Paper

Student Artwork Guide

Children Roller Skating

Name Class Date

William James Glackens, Children Roller Skating (1918), Brooklyn Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
William James Glackens originaluniqueart.com/en/artists/william-james-glackens/
Artist’s dates
1870 – 1938
Painted
1918
Movement
Ashcan School New York painters who chose the crowded, grubby, unglamorous parts of city life as their subject.
Period
19th Century
Held at
Brooklyn Museum originaluniqueart.com/en/museums/brooklyn-museum-new-york-city/
Artistic style
Realism
Influences
Impressionism
Notable elements
Street scene, kids skating
Subject or theme
Urban life, recreation

In context

Children Roller Skating — William James Glackens

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 68 at death.

Painted when the artist was 48. The artist lived to 68. 115 of the 157 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of William James Glackens (1870–1938) ▲ this work, 1918 every dated painting, decade by decade

First works: up to 1906 Main working years: 1906–1918 Late works: from 1918

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/william-james-glackens-children-roller-skating-8XX6ML-en/

Colours

Measured from the image

    Main colour

    Walnut #705535

    Catalogued palette

    • #705535
    • #E4C461
    • #272722
    • #BA7236

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William James Glackens over the last twelve months — 10 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 61.9%
    2. 2 United States of America 12.7%
    3. 3 Singapore 11.9%
    4. 4 Malaysia 5.9%
    5. 5 Hong Kong 2.5%
    6. 6 New Zealand 1.7%
    7. 7 United Kingdom 0.8%
    8. 8 Greece 0.8%
    9. 9 Sweden 0.8%
    10. 10 Türkiye 0.8%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by William James Glackens

    1. 1 The Green Bonnet, 1913 6.1%
    2. 2 Music Hall Turn (study), 1918 3.0%
    3. 3 Italo-American Celebration, Washington Square, 1912 3.0%
    4. 4 Julia Reading, 1916 3.0%
    5. 5 The Ermine Muff, 1903 3.0%
    6. 6 Mahone Bay, 1911 2.3%
    7. 7 Lenna at One Year, 1914 2.3%
    8. 8 Bathers at Play, Study 2, 1914 2.3%
    9. 9 Lake Bathers, 1920 2.3%
    10. 10 Treading Calms, Wickford, 1909 2.3%
    11. 11 Lenna with Rabbit Hound, 1922 2.3%
    12. 12 Girl with Fox Furs, 1909 2.3%
    13. 13 Park on the River, 1902 2.3%
    14. 14 Bathing at Bellport, Long Island, 1912 2.3%
    15. 15 L'Apertif, 1926 2.3%
    16. 16 Château-Thierry, 1906 2.3%
    17. 17 The Conservatory (also known as Lenna and Her Mother in the Conservatory), 1917 1.5%
    18. 18 The Shoppers, 1907 1.5%
    19. 19 Cape Code Pier, 1908 1.5%
    20. 60 Children Roller Skating, 1918 this painting 0.8%

    Together these works take 48.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 182 works by this artist, of which 77 were looked at at least once. This painting ranks 60 of them, with 0.8% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Children Roller Skating — William James Glackens

    William James Glackens’ “Children Roller Skating” – A Snapshot of Urban Joy

    “Children Roller Skating,” painted in 1918 by William James Glackens, isn't merely a depiction of children enjoying an afternoon pastime; it’s a vibrant distillation of early 20th-century American life—a fleeting moment of unadulterated joy captured amidst the grit and bustle of New York City. Glackens, a key figure in the Ashcan School movement, rejected the idealized portrayals favored by the National Academy of Design, instead choosing to focus on the realities of everyday existence, often portraying it with a distinctive, almost frenetic energy. This painting exemplifies his talent for imbuing ordinary scenes with an extraordinary sense of life and movement.

    The scene unfolds on a busy city street, likely in Greenwich Village, a neighborhood known for its bohemian spirit during this period. A group of children, rendered in Glackens’ characteristic bold brushstrokes and rich, dark palette, are engaged in spirited roller skating. Their faces are alight with laughter and excitement, their limbs moving with an infectious energy that spills out onto the canvas. The composition is dynamic—a swirling mass of movement and color—reflecting the lively atmosphere of the street. Glackens masterfully uses loose brushwork to convey a sense of spontaneity and immediacy, as if he’s capturing the scene in real-time.

    A Window into the Ashcan School

    Glackens' work is deeply rooted in the principles of the Ashcan School, an artistic movement that emerged in New York City around 1908. Rejecting the polished surfaces and mythological subjects favored by academic art, the Ashcan artists sought to portray the realities of urban life—the crowded streets, the working-class neighborhoods, and the everyday struggles of ordinary people. Glackens’ “Children Roller Skating” perfectly embodies this ethos. It's a far cry from the carefully staged portraits that dominated the art world at the time; instead, it offers an unfiltered glimpse into the lives of New Yorkers.

    The painting’s style is distinctly American—a blend of realism and impressionism. Glackens employs a vibrant color palette, using dark blues, greens, and browns to create a sense of depth and atmosphere. He also utilizes broken brushstrokes and contrasting colors to capture the movement and energy of the scene. The figures are not rendered with meticulous detail but rather suggested through loose brushwork and expressive gestures. This technique contributes to the painting’s overall dynamism and immediacy.

    Symbolism and Context

    Beyond its immediate depiction of children roller skating, the painting carries a subtle layer of symbolism. Roller skating was a popular pastime in early 20th-century America, particularly among young people. It represented freedom, recreation, and a break from the constraints of Victorian society. The scene captures a moment of carefree joy—a reminder that even amidst the challenges of urban life, there is always room for laughter and play.

    Furthermore, the painting reflects the changing social landscape of New York City at the turn of the century. The city was undergoing rapid industrialization and urbanization, leading to overcrowding, poverty, and social unrest. However, despite these challenges, there was also a sense of optimism and progress—a belief in the potential for a brighter future. “Children Roller Skating” captures this duality—the juxtaposition of hardship and hope, chaos and joy.

    A Timeless Image of American Life

    “Children Roller Skating” is more than just a painting; it’s a snapshot of a bygone era—a vibrant testament to the spirit of New York City in 1918. Glackens' masterful use of color, brushwork, and composition creates an image that is both captivating and emotionally resonant. It invites us to step back in time and experience the joy and energy of a group of children roller skating on a busy city street. Reproductions of this work offer a beautiful way to bring a piece of American history into your home or office, reminding us of the simple pleasures of life and the enduring power of art.

    Artist and museum

    Artist

    William James Glackens

    Born in Philadelphia, United States of America

    a pioneer of the ashcan school

    william james glackens, a prominent figure in american art, left an indelible mark on the canvas of history with his captivating realist paintings. born in philadelphia, pennsylvania, in 1870, glackens' artistic journey was a testament to his unwavering passion for capturing the essence of everyday life.

    early life and influences

    glackens' early years were marked by an innate inclination towards art, which led him to enroll at the pennsylvania academy of the fine arts. under the tutelage of thomas anshutz, a renowned realist, glackens honed his skills, eventually becoming one of the founders of the ashcan school. this movement rejected the conventional boundaries of artistic beauty, instead focusing on the gritty realities of metropolitan life.

    artistic career

    glackens' work is characterized by its dark-hued, vibrantly painted street scenes and depictions of daily life in pre-wwi new york and paris. his later pieces, influenced by renoir, showcased a brighter tone, reflecting his growth as an artist. notably, glackens also worked as an illustrator for newspapers and magazines in philadelphia and new york city.

    view of haarlem with bleaching grounds, a painting by jacob isaakszoon van ruisdael (ruysdael), exemplifies the level of detail and craftsmanship that defines glackens' work. this piece is now part of the collection at the chrysler museum of art.

    glackens' own masterpiece, the shoppers, is a testament to his skill in capturing the essence of urban life. this painting can be found in the new realism collection at AllPaintingsStore.com.

    legacy and impact

    glackens' contributions to american art are multifaceted, extending beyond his own work. he played a pivotal role in helping albert c. barnes acquire european paintings for the barnes foundation in philadelphia. this collection has become a cornerstone of american art history. key works and collections: the shoppers (new realism, oil on canvas, chrysler museum of art) view of haarlem with bleaching grounds (ruysdael, sforza castle, milan, italy) recommended reading: * [https://AllPaintingsStore.com/@/william-james-glackens](https://AllPaintingsStore.com/@/william-james-glackens) - explore the extensive collection of glackens' work on AllPaintingsStore.com. * [https://en.wikipedia.org/wiki/william_glackens](https://en.wikipedia.org/wiki/william_glackens) - delve into the detailed biography of william james glackens on wikipedia.

    Museum

    Brooklyn Museum

    On show in New York City, United States of America

    A Legacy Etched in Stone and Soul

    Nestled within the vibrant tapestry of Brooklyn life, the Brooklyn Museum stands as more than just a repository of art; it is a living testament to human creativity spanning millennia. From its humble beginnings in 1823 as a library for working men to its current status as a dynamic cultural hub, the museum's evolution mirrors the very spirit of New York City itself—a constant process of adaptation, expansion, and an unwavering commitment to public engagement. The imposing Beaux-Arts building, designed by the legendary firm

    McKim, Mead & White

    , is in itself a work of art, its grand facade hinting at the treasures within and immediately establishing a sense of awe and anticipation. Completed in 1897, this architectural masterpiece was conceived as a portal—a gateway to worlds both familiar and utterly new, inviting visitors on a journey through time and across cultures. The building's meticulous detailing, from the Corinthian columns that rise majestically towards the sky to the intricate sculptures adorning the pediments, speaks volumes about the ambition of its creators and their desire to create a space worthy of holding such profound artistic treasures.

    The museum’s story is inextricably linked to the history of Brooklyn itself. Originally founded to provide educational opportunities for the city’s working class, it evolved by absorbing the Brooklyn Institute of Arts and Sciences, a move that solidified its position as a leading cultural institution. Today, the museum continues this legacy, actively seeking out works that reflect diverse voices and perspectives, challenging conventional notions of artistic expression and promoting inclusivity within its walls. The sheer scale of the collection—exceeding half a million objects—is breathtaking, offering a chronological odyssey through human artistic endeavor, from the earliest cave paintings to groundbreaking installations of today.

    A Treasury of Global Voices

    Within the museum’s expansive galleries lies an astonishingly diverse collection that truly embodies the breadth of human creativity. A visit is akin to traversing the entire history of art, where ancient civilizations meet contemporary masterpieces in a seamless dialogue. The Egyptian antiquities are undoubtedly a centerpiece, offering a breathtaking glimpse into the lives and beliefs of pharaohs and their subjects. Intricately carved sarcophagi whisper tales of elaborate rituals, while monumental sculptures evoke the power and majesty of this bygone era. Equally captivating is the museum’s extensive collection of American art, charting the evolution of artistic expression from the Colonial period to the present day. Here, collectors and enthusiasts can find iconic works by

    Mark Rothko

    , whose immersive color fields invite deep contemplation, and

    Edward Hopper

    , whose evocative scenes capture the loneliness and beauty of urban life.

    The museum also boasts remarkable collections representing European, African, Oceanic, and Japanese art—a testament to its commitment to showcasing global artistic traditions and fostering cross-cultural understanding. This dedication to depth and diversity was powerfully illuminated in recent exhibitions such as

    “Soul of a Nation: Art in American Slavery,”

    which presented the work of enslaved and free Black artists alongside works by white artists that engaged with themes of race and identity. The museum’s curators consistently champion underrepresented artists, ensuring that the narrative of art history remains inclusive, dynamic, and profoundly relevant to the modern collector.

    Architecture as Art and Community Catalyst

    The Brooklyn Museum’s building is a significant work of art in its own right, embodying the ideals of the Beaux-Arts style through symmetry, grandeur, and meticulous detail. The façade presents a symphony of classical elements: Corinthian columns, ornate pediments, and delicate sculptures adorn every surface. Inside, soaring ceilings, marble floors, and meticulously crafted moldings create an atmosphere of opulent elegance. The grand entrance hall, with its sweeping staircase and impressive murals depicting scenes from mythology and history, immediately transports visitors to a world of artistic splendor. The careful consideration given to light and space within the building is particularly noteworthy, creating a sense of both grandeur and intimacy that enhances the experience of encountering each piece.

    What truly distinguishes the Brooklyn Museum is not simply what it displays, but how it engages with its community. It has cultivated an unwavering dedication to inclusivity, acting as a platform for amplifying marginalized voices and challenging conventional artistic norms. This commitment extends beyond the galleries themselves, shaping its programming, educational initiatives, and community outreach efforts. Whether through hands-on workshops or large-scale contemporary installations, the museum remains a vital part of the Brooklyn landscape—a place where the past informs the present, and where the future of art feels vibrantly, undeniably alive.

    Where to read more

    Find this online

    QR code linking to the download page for Children Roller Skating

    originaluniqueart.com/en/art/download/william-james-glackens-children-roller-skating-8XX6ML-en/

    Cite this artwork

    MLA
    Glackens, William James. Children Roller Skating. 1918, Brooklyn Museum. https://originaluniqueart.com/en/art/william-james-glackens-children-roller-skating-8XX6ML-en/
    APA
    Glackens, William James (1918). Children Roller Skating [Painting]. Brooklyn Museum. https://originaluniqueart.com/en/art/william-james-glackens-children-roller-skating-8XX6ML-en/
    Chicago
    William James Glackens. Children Roller Skating. 1918. Brooklyn Museum. https://originaluniqueart.com/en/art/william-james-glackens-children-roller-skating-8XX6ML-en/
    Harvard
    Glackens, William James (1918) Children Roller Skating. Brooklyn Museum. Available at: https://originaluniqueart.com/en/art/william-james-glackens-children-roller-skating-8XX6ML-en/

    Look closely

    Children Roller Skating — William James Glackens

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: children, roller skating, street scene. Do you agree? What would you add, or take away?
    4. Look back at Central Park in Winter (1905), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Ashcan School: New York painters who chose the crowded, grubby, unglamorous parts of city life as their subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Children Roller Skating — William James Glackens

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject of William James Glackens’ painting, ‘Children Roller Skating’?

      • A A bustling city street scene
      • B A group of children roller skating on a sunny day
      • C A portrait of a prominent Philadelphia family
    2. 2. In what year was ‘Children Roller Skating’ painted?

      • A 1908
      • B 1918
      • C 1928
    3. 3. William James Glackens was a key figure in which art movement?

      • A The Impressionist Movement
      • B The Ashcan School
      • C The Renaissance Revival
    4. 4. What is the dominant color palette used in ‘Children Roller Skating’?

      • A Pale pastels and soft blues
      • B Dark, muted tones with vibrant highlights
      • C Bright, saturated colors reflecting a summer day
    5. 5. The painting captures a sense of what overall mood or atmosphere?

      • A Melancholy and reflection
      • B Joyful energy and childhood innocence
      • C Formal elegance and sophistication

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4B · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Is "Children Roller Skating" by William James Glackens in the public domain?

    The copyright answer for "Children Roller Skating" by William James Glackens: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.

    How do movement and era meet in "Children Roller Skating" by William James Glackens?

    "Children Roller Skating" belongs to the Ashcan School movement, and its creator worked in the Modern era.

    How does "Children Roller Skating" fit into William James Glackens's themes and style?

    "Children Roller Skating" belongs to William James Glackens's Ashcan School work, whose recorded themes include ashcan realism, urban scenes, early 20th-century america, social commentary, everyday life, glackens' signature style”, “realist focus”.