The Top and Bottom 3
31.0 x 42.0 cm
Centro de Creación Gyeonggi
Reproducción al óleo hecha a mano
Óleo sobre lienzo pintado a mano en el tamaño y marco de su elección, realizado por encargo por nuestros artistas.
Elija entre nuestros tamaños predefinidos que respetan las proporciones originales de la obra.
Puede ingresar sus propias dimensiones para adaptarse a un marco o espacio específico. Si el tamaño seleccionado no coincide con las proporciones de la imagen original, recortaremos la obra o extenderemos la pintura con elementos adicionales pintados a mano. Se le enviará una maqueta digital para su aprobación antes de comenzar la producción.
Tenga en cuenta que la vista previa en pantalla no refleja el recorte o la extensión reales. Solo la maqueta mostrará con precisión la composición final.
Si bien existen tamaños personalizados, recomendamos seleccionar una dimensión de la lista predefinida para preservar las proporciones originales.
Tras realizar el pedido, el equipo de OriginalUniqueArt.com enviará un correo electrónico al cliente para solicitar instrucciones y proporcionarle una vista previa del boceto.
Entrega mundial () en 3-4 semanas en lugar de las 5 semanas estándar. (22 julio). Sin compromisos con la calidad.
Envío exprés gratuito a todo el mundo
Lienzo de lino de alta calidad
Seguro de envío total
Garantía de reembolso de impuestos aduaneros
Garantía de fidelidad de color
Política de devolución de 60 días (solo por defectos)
Garantía de devolución del 100% del dinero
Descuento por pedido múltiple
The Top and Bottom 3
Técnica de reproducción
Tamaño de la reproducción
-
Precio total final
-
Biografía del artista
Kim Hee-jin: Bridging Sport and Cinema – A Dual Pursuit of Artistic Expression
Kim Hee-jin, born April 29, 1991, in Busan, South Korea, represents a remarkable convergence of passions—a former volleyball star now passionately devoted to filmmaking. Her formative years were marked by unwavering dedication to athletic excellence, culminating in a distinguished career as a setter for HWASEONG IBK Altos, securing multiple league titles and championships during her tenure. This experience instilled within her not merely physical prowess but also profound discipline, collaborative spirit, and an acute awareness of spatial dynamics—qualities that undeniably shape the core tenets of her artistic vision. The influence of sport extends beyond mere physicality; it cultivates a mindset characterized by perseverance, strategic thinking, and meticulous attention to detail – attributes she seamlessly transfers into her filmmaking endeavors. Observing the movements of athletes, analyzing their interactions within a team environment, and mastering the art of capturing fleeting moments became invaluable lessons informing her artistic process. This holistic understanding contributes to her ability to craft narratives that resonate with depth and authenticity. Beyond the volleyball court, Kim Hee-jin harbors an undeniable creative impulse. Recognizing this innate talent, she transitioned gracefully into directing film, debuting with “My Name is Loh Kiwan,” a Netflix original released in select regions on March 1, 2024. This ambitious undertaking signifies not simply a career pivot but a deliberate exploration of storytelling and visual storytelling—a testament to her versatility and unwavering ambition. She seeks to translate the dynamism and emotional intensity she experienced as an athlete into cinematic experiences that captivate audiences and provoke contemplation. Her artistic style is firmly rooted in mixed media collage, characterized by layered textures and evocative imagery. This technique allows her to distill complex emotions and memories into visual representations—fragments of observation meticulously assembled to create landscapes imbued with profound resonance. Consider “Jinx on Yellow Bus,” where photographic elements intertwine with painstaking layering techniques to evoke a palpable sense of nostalgia and emotional depth. The artist’s canvases serve as repositories of sensory experience, transforming mundane details into powerful statements about human connection and remembrance. Influenced by contemporary artists who champion experimentation and conceptual exploration, Kim Hee-jin prioritizes conveying emotion over adhering rigidly to stylistic conventions. She strives to elicit responses from viewers—to foster dialogue about identity, perception, and the intricate interplay between personal narratives and broader societal contexts. Her commitment to crafting films that transcend mere entertainment underscores her belief in art’s capacity to illuminate the human condition. Her artistic output includes notable pieces like “Night of Divided Thinking 1” and “Night of Divided Thinking 2,” which exemplify her masterful command of color palettes and compositional arrangements—tools she employs to communicate moods and ideas with precision and subtlety. These artworks stand as emblems of her ability to harness artistic mediums to explore profound themes, cementing her reputation as a filmmaker who seeks to inspire viewers and provoke introspection. Ultimately, Kim Hee-jin’s dual pursuits – volleyball and filmmaking – represent more than just separate hobbies; they are interconnected pathways toward artistic fulfillment. Her athletic background furnishes invaluable insight into movement and perspective, while her directorial endeavors hone her storytelling skills and deepen her understanding of visual communication. She embodies an inspiring figure demonstrating that creativity can flourish across diverse disciplines, enriching both the physical realm and the imaginative landscape—a true testament to the transformative power of pursuing multiple passions simultaneously.Kim Hee-jin
1991 - , Corea del Sur
Datos clave
- Artistic Movement Or Style: Collage mixto
- Date Of Birth: April 29, 1991
- Full Name: Kim Hee-jin
- Nationality: Surcoreana
- Notable Artworks:
- Jinx on Yellow Bus
- Night of Divided Thinking 1
- Night of Divided Thinking 2
- Place Of Birth: Busan, South Korea

La opción de vidrio solo está disponible en tamaños inferiores a 110 cm.