Consulta de arte gratuita
Sobre nosotros Contacto
      Vista previa Vista previa en RA Encargar reproducción pintada a mano Ver versión en imagen digital Compartir
      Ver detalles Guía Añadir a favoritos Descargar Ver artículos similares Radiografía Presentación de diapositivas Estadísticas
      Arnold Schoenberg

      Expectation (Scene 3)

      Leer más

      Descubre la revolución musical de Arnold Schoenberg: atonality, técnica dodecafónica y su impacto en compositores del siglo XX. Explora su legado en el Centro Schönberg.
      Leer más

      Giclée / Impresión de arte

      Impresiones giclée o en lienzo de calidad de museo con producción rápida y opciones de acabado flexibles. ( Encargar reproducción pintada a mano Ver versión en imagen digital)

      Leer más

      Estándar
      personalizado
      CM
      INCH

      Elija entre nuestros tamaños predefinidos que respetan las proporciones originales de la obra.

      ancho
      altura

      Introduzca el ancho y el alto que necesite para adaptarse a su marco o pared. Una impresión solo puede recortarse, nunca hacerse más grande que la imagen original, por lo que un tamaño con una forma distinta perderá parte de la obra. Le enviaremos una maqueta digital para su aprobación antes de realizar cualquier impresión. La imagen que se muestra en esta página no refleja el recorte real; solo la maqueta lo hace.

      Leer más

      Leer más

      Leer más

      Envío a todo el mundo () en 2 semanas en lugar de las 4/5 semanas estándar. (22 octubre)

      Leer más

      Envío exprés gratuito a todo el mundo
      Lienzo de lino de alta calidad
      Seguro de envío completo
      Garantía de reembolso de impuestos aduaneros
      Garantía de fidelidad cromática exacta
      Política de devolución de 100 días (solo por defectos)
      Garantía de devolución del 100% del dinero
      Oferta por volumen
      Leer más

      Precio total

      € 70

      Expectation (Scene 3)

      Giclée / Impresión de arte

      Tamaño de la reproducción

      -

      Precio total

      € 70

      “Write an opera text for me, Miss!” – August 1909: Schönberg and his family spent their vacation in Steinakirchen (Lower Austria). It was through Alexander Zemlinsky and Karl Kraus that the young Viennese physician Marie Pappenheim was introduced to the circle around Schönberg. During her medical studies at the University of Vienna, Pappenheim wrote poetry under the pseudonym Maria Heim, and it was in the Lower Austrian summer resort that Schönberg invited her to write a libretto: In expectation of her lover, the woman sets out in search and follows wrong trails to stations of uncertainty – remembrance – hope – rationalization – jealousy – sorrow – and finally excessive exhaltation of the man who survives only as a dead object. The depth of the forest scenario becomes a projection room for distressing traumatic states – obscurity, danger, threat, fear, loneliness, horror, darkness – and naturalistically reinterprets the subjective ordeal of suffering the woman lives through in four scenes. In his striving for an artistic synthesis, Schönberg also drafted the stage designs for his monodrama Erwartung (Expectation), along with a revolving stage construction that intended to enable the protagonist to walk continuously through the stylized woods using a seamless visual effect.

      Preguntas y respuestas

      ¿Permaneció "Expectation (Scene 3)" en el país de origen de su artista?

      Sí, la obra se encuentra en el país de origen del artista. El país de nacimiento de Arnold Schoenberg es Austria, y el museo que alberga el original de "Expectation (Scene 3)" se encuentra en Austria.

      ¿En qué año se creó "Expectation (Scene 3)"?

      La creación de "Expectation (Scene 3)" de Arnold Schoenberg data de 1911.

      ¿Quién creó "Expectation (Scene 3)" y en qué año?

      Arnold Schoenberg realizó "Expectation (Scene 3)" en 1911.

      Biografía del artista

      Early Life and Musical Beginnings

      Arnold Schoenberg, born September 13, 1874, in Vienna, Austria, embarked on a musical journey shaped by humble origins—his father operated a shoe shop. Despite this modest upbringing, Schoenberg possessed an innate passion for music that propelled him to largely self-educate himself within the realm of composition and theory. His formative years witnessed a synthesis of Brahmsian and Wagnerian styles, as evidenced in his early works like “Verklärte Nacht” (1899), establishing him as a prominent figure within the second Viennese School alongside Alban Berg and Anton Webern. This school championed innovation and challenged established musical conventions.

      Notable Compositions and Musical Innovations

      Schoenberg’s compositional output solidified his reputation as one of the most influential figures in 20th-century classical music. Pieces such as “String Quartet No. 2” (1907–1908) and “Erwartung” (1909) exemplify his pioneering exploration of atonality—a radical departure from tonal harmony—marking a pivotal moment in musical history. Furthermore, "Pierrot Lunaire" (1912), with its groundbreaking use of Sprechstimme (speech-song), pushed the boundaries of vocal expression and cemented Schoenberg's position as a visionary composer.

      The Viennese School and Serialism

      Schoenberg’s influence extended far beyond his immediate contemporaries, shaping the aesthetic sensibilities of subsequent generations of composers. He spearheaded the development of serialism—a systematic method of composition based on mathematical sequences—which revolutionized musical thinking and provided a framework for exploring new sonic possibilities. This approach fundamentally altered how music was conceived and produced during the interwar period.

      Emigration to America and Later Artistic Pursuits

      Facing increasing persecution from Nazi authorities in 1933, Schoenberg reluctantly resigned from the Prussian Academy of Arts, labeling his music as “degenerate.” He sought refuge in the United States, accepting a professorship at UCLA (1936–1944), where facilities bear his name—a testament to his enduring legacy. During this period, he continued to experiment with film music and revisited tonal composition, culminating in "Chamber Symphony No. 2" (1939). Notably, “Ode to Napoleon” (1942) served as a satirical critique of fascist ideology, inspired by Byron’s poetry.

      Legacy and Recognition

      Post-war Vienna honored Schoenberg with citizenship, though he succumbed to illness shortly thereafter. His String Trio (1946), reflecting his frail condition, stands as a poignant reminder of his artistic dedication. Recognizing the profound impact of the Holocaust, Schoenberg commemorated its victims in “Survivor from Warsaw” (1947). Finally, the Israel Conservatory and Academy of Music elected him honorary president in 1951—a fitting culmination to a remarkable life devoted to musical innovation and intellectual rigor. His contributions continue to inspire musicians and scholars alike, ensuring his place as an icon of modern classical music.
      Arnold Schoenberg

      Arnold Schoenberg

      1874 - 1951 , Austria

      Datos clave

      • Artistic Movement Or Style: Técnica dodecafónica; Expresionismo
      • Artists Or Movements Influenced By This Artist:
        • Anton Webern
        • Alban Berg
      • Artists Who Influenced This Artist:
        • Johannes Brahms
        • Richard Wagner
      • Date Of Birth: 13 septiembre 1874
      • Date Of Death: 1951
      • Full Name: Arnold Schoenberg
      • Nationality: Austríaco-americano
      • Notable Artworks:
        • Suite, op. 29
        • Música Teclística
        • Cuarteto de cuerda nº 2
      • Place Of Birth: Vienna, Austria
      Arnold Schoenberg: Colección completa
      Explore obras de arte organizadas por temas, estilos y características.