Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 210 teost Ferdinand Georg Waldmüller meie kataloogis
Lühidalt
Galleriist vaadatuna on Ferdinand Georg Waldmüller kõige kuulsam teos Portrait of Ludwig van Beethoven (1823), mille originaal ripub Kunsthistorisches Museum-is, Viin. The young boy with the stable-lantern / The Young Stableboy with a Stable Lamp (1824) ja The Actor Maximilian Korn in a Landscape (1828) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Ferdinand Georg Waldmüller 210 teose põhjal esitleb galeriis allpool 100 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
A heavy, dark coat absorbs the light, framing a face etched by internal storms. The subject sits in a bust-length pose, his gaze directed toward the right, away from the viewer's immediate line of sight. Shadows pool deeply in the folds of his white neckcloth and the hollows of his cheeks, creating a sharp, three-dimensional presence. His hair, a wild, wavy mass of grey-white, catches the directional light from the…
The young boy with the stable-lantern / The Young Stableboy with a Stable Lamp is an oil on oak painting by Ferdinand Georg Waldmüller. Created in 1824, the work measures 17.87 x 21.3 in (45.4 x 54.1 cm). It resides within the collection of the Kunsthalle Hamburg, identified by the accession number 1351 and the note Feuchtmüller-WV-Nr.154.
The Actor Maximilian Korn in a Landscape is an oil on panel work created in 1828. The portrait captures a specific presence within a quiet, expansive setting. Ferdinand Georg Waldmüller, an Austrian painter, rendered the figure with a focus on the textures of the era. The subject is Maximilian Korn, a man whose likeness is fixed against the soft light of the natural world.
In 1863, Ferdinand Georg Waldmüller painted Peasant Lovers (Bäuerliches Liebespaar) in Austria. The work captures a tender moment between two young lovers. They are locked in an embrace amidst the quietude of a rural setting. This genre painting focuses on the intimate realities of peasant life.
The Interrupted Pilgrimage (The Sick Pilgrim) is an oil on wood painting by Ferdinand Georg Waldmüller. Created in 1858, the work captures a moment of stillness amidst a rocky landscape. The artist, Ferdinand Georg Waldmüller, was born in Vienna, Austria, in 1793. He lived until 1865, passing away in Hinterbrühl near Mödling.
Sunlight streams through an open doorway, cutting a sharp path across a crowded courtyard where life unfolds in a series of hushed, heavy moments. A group of women and children gather in this intimate space, their forms caught in a delicate dance between light and shadow. The air feels thick with the weight of their shared experience, a quiet community huddled together amidst the stone walls and textured fabrics of…
The Conscript’s Farewell is a painting by Ferdinand Georg Waldmüller. Created in 1854, this work captures a heavy moment within a farmhouse parlor. A young man, called up for military service, stands at the center of a domestic storm. He is surrounded by his family, each member caught in the gravity of his departure. The scene is a genre painting, a slice of life frozen in the quiet tension of…
In this 1853 painting, a group of five children is gathered around a window, which serves as the central focal point of the scene. The arrangement of the figures creates a sense of quiet interaction: one child stands on the left side of the window, while two children are positioned close to each other in the middle. On the right side, another child stands by the window, and a fifth…
Ferdinand Georg Waldmüller's "Children," painted in 1834, isn’t merely a portrait; it’s a carefully constructed tableau of quiet dignity and poignant observation. The painting captures two young girls returning home from school along a winding path, bathed in the soft, diffused light characteristic of the Biedermeier style – an artistic movement deeply rooted in the appreciation of nature and the celebration of everyday life. Waldmüller, a pivotal figure within this…
Catharina Freifrau von Koudelka is a portrait executed by the Austrian painter Ferdinand Georg Waldmüller. Created about 1821, the work emerged during a period of significant artistic transition in Vienna. The subject is presented with the formal dignity characteristic of the era's social hierarchies.
Rosina Wieser in her 83rd Year of Life1820
12
Portrait of Archduke Johann of Österreich in Uniform1818
13
Portrait of Frau Rossini (Isabella Colbran)1818
14
The court actress Sophie Müller1822
15
Rosina Wieser in Armchair1822
16
Portrait of a knight of the Golden fleece1818
17
Portrait of the artists mother1818
18
Peasant woman crosing a creek in a ravine1818
19
Portrait of a child1822
20
man with writing plate1817
21
Girl with flowers1817
22
maid with snake1817
23
Man with book1817
24
Christ and the Samaritan Woman at the Well1818
25
Portrait of a Middle-Aged Lady1828 · Bavaria riiklikud maalidema kogumikud
26
Lady in White Dress before a Wienerwald Landscape1829
27
Elisabeth Waldmüller, the Mother of the Artist1830
28
Day Laborer with His Son1823
29
Mrs. Theresia Rupprecht1825
30
Female Portrait in White Ball Toilette1830
31
Countess Széchenyi1828 · Cleveland Museum of Art
32
Self-portrait1828
33
Portr. of a gentleman with sabre1830
34
Portrait of a lady, half figure1829
35
portrait of a lady1829
36
Cows in a meadow1823
37
Little Count Esterhazy in trousers with a rabbit1827
38
Portrait of a Cartographer with his Wife1824 · Westfälisches Landesmuseum
39
Portrait of a lady1825
40
Old soldier with children1827
41
Portrait of the family Geymüller in a park1827
42
two hunters in the mountains1829
43
Boy with a Stable Lantern1825
44
Portrait of a Woman in Riding Attire, with her Greyhound1839
45
The Engraver François Haury1834
46
Woman in Green, Salmon-Pink Shimmering Dress1837
47
The Wife of the Court Official Josef von Stadler1835
48
The Roman Ruin in Schönbrunn1832
49
Aloisia Eltz in the Armchair1834
50
Josephine Schaumburg, née Stahel1834
51
A Girl Adorns the Mother of God with a Rose1836
52
Old Woman with White Ribbon Cap1832
53
Heinrich Werner (1830 - 1861), the son of the married couple Johann and Magdalena Werner1835
54
Count Demetrius Apraxin as a Child before a Mountain Landscape1832
55
The Imperial and Royal Börsenkammerrat Johann Werner (1788-1879)1835
56
Magdalena Werner (1804-1872)1835
57
The Princely Esterházy Counselor Mathias Kerzmann with his second wife Maria Helena, née Mikolischütz, and daughter Maria1835
58
Lady in Cinnabar Green Dress1838
59
Girl's Head with Blue Headscarf1836
60
Countess Dimitri Tatischeff1838 · Städel Museum
61
A Greek in a red coat1839 · Moravian Gallery in Brno
62
View of Ischl1838 · Alte Nationalgalerie
63
Am Allerseelentag1839 · Alte Nationalgalerie
64
Portrait of a young lady with a pearl necklace1835 · Bavaria riiklikud maalidema kogumikud
65
Portrait of a Woman1836 · Bavaria riiklikud maalidema kogumikud
66
Portrait of a lady from the family of the nobles of Managetta and Lerchenau (Katharina Jackson, née Bonin-Ghibaud?)1837 · Bavaria riiklikud maalidema kogumikud
67
Portrait of a Noblewoman Managetta von Lerchenau1837 · Bavaria riiklikud maalidema kogumikud
68
Julia Comtesse Apraxin1835
69
Mr. Wohlleben, the brother of the Mayor of Vienna, Stephan Edler von Wohlleben1836
70
Portrait of Emilie Werner (1832 - 1835), daughter of Johann and Magdalena Werner1835
71
Emperor Ferdinand I of Austria1839
72
portrait of a young lady1839
73
Portrait of Friedrich von Guaita Bürgermeister von Frankfurt/Main1834
74
Portrait of a girl1837
75
Portrait of a young gentleman in uniform1836
76
Portrait of sitting lady1837
77
Visit of the grand Parents1835
78
The Beggar1836
79
A traveling family of beggars is rewarded by poor peasants on Christmas Eve1834
80
Three graces garlanded with roses1836
81
Gustav Barth, Choir Master of the Wiener Männergesangsverein1843
82
Lower Austrian Peasants' Wedding1843
83
Christmas Morning1844
84
Gentleman in black skirt with white vest1841
85
Portrait of a young woman.1840 · Varssavi Rahvusmuuseum
86
Women Bathing at the Brook1848
87
Lime kiln in the Hinterbrühl1845 · Liechtenstein Museum
88
At the ruins of the fire1847
89
The bridesmaid / Wreath-Bearing Virgin1843
90
The Adoption.1847 · National Museum in Wrocław
91
Portrait of a Lady in a Black Silk Dress Sitting on a Red Fauteuil1850
92
Portrait of Madame Josef Bayer1854 · Petit Palais
93
Palm Sunday1853 · Moravian Gallery in Brno
94
Brushwood collectors in the Wienerwald1855
95
Anna Bayer, the artists second wife1850
96
Depleted power1854
97
Restored to New Life1852
98
Old woman with children1854
99
Woman with child1855
100
Homecoming into the fathers house1855
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Ferdinand Georg Waldmüller teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 11 | Portrait of a Middle-Aged Lady, Portrait of a young lady with a pearl necklace, Portrait of a Woman |
 Alte Nationalgalerie |
Berliin | 8 | View of Ischl, Am Allerseelentag |
 Moravian Gallery in Brno |
Brno | 4 | A Greek in a red coat, Palm Sunday |
 Städel Museum |
Frankfurt | 2 | Peasant Lovers, Countess Dimitri Tatischeff |
 Leopold Museum |
Viin | 2 | The Interrupted Pilgrimage (The Sick Pilgrim), The Conscript’s Farewell |
 Kunsthistorisches Museum |
Viin | 2 | Portrait of Ludwig van Beethoven |
 Hamburger Kunsthalle |
Hamburg | 2 | The young boy with the stable-lantern / The Young Stableboy with a Stable Lamp |
 Cleveland Museum of Art |
Cleveland | 2 | Countess Széchenyi |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Ferdinand Georg Waldmüller’s Portrait of Archduke Johann of Österreich in Uniform presents a formal and dignified Biedermeier-style study of nobility. The composition utilizes a medium close-up, focusing the viewer's attention on the head and upper torso of the Archduke. Positioned slightly off-center, the subject maintains an eye-level perspective that establishes a direct connection with the observer. This arrangement emphasizes the subject's status and authority, reinforced by the presence of military…
A heavy, dark coat absorbs the light, framing a face etched by internal storms. The subject sits in a bust-length pose, his gaze directed toward the right, away from the viewer's immediate line of sight. Shadows pool deeply in the folds of his white neckcloth and the hollows of his cheeks, creating a sharp, three-dimensional presence. His hair, a wild, wavy mass of grey-white, catches the directional light from the…
Ferdinand Georg Waldmüller's "Children," painted in 1834, isn’t merely a portrait; it’s a carefully constructed tableau of quiet dignity and poignant observation. The painting captures two young girls returning home from school along a winding path, bathed in the soft, diffused light characteristic of the Biedermeier style – an artistic movement deeply rooted in the appreciation of nature and the celebration of everyday life. Waldmüller, a pivotal figure within this…
The portrait titled Gustav Barth, Choir Master of the Wiener Männergesangsverein captures the likeness of Gustav Barth. Ferdinand Georg Waldmüller rendered this image about 1843. The subject sits as a quiet presence, a man defined by his station and the steady weight of his character. He is the central figure, held within the frame of a single, focused moment.
The Interrupted Pilgrimage (The Sick Pilgrim) is an oil on wood painting by Ferdinand Georg Waldmüller. Created in 1858, the work captures a moment of stillness amidst a rocky landscape. The artist, Ferdinand Georg Waldmüller, was born in Vienna, Austria, in 1793. He lived until 1865, passing away in Hinterbrühl near Mödling.
In 1863, Ferdinand Georg Waldmüller painted Peasant Lovers (Bäuerliches Liebespaar) in Austria. The work captures a tender moment between two young lovers. They are locked in an embrace amidst the quietude of a rural setting. This genre painting focuses on the intimate realities of peasant life.
Portrait of Ludwig van Beethoven (1823), Kunsthistorisches Museum, Viin. Järgnevad The young boy with the stable-lantern / The Young Stableboy with a Stable Lamp (1824) ja The Actor Maximilian Korn in a Landscape (1828).
30 aastat vanus: teos Portrait of Ludwig van Beethoven on pärinev aastast 1823 ning Ferdinand Georg Waldmüller sündis aastal 1793.
Portrait of Ludwig van Beethoven, The young boy with the stable-lantern / The Young Stableboy with a Stable Lamp, The Actor Maximilian Korn in a Landscape, Peasant Lovers, The Interrupted Pilgrimage (The Sick Pilgrim), After Confiscation, The Conscript’s Farewell, Children at the Window, Children ja Catharina Freifrau von Koudelka. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 210 teost kunstnikult Ferdinand Georg Waldmüller, mis on pärinevad ajastust 1817 kuni 1863.
Peamiselt Bavaria riiklikud maalidema kogumikud (München), Alte Nationalgalerie (Berliin) ja Moravian Gallery in Brno (Brno) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1830s: 41 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Children.
Sellel lehel on kõige vanem teos man with writing plate (1817) ja kõige värskeim Peasant Lovers (1863).
Woman (53), Man (31) ja Portrait (19), kogu selle lehekülje 100 teose kohta.
Oil, 47 teoseks 100 töödelt sellel lehel.
Biedermeier, seda lähtudes selle lehe originaalteostest.
Portrait of a Middle-Aged Lady, Portrait of a young lady with a pearl necklace ja Portrait of a Woman: Bavaria riiklikud maalidema kogumikud, München säilitab 5 selle lehel olevat teost.
