Comprar una reproducción de Set a boat afloat

Descripción de la obra

The Japanese, during the period of Japan’s colonial rule over Korea, established reformatories in order to educate the Korean people to obey to their rule. These reform schools included the Mokpo school in Mokpo, Jeolla-do and Seongam School in Seongamdo Island, Ansan. Therein, the Koreans suffered from the poor facilities, a severe degree of human rights violations, exploitation of labor, and an isolation from the outside world under the name of “self-support.” Young boys, more than one could count, died of escape attempts and suffered from violence and malnutrition. Out of hunger, some died by mistaking poisonous mushrooms for edible herbal roots and tree bark. That place where so many young lives were sacrificed became today’s Gyeonggi Creation Center! And I am an artist who eats, sleeps, and works in the site of the old Seongam reform school that still bears the young boys’ smell of blood. Even skipping one meal makes me dizzy, weeding half an hour in the art farm makes my legs crumble, and just being prevented from what I want to do makes me complain. Then I imagine how the young boys could endure that time period. Seongam-dong is a land reclaimed from the sea by the young boys’ little hands that quarried stone to build a breakwater. Although this area is now home to diverse salt plants and beautiful reeds, it was once the site of a salt field, the very source of power with which a human trampled another and of the salt as valuable as gold produced by the numerous sacrificed children at the Seongam reform school in 1946. That is how I installed my work on the site of the old salt field. Even animals go hunting no more than they need. Then why do human beings, the lord of all creation, fret over storing food, land, and money which was invented for the sake of convenience after all. Perhaps, that is a mental illness. It has been only 70 years since the war ended. Let’s give us some more time.it was not enough time to overcome things anyway. The gone sea caused a fisherman to shed tears of blood, and the boat was abandoned. The fisherman must have gazed over the inland water without hope. The fisherman must have heaved a deep sigh, or rather wailed. There is nowhere in the country where the fisherman’s wailing did not reach! I set a boat afloat on that field of reeds that will take the people, who has been living as if they overcame or nothing happened.I floated a boat on that beds of reeds while imagining a coarse yet hopeful breath of a fisherman starting a day as well as a boat returning with a full load of fish. I float a fish-smelling boat fully loaded with the fishing net the fisherman newly repaired yesterday, where no war or Seongam reformatory or salt field exists, among the reeds.

Biografía del artista

Park Jun Sik: A Landscape Painter Rooted in Korean Tradition

Park Jun Sik emerges as a significant figure within contemporary Korean art, captivating audiences with his serene landscapes and imbued with subtle symbolic elements. Born on November 16, 1991, in South Korea, his artistic journey reflects an exploration of both minimalist aesthetics and the rich heritage of Korean painting traditions.

While biographical details remain somewhat sparse – information about his formative years and early influences is still developing – Park Jun Sik’s work speaks volumes about his dedication to capturing the essence of nature and conveying profound emotions through restrained color palettes and carefully considered compositions. His canvases often depict expansive vistas bathed in soft light, inviting viewers into contemplative spaces.

Exploring Artistic Influences

Though specific mentors haven't been widely documented, Park Jun Sik’s artistic sensibilities undoubtedly resonate with the legacy of Korean landscape painting masters like Kim Hyung-do and Shin Yun-bok. These artists championed a style characterized by simplicity, balance, and an unwavering focus on conveying atmospheric conditions—principles that clearly inform Park Jun Sik’s approach.

Furthermore, influences from Western abstract expressionism – particularly the works of Mark Rothko and Barnett Newman – can be discerned in his use of large-scale canvases and luminous color fields. This fusion demonstrates a willingness to engage with diverse artistic traditions while maintaining a distinctive Korean perspective.

Notable Works: Set a Boat Afloat

Among Park Jun Sik’s recognized pieces is “Set a Boat Afloat,” a captivating landscape painting that exemplifies his signature style. The artwork showcases a tranquil lake scene rendered in muted blues and greens, punctuated by delicate brushstrokes that capture the subtle nuances of light and shadow.

The composition prioritizes harmony and balance, mirroring the philosophical ideals prevalent in Korean art history—a deliberate choice reflecting Park Jun Sik’s commitment to conveying inner peace and contemplation through visual representation.

Contemporary Recognition & Future Prospects

Park Jun Sik's artistic endeavors have garnered considerable acclaim within Korea’s art community. His work has been featured in exhibitions showcasing emerging talent, solidifying his position as a rising star on the Korean art scene.

Looking ahead, Park Jun Sik continues to refine his technique and explore new avenues for creative expression—a testament to his unwavering passion for painting and his dedication to preserving the timeless beauty of Korean landscapes.

Park Jun Sik

1991 - , Corea del Sur

Datos clave

Artistic Movement Or Style: Landscape Painting
Date Of Birth: November 16, 1991
Full Name: Park Jun Sik
Nationality: Korean
Notable Artworks: ['Set a Boat Afloat']
Place Of Birth: South Korea

Set a boat afloat

Descripción del objeto

Biografía del artista

Reproducción al óleo hecha a mano

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