Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 182 teost Jacopo Bassano meie kataloogis
Lühidalt
Calvary (1575) on Jacopo Bassano maalide kõige silmapaistvam teos; originaal kuulub museumi Museu Nacional d'Art de Catalunya, Barcelona. Pärast seda suunatakse pilk Angels announcing to the shepherds the Birth of Jesus (1551) ja Portrait of a Youth with Mandolin (1537) suunas. Meie kataloogis olevatest Jacopo Bassano 182 teosest on need 100 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
In this somber composition from 1575, we find ourselves drawn into the immediate, claustrophobic tension of the Crucifixion. The scene is dominated by the verticality of the cross, which bisects the canvas and anchors the viewer's gaze. Christ is depicted with a pale, luminous skin tone that contrasts sharply against the surrounding darkness, highlighting the physical strain of the moment. Around him, the atmosphere is thick with chaos; spears and…
A celestial burst of golden light pierces a heavy, nocturnal landscape, marking the intersection of the heavenly and the earthly. At the center of this radiance, a winged messenger descends, casting a sharp chiaroscuro effect across the scene. Below this divine illumination, a group of shepherds and their livestock huddle in the darkness, their forms defined by the sudden, intense light. The composition relies on deep earth tones, blacks, and…
A young man emerges from a deep, dark void. His gaze meets the viewer directly, steady and unblinking. He wears a black beret-style cap and a heavy, dark doublet that absorbs the light. Only one side of his face catches the directional glow, carving his features out of the surrounding gloom. A white ruffled cuff breaks the darkness at his wrist, where his arm reaches toward the edge of the…
This Renaissance-era oil portrait, dating from 1585, presents a somber and deeply expressive close-up bust portrait of an elderly man. The subject is positioned slightly off-center, facing towards the left of the frame, while his gaze is directed piercingly toward the viewer. The composition utilizes a shallow depth of field, focusing all attention on the subject's facial features by leaving much of the background and the back of the head…
The Altarpiece of the Blessed Conception is a significant work by the Venetian painter Jacopo Bassano. Also known by the title Sant’Anna in trono con la Vergine bambina tra i santi Girolamo e Francesco, the painting captures a sacred assembly through the hand of a master. It was executed in 1541. The pigment rests upon a canvas surface, holding the weight of its original purpose within its fibers.
The composition rests upon a stable, triangular geometry. Within this shape, the Virgin Mary cradles the Christ Child, their forms intertwined in a quiet, domestic intimacy. A young Saint John the Baptist enters the frame, his small limbs mirroring the soft curves of the infants. The scene is a study in weight and texture. Heavy crimson drapery falls in deep, sculptural folds behind the figures, creating a dark stage for…
The oil painting depicts a close-up portrait of a woman and an infant, positioned against a dark, draped background. The composition focuses on the upper bodies of the two figures. The woman, the Madonna, is rendered with soft contours and a pale complexion. She wears a white veil that possesses a translucent quality, resting against her hair and shoulders. A heavy red drapery surrounds the figures, creating a deep contrast…
The portrait presents a bust-length view of a man, positioned slightly off-center against a dark, indeterminate background. The subject is a male figure with dark hair and a beard, looking toward the viewer with a weary expression. His gaze is direct, establishing an eye-level perspective that creates a sense of immediate presence. He wears a simple, light-colored garment that rests against his neck, providing a pale contrast to the darker…
This 16th-century portrait, titled Portrait of a Franciscan Friar, was executed by the artist Jacopo Dal Ponte, also known as Jacopo Bassano. It is an early work from the artist's career, capturing a moment of significant development in his stylistic evolution. The subject is an unidentified Franciscan friar, a figure whose presence in portraiture is relatively uncommon given the vows of humility associated with the order.
The composition presents a stark division between two disparate human conditions, rendered in oil on a canvas measuring 55.0 x 43.0cm. In the foreground, a figure lies on the ground, positioned at a lower physical plane. This individual is depicted with pale skin and a sense of physical frailty. Above this figure, a banquet table is laden with food, where figures are gathered in an interior setting. The lighting follows…
Portrait of a Bearded Man1550 · J. Paul Getty muuseum
12
The Good Samaritan (1550)1550 · Capitoline Museums
13
The Adoration of the Kings1540
14
Diana and Actaeon1585 · Art Institute of Chicago
15
Portrait of a Venetian Senator (Bernardo Morosini?)1540 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
16
Virgin and Child with the Saints Martin of Tours and Anthony the Great1542 · Bavaria riiklikud maalidema kogumikud
17
The Supper at Emmaus1538 · Kimbell Art Museum
18
The Good Samaritan1547 · Royal Collection
19
The Martyrdom of Saint Mark1537 · Royal Collection
20
John the Baptist1553 · Bavaria riiklikud maalidema kogumikud
21
The Market1553 · Bavaria riiklikud maalidema kogumikud
22
Expulsion of the Merchants from the Temple1553 · Bavaria riiklikud maalidema kogumikud
23
Annunciation to the Shepherds1553 · Bavaria riiklikud maalidema kogumikud
24
The Entry of the Animals into the Ark1553 · Bavaria riiklikud maalidema kogumikud
25
Adoration of the Shepherds1553 · Bavaria riiklikud maalidema kogumikud
26
The Deluge1553 · Bavaria riiklikud maalidema kogumikud
27
The Lamentation of Christ1553 · Bavaria riiklikud maalidema kogumikud
28
Saint Jerome Penitent1550 · Bavaria riiklikud maalidema kogumikud
29
St Jerome in the wilderness1562 · Fitzwilliam Museum
30
Saint Sebastian1553 · Bavaria riiklikud maalidema kogumikud
31
Portrait of Dirck Volckertsz. Coornhert (1522-1590)1553 · Bavaria riiklikud maalidema kogumikud
32
The birth of Jesus and adoration of the shepherds1550 · Armenia Riiklik Kunstimuuseum
33
The Journey of Jacob1561 · Royal Collection
34
Portrait of a Man Holding Gloves1557 · Buckinghami palee
35
The Decapitation of St John the Baptist1550 · Statens Museum For Kunst
36
Building the Ark of Noah1550 · Musée Des Beaux
37
The Annunciation to the Shepherds )1553
38
Sketch for an Altarpiece1575 · Rhode Island School of Design Museum of Art
39
The Martyrdom of Saint Sebastian1574 · Musée des Beaux-Arts de Dijon
40
Portrait of an Old Gentleman1570 · National Museum of Art, Architecture and Design
41
Pastoral Scene1568 · Szépművészeti Múzeum
42
The Israelites in the Desert1575 · Staatliche Kunstsammlungen Dresden
43
Christ in the House of Mary, Martha, and Lazarus1577 · Museum of Fine Arts
44
The Supper at Emmaus1565 · Royal Collection
45
The Flood1570 · Royal Collection
46
Tamar and Juda1566 · Kunsthistorisches Museum
47
Adoration of the Magi1577 · Museu Nacional d'Art de Catalunya
48
Vulcan's Forge1577 · Museo del Prado
49
Christ Healing the Lame Man1569 · Museum of Fine Arts
50
Portrait of a Man1576 · Museum of Fine Arts
51
The Adoration of the Shepherds1570 · Nationalmuseum
52
Autumn1577
53
The Animals Entering Noah's Ark1579
54
The Deposition1570
55
Saint Valentine Baptizing Saint Lucilla1575
56
Le Retour du Fils prodigue1576 · Musée d'Unterlinden
57
Entry of the Animals into Noah's Ark1590 · Bavaria riiklikud maalidema kogumikud
58
The Adoration of the Shepherds1587
59
Daniel in the Lions' Den1581 · Ham House
60
Adoration of the Shepherds1585 · Museu de Arte de São Paulo Assis Chateaubriand
61
Portrait of Urban VII1590
62
San Cristóbal
63
Christ Crowned with Thorns1590
64
The Agony in the Garden1550 · Städel Museum
65
Adoration of the Shepherds1580 · Museo del Prado
66
The Miraculous Draught of FishesNational Gallery of Art
67
The Good Samaritan1562 · National Gallery
68
Moses Strikes Water from the Rock1584 · Kunsthistorisches Museum
69
The Sacrifice of Noah1580 · Walker Art Gallery
70
The Miraculous Draught of Fishes1545
71
The Journey to Calvary1543 · Fitzwilliam College
72
Christ among the Doctors1539 · The Ashmolean Museum of Art And Archaeology
73
Entry into the Ark1550 · château-musée de Boulogne-sur-Mer
74
Winter1550 · Musée de Grenoble
75
The Annunciation to the Shepherds )1554
76
The Annunciation to the Shepherds )1552
77
The Annunciation to the Shepherds )1557
78
The Annunciation to the Shepherds )1556
79
The Annunciation to the Shepherds )1555
80
The Annunciation to the Shepherds )1558 · National Gallery of Art
81
Alfonso d'Arcano, Prior of Venice1560
82
The Adoration of the Magi1560 · The Barber Institute of Fine Arts
83
Birth of the VirginCampion Hall
84
The Arrest of Christ1592
85
Lazarus and the Rich Man, Jacopo Bassano (copy after), 1544 - 17001700 · Rijksmuseum
86
The Annunciation to the Shepherds )1551
87
Christ in EmmausBavaria riiklikud maalidema kogumikud
88
The Flight into EgyptToledo Museum of Art
89
The Holy Family with DonorsNational Gallery of Ireland
90
Shepherds watering their CattleNational Museum of Art, Architecture and Design
91
The Adoration of the ShepherdsNational Museum of Art, Architecture and Design
92
Virgin and Child with John the Baptist and Saint Anthony the AbbotFinnish National Gallery
93
The Mocking of ChristMuseum of Fine Arts
94
Christ with St Martha and the Virgin MaryStatens Museum For Kunst
95
Annunciation to the Shepherds (The Night Camp)Musée des Beaux-Arts de Strasbourg
96
portrait of a man 1528
97
Annunciation to the ShepherdsMusée des Beaux-Arts de Strasbourg
98
Gondolier
99
Study for 'The Good Samaritan
100
Lazarus and the Rich ManCleveland Museum of Art
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Jacopo Bassano teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 16 | Virgin and Child with the Saints Martin of Tours and Anthony the Great, John the Baptist, The Market |
 Kunsthistorisches Museum |
Viin | 6 | Portrait of a Youth with Mandolin, Male Portrait, The parable of the rich man and poor Lazarus |
 Royal Collection |
London | 6 | The Good Samaritan, The Martyrdom of Saint Mark, The Journey of Jacob |
 Museo del Prado |
Madrid | 9 | Angels announcing to the shepherds the Birth of Jesus, Vulcan's Forge, Adoration of the Shepherds |
 National Museum of Art, Architecture and Design |
Oslo | 3 | Portrait of an Old Gentleman, Shepherds watering their Cattle, The Adoration of the Shepherds |
 Museum of Fine Arts |
Boston | 3 | Christ Healing the Lame Man, Portrait of a Man, The Mocking of Christ |
 Museu Nacional d'Art de Catalunya |
Barcelona | 2 | Calvary, Adoration of the Magi |
 Art Institute of Chicago |
Chicago | 2 | Virgin and Child with the Young Saint John the Baptist, Diana and Actaeon |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
A young man emerges from a deep, dark void. His gaze meets the viewer directly, steady and unblinking. He wears a black beret-style cap and a heavy, dark doublet that absorbs the light. Only one side of his face catches the directional glow, carving his features out of the surrounding gloom. A white ruffled cuff breaks the darkness at his wrist, where his arm reaches toward the edge of the…
The Altarpiece of the Blessed Conception is a significant work by the Venetian painter Jacopo Bassano. Also known by the title Sant’Anna in trono con la Vergine bambina tra i santi Girolamo e Francesco, the painting captures a sacred assembly through the hand of a master. It was executed in 1541. The pigment rests upon a canvas surface, holding the weight of its original purpose within its fibers.
A celestial burst of golden light pierces a heavy, nocturnal landscape, marking the intersection of the heavenly and the earthly. At the center of this radiance, a winged messenger descends, casting a sharp chiaroscuro effect across the scene. Below this divine illumination, a group of shepherds and their livestock huddle in the darkness, their forms defined by the sudden, intense light. The composition relies on deep earth tones, blacks, and…
The composition rests upon a stable, triangular geometry. Within this shape, the Virgin Mary cradles the Christ Child, their forms intertwined in a quiet, domestic intimacy. A young Saint John the Baptist enters the frame, his small limbs mirroring the soft curves of the infants. The scene is a study in weight and texture. Heavy crimson drapery falls in deep, sculptural folds behind the figures, creating a dark stage for…
In this somber composition from 1575, we find ourselves drawn into the immediate, claustrophobic tension of the Crucifixion. The scene is dominated by the verticality of the cross, which bisects the canvas and anchors the viewer's gaze. Christ is depicted with a pale, luminous skin tone that contrasts sharply against the surrounding darkness, highlighting the physical strain of the moment. Around him, the atmosphere is thick with chaos; spears and…
This Renaissance-era oil portrait, dating from 1585, presents a somber and deeply expressive close-up bust portrait of an elderly man. The subject is positioned slightly off-center, facing towards the left of the frame, while his gaze is directed piercingly toward the viewer. The composition utilizes a shallow depth of field, focusing all attention on the subject's facial features by leaving much of the background and the back of the head…
The air is thick with the heavy scent of dust and animal musk. In this wide landscape, a great procession moves toward a distant, illuminated structure. Oxen and horses form heavy, muscular masses in the foreground, their bodies defined by deep shadows and sharp highlights. They move with a slow, rhythmic weight. Above them, the sky is a theater of small, delicate silhouettes—birds in flight, tracing lines against the light.…
Calvary (1575), Museu Nacional d'Art de Catalunya, Barcelona. Järgnevad Angels announcing to the shepherds the Birth of Jesus (1551) ja Portrait of a Youth with Mandolin (1537).
65 aastat vanus: teos Calvary on pärinev aastast 1575 ning Jacopo Bassano sündis aastal 1510.
Calvary, Angels announcing to the shepherds the Birth of Jesus, Portrait of a Youth with Mandolin, Portrait of an Old Man, Altarpiece of the Blessed Conception, Virgin and Child with the Young Saint John the Baptist, Madonna and Child, Male Portrait, Portrait of a Franciscan Friar ja The parable of the rich man and poor Lazarus. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 182 teost kunstnikult Jacopo Bassano, mis on pärinevad ajastust 1537 kuni 1592.
Peamiselt Bavaria riiklikud maalidema kogumikud (München), Kunsthistorisches Museum (Viin) ja Royal Collection (London) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1550s: 31 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Angels announcing to the shepherds the Birth of Jesus.
Sellel lehel on kõige vanem teos Portrait of a Youth with Mandolin (1537) ja kõige värskeim The Arrest of Christ (1592).
Man (31), People (30) ja Landscape (14), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 56 teoseks 100 töödelt sellel lehel.
High renaissance, seda lähtudes selle lehe originaalteostest.
Virgin and Child with the Saints Martin of Tours and Anthony the Great, John the Baptist ja The Market: Bavaria riiklikud maalidema kogumikud, München säilitab 14 selle lehel olevat teost.
Sündides Bassano del Grappa armsas linnas, mis on madalalt kukkunud Veneetsia pulsisava südame lähedale, astus Jacopo da Ponte – hiljem tuntud kui Jacopo Bassano – maailma kunstipärandega süvenud perest. Tema isa, Francesco il Vecchio, oli juba tunnustatud maalari, kui ta võtt umris around 1510 noore Jacopo oma tuvastikku, sissejuhtides teda kunsti nõudliku maailma. See varajane koolitus, koos Veneetsia vibratil ja uuendusrikka atmosfääriga kohtumisel, kujundasin sügavalt Bassano eripärset stiili – lummavat segu usulisest pühendatusest, intiimsetest žanriteendest ja hingematust kõnetavast realistlikest maastikudest.
Bassano kujunendusperioodid olid tähistatud ainulaadse õpilaskirja kujul. Erinevalt paljudest kunstnikest, kes otsisid formaalset haridust kaugetest linnadest nagu Florents või Rooma, teritas ta oma oskusi oma kodulinna tuttavates piirkondades. Isa töökoda pakkus talle väärtuslikku kogemust mitte ainult maaliatehnikatest, vaid ka praktilistest ametidest nagu kaardistamine ja maapindade mõõtmine – oskused, mis annavad hiljem vormi tema meistralikele Veneetsia maapiirkonna kujundustele. Oluliselt oli Bassano kokkupuutanud Veneetsia tippmeistrite, nagu Tiziani ja Giorgione, teostega, imeldes nende uuendusrikkaid lähenemisi värvi, kompositsiooni ja valguse juurde. See mõju on eriti nähtav tema varajastes maalides, kus ta jäljeldab oskuslikult Tiziani luminööset paletti ja dramaatilist chiaroscuro kasutamist – valgusest ja varjust koosmängu.
Bassano kunstiline teekond on laiarelidatav erinevates perioodides, millist kummagi iseloomustavad peened muudatused tema stiilis ja teemades. Tema varajased tööd, peamiselt 1530 ja 1540 aastatel loodud religioosne stseenid, näitavad selget võlgust Tiziani pärandist. Maalid nagu „Tempeli puhastamine” demonstreerivad rikkalikku, elavat värvipaletti ja dünaamilist kompositsiooni – eristudes nii tänapäevaste kunstnike staatilisematest konventsioonidest. Kuid isegi neis varajades teostes lisas Bassano elemente, mis said tema stiili tunnusjoontadeks: keskendumine igapäevastele detailidele, huvi inimsuhete lennukatest hetkedest kinnipitamine ja hämmastav võime ümbrizeda oma stseenid atmosfääriga.
Vananeedes laiunes Bassano kunstiline visioon. Ta pööras üha rohkem tähelepanu žanrimaalidele – intiiimsetele maalidele maaelust, kus esinevad talupoerad, loomad ja põllumajanduslik töö rütm. Need teosed, mis on sageli asetatud Veneetsia pitlikku maastikku, on täidetud märkimisväärse realismi ja vahetu tunnetusega. Maalid nagu „Lambad” või „Prodigal Son ehk Kadunud poja naasmine” illustreerivad seda muudatust, demonstreerides Bassano võimet tabada inimkogemuse olemust natuurstilises keskkonnas. Ta ühendas oskuslikult religioosned teemad sekulaarsed objektid, luues teoseid, mis olid nii vaimselt kõnetavad kui visuaalselt lummavad.
Bassano looming on märkimisväärselt mitmekesine, hõlmades laiade teemade ja stiilide valdkonda. Tema kuulsimate maalide seas on „Viimane õhtus Emmauses”, Veneetsia maali klassikateos, mida iseloomustavad luminöönsed värvid, dünaamiline kompositsioon ja piiblistilise stseen evokatiivne esitamine; „Tuli” – draamalise põletiku kujutuslaidur, mis näitab Bassano valgus- ja varjust manipuleerimise meistriklassi; ning „Jaakobi naasmine Kanaanai” – võimas narratiivne stseen, täidetud emotsionaalse sügavuse ja psühholoogilise selgusega. Tema töö sisaldab ka arvukaid portreid, maastikke ja religioosseid kompositsioone, kus igaüks peegeldab tema arenevaid kunstilisi tundlikkusi.
Lisaks Tizianile sai Bassano mõjutiks mitmed kunstnikud, sealhulgas varajase Renessansi meistrid nagu Dürer ja Rafael, samuti kaasaegsed Veneetsia maalari nagu Tintoretto ja Veronese. Ta imetas oskuslikult elemente neist erinevatest allikatest, sünteesides need ainulaadses isikupärases stiilis, mis on nii uuanduslik kui sügavalt juurdunud Veneetsia traditsioonis.
Jacopo Bassano mõjul Veneetsia maali arengul on vähklemata. Tema meistralikud valguse, värvi ja inimliku emotsiooni kujutused aitasid kujundada Veneetsia kunsti suunda järgnevateks põlev一代deks. Ta oli maastikumaali žanri pioneer, tõstes selle dekoratiivsest elemendist oma kompositsioonide lahutamatuks osaks. Lisaks Bassano võime sujuvalt segada religioosne ja sekulaarne – püha teemad igapäevase eluga – kehtestas eelduse, mida järgnesid paljud hilisema ajastu Veneetsia kunstnikud.
Bassano pärand ulatub kaugemale kui tema loodud üksikud teosed. Tema neli poega – Francesco Bassano noorem, Giovanni Battista da Ponte, Leandro Bassano ja Girolamo da Ponte – jätkasid tema kunstilist sunda, edasikantides tema stiili ja aitades kaasa Bassano del Grappa vibrantsele kunstikeskkonnale. Täna mäletatakse Jacopo Bassanot üna Veneetsia kõige olulisema Renessansi maalari, valgusest, värvist ja inimkogemusest meistri, kelle töud lummavad publikut üle kogu maailma.
