Emmanuel Wolfs & Boyoung Jung: Sculptors of Synthetic Forests

Wolfs & Jung, a Korean artist collective born in London in 2003, represents a fascinating intersection between artistic vision and scientific inquiry. Founded by emmanuel wolfs (be) and boyoung jung (kr), their collaborative practice has steadily gained international recognition for its distinctive approach to sculptural art – specifically, the creation of meticulously crafted “engineered forests.” These aren’t merely representations of trees; they are complex constructions that challenge our understanding of nature itself, prompting contemplation on ethical considerations surrounding design and environmental stewardship.

• Early Influences & Formation: The genesis of Wolfs & Jung's artistic journey occurred amidst the vibrant cultural landscape of London. Initially drawn to experimental sculpture techniques, wolfs’ background in engineering complemented jung’s passion for botany and ecological studies. This dual expertise proved pivotal in shaping their conceptual framework – a desire to explore how human intervention can simultaneously enhance and distort our perception of natural environments.
• Conceptual Core: At the heart of Wolfs & Jung's artistic endeavor lies a profound preoccupation with the relationship between humanity and nature. They grapple with questions concerning sustainability, technological advancement, and the responsibility we bear for preserving biodiversity. Their sculptures serve as visual metaphors for these complex issues, inviting viewers to consider alternative perspectives on ecological balance.
• Technique & Material Exploration: The collective’s sculptural process is characterized by a meticulous attention to detail and an innovative utilization of materials. Primarily employing CNC milling machines – a testament to wolfs' engineering prowess – they transform timber into geometrically precise forms, often incorporating resin and other synthetic substances. This deliberate fusion of organic and inorganic elements underscores their commitment to questioning conventional artistic boundaries.
• Notable Exhibitions & Recognition: Wolfs & Jung’s work has garnered considerable acclaim on the international stage. Their installations have graced prominent venues such as the Gwangju Biennale exhibition hall in South Korea, showcasing their ability to engage audiences with intellectually stimulating and aesthetically captivating artworks. These exhibitions solidify their position as leading voices within contemporary sculptural art.
• Ongoing Artistic Vision: Today, Wolfs & Jung continue to push the boundaries of artistic expression, driven by a steadfast dedication to exploring themes of ecological consciousness and technological innovation. Their ongoing projects aim to provoke dialogue about how we can reconcile our desires for progress with the imperative to safeguard the planet’s natural heritage – a mission that speaks powerfully to the urgent concerns facing artists and audiences alike.

Their sculptures aren't simply representations of trees; they are complex constructions that challenge our understanding of nature itself, prompting contemplation on ethical considerations surrounding design and environmental stewardship. The collective began its creative journey in London in 2003, emerging from their shared interest in a critical and conceptual exploration of everyday objects. Having studied Industrial Design at La Cambre in Brussels and Woodworking and Furniture Design at Hongik University in Seoul, respectively, the two artists found common ground while pursuing graduate studies at the Royal College of Art in London. Upon graduation, they established the design studio DrawMeaSheep (2005-2009) in Belgium. Their early projects, which focused on translating observations of contemporary society and culture into sculptural objects that invite reflection, established the conceptual framework that continues to define their practice today. ‘Nature V2.01’ (2006-2009) served to spark questions and reflection on the correlation between humans, nature, and industry. Inspired by their experience witnessing rapid urban development during four years living and working in Beijing (2008-2012), the 'Land Project' (2011-2012) unveiled a philosophical perspective on individual and collective relationships to physical places and time. Projects such as ‘A Voice’ (2015) explore the symbolic language of the raised fist within today’s global resurgence of protest culture and social movements. They have continuously expanded their practice, embracing diverse themes and mediums, while also undertaking urban design commissions and art/design consultancy projects. Since 2009, operating under the name WOLFS+JUNG, their artistic collaboration has continued, with the duo based in Seoul since 2012. Their work, which spans various mediums including cast bronze, wood, metal, found objects, and clay, has been featured at major international fairs and institutions including Design Miami/Art Basel, Pavillon of Art and Design (PAD) London and Paris, M+ Museum, Salon ART + DESIGN New York, Gwangju Biennale, Milan Salone del Mobile, MUDAC Lausanne, and Saint-Étienne Design Biennale. Their sculptures serve as visual metaphors for these complex issues, inviting viewers to consider alternative perspectives on ecological balance. Wolfs & Jung’s work has garnered considerable acclaim on the international stage. Their installations have graced prominent venues such as the Gwangju Biennale exhibition hall in South Korea, showcasing their ability to engage audiences with intellectually stimulating and aesthetically captivating artworks. These exhibitions solidify their position as leading voices within contemporary sculptural art. They continue to push the boundaries of artistic expression, driven by a steadfast dedication to exploring themes of ecological consciousness and technological innovation. Their ongoing projects aim to provoke dialogue about how we can reconcile our desires for progress with the imperative to safeguard the planet’s natural heritage – a mission that speaks powerfully to the urgent concerns facing artists and audiences alike.