt originaali stiili, meelemoi ja kunstilist olemust, et luua uus, ainulaadne teos, mis tekitab sama tunnet – olles samal ajal omaette originaalne looming.
See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.
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Sisestage vajalik laius ja kõrgus, et teos sobiks teie raamile või seinale. Kuna tegu on käsipainatud teosega, siis erineva kujuga suuruse korral võib kunstnik jätta pildi ümber veidi rohkem marginaali või lõigata osa ära — valik on teie. Enne maali alustamist saadame teile kinnitamiseks digitaalse näidisprojektsiooni. Sellel lehel näidatud pilt ei kajasta tegelikku tulemust — seda näitab ainult näidisprojekttsioon.
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A chuva de oiro
Reproduktsiooni materjal
Reproduktsiooni mõõtmed
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€ 263
Kunstniku elulugu
The Dreamweaver of the Azores: The Life and Legacy of António da Costa
In the quiet, mist-shrouded landscapes of Angra do Heroísmo, within the volcanic embrace of the Azores, a vision was born that would eventually reshape the contours of Portuguese modernism. António da Costa (1914–1990) did not merely paint; he orchestrated a profound dialogue between the tangible world and the boundless reaches of the subconscious. As a pioneer of the Surrealist movement in Portugal, his life was a continuous exploration of the liminal spaces where reality dissolves into dream. His journey, which began in the Atlantic islands, would eventually lead him to the intellectual heart of Paris, carrying with him a unique aesthetic that blended the rugged mysticism of his homeland with the radical avant-garde currents of mid-century Europe.
Costa’s artistic evolution was marked by periods of intense creative fervor and profound silences. After enrolling at the Lisbon School of Fine Arts in 1935, he quickly emerged as a vital voice in a burgeoning movement. By 1940, his name was inextricably linked with other Surrealist luminaries like António Pedro, as they sought to liberate art from the suffocating constraints of rationalism and traditional aesthetics. This early period was defined by a striking visual language—a synthesis of Cubist structure, Futurist energy, and Expressionist emotion. His canvases during these years were often populated by distorted figures and symbolic landscapes that echoed the unsettling beauty of the irrational, heavily influenced by the revolutionary spirit of masters like Salvador Dalí and Pablo Picasso.
A Journey Through Light and Shadow
The trajectory of Costa’s career was profoundly altered in 1947 when a French government grant transported him to Paris. This move proved to be both a professional triumph and a personal metamorphosis. While he initially engaged with the Parisian art scene, a period of withdrawal followed in the early 1950s, during which he transitioned from the brush to the pen. For nearly two decades, Costa lived as an observer rather than a creator, serving as a sophisticated reporter for the Brazilian newspaper O Estado de S. Paulo. This era of intellectual wandering allowed him to absorb the pulse of international art criticism, honing a sharp, analytical mind that would later inform his return to the easel.
When he finally returned to painting in 1971, settling in Janville, the Surrealist enigmas of his youth had matured into something far more serene and mystical. The frantic energy of his early work gave way to a style that drew deeply from Azorean religious traditions and folk iconography. These later works were characterized by:
- A quieter, more contemplative register of color and form.
- The integration of sacred symbols and ancestral motifs.
- A profound sense of stillness that reflected a lifetime of accumulated wisdom.
Historical Significance and Enduring Vision
The legacy of António da Costa extends far beyond the borders of the canvas. He was a polymath whose influence permeated the very fabric of Portuguese culture through his poetry, his art criticism, and his public contributions to urban design. From decorating the Cais do Sodré metro station in Lisbon to creating relief sculptures for the Azorean Parliament, his work sought to infuse the everyday environment with a sense of poetic transcendence. He was an artist who understood that the true power of Surrealism lay not just in shock, but in the ability to reveal the hidden magic within the mundane.
Today, when we look upon works such as A chuva de oiro or his hauntingly beautiful Melancholia, we see more than just oil on canvas; we witness a lifelong quest to map the human soul. His ability to navigate the tension between the fragmented geometry of modernism and the organic, spiritual rhythms of his Atlantic roots remains his greatest achievement. António da Costa remains a towering figure in the history of 20th-century art, a dreamer who taught us that even in the most desolate landscapes, there is a vibrant, golden light waiting to be discovered.
António Da Costa
1914 - 1990 , Portugal
Lühikest infot
- Artistic Movement Or Style: Surrealism
- Artists Or Movements Influenced By This Artist: ['Surrealism']
- Artists Who Influenced This Artist:
- Salvador Dalí
- Pablo Picasso
- Date Of Birth: 1914
- Date Of Death: 1990
- Full Name: antónio da costa
- Nationality: Portuguese
- Notable Artworks:
- Episode with dog
- A chuva de oiro
- Place Of Birth: Angra do Heroísmo, Portugal

Klaasivalik on saadaval ainult kuni 110 cm suuruses teostes
