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Student Artwork Guide

Satan Exulting over Eve

Name Class Date

William Blake, Satan Exulting over Eve (1795). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
William Blake originaluniqueart.com/en/artists/william-blake/
Artist’s dates
1757 – 1827
Painted
1795
Original size
40 x 53 cm
Movement
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Period
High Medieval
Artistic style
Visionary, Symbolic
Influences
Religious Lore
Notable elements
Three-step process
Subject or theme
Temptation & Fall

In context

Satan Exulting over Eve — William Blake

How big is it?

The original measures 40 × 53 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810
  8. 1820

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 70 at death.

Painted when the artist was 38. The artist lived to 70. 6 of the 70 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of William Blake (1757–1827) ▲ this work, 1795 every dated painting, decade by decade

First works: up to 1800 Main working years: 1800–1820 Late works: from 1820

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

  • Newton originaluniqueart.com/en/art/william-blake-newton-7Z4Q6G-en/
  • Isaac Newton, 1795 originaluniqueart.com/en/art/william-blake-isaac-newton-8Y3TN8-en/
  • The Ancient of Days, 1794 originaluniqueart.com/en/art/william-blake-the-ancient-of-days-7Z4Q6J-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/william-blake-satan-exulting-over-eve-8XZ6YV-en/

Colours

Measured from the image

    Main colour

    Espresso #60462a

    Catalogued palette

    • #60462A
    • #F3BC7E
    • #976D3C
    • #CD9054

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William Blake over the last twelve months — 52 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 38.9%33,100 visits
    2. 2 United States of America 9.9%8,400 visits
    3. 3 Romania 8.5%7,200 visits
    4. 4 Italy 4.9%4,200 visits
    5. 5 Singapore 4.9%4,200 visits
    6. 6 Hong Kong 3.9%3,300 visits
    7. 7 Spain 3.6%3,100 visits
    8. 8 France 2.5%2,100 visits
    9. 9 Brazil 2.1%1,800 visits
    10. 10 Mexico 1.6%1,400 visits
    11. · 42 other countries 19.2%16,200 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by William Blake

    1. 1 The Ancient of Days, 1794 11.7%13,700 visits
    2. 2 The Great Red Dragon and the Woman Clothed in Sun, 1806 5.0%5,900 visits
    3. 3 El gran dragón rojo y la mujer vestida de sol 3.7%4,300 visits
    4. 4 Newton 3.1%3,600 visits
    5. 5 The Red Dragon and the Woman Clothed with the Sun, 1805 2.2%2,600 visits
    6. 6 The Great Red Dragon and the Woman Clothed with Sun 2.2%2,600 visits
    7. 7 The Body of Abel Found by Adam and Eve 2.2%2,600 visits
    8. 8 Satan Exulting over Eve, 1795 this painting 1.9%2,200 visits
    9. 9 Hecate 1.8%2,100 visits
    10. 10 Elohim Creating Adam, 1795 1.4%1,700 visits
    11. 11 Isaac Newton, 1795 1.4%1,600 visits
    12. 12 The Lovers' Whirlwind, Francesca da Rimini and Paolo Malatesta, 1824 1.4%1,600 visits
    13. 13 Songs of Innocence (Title page), 1825 1.3%1,500 visits
    14. 14 Jacob's Ladder, 1806 1.1%1,300 visits
    15. 15 The Resurrection 1.1%1,300 visits
    16. 16 Whirlwind of Lovers 1.1%1,300 visits
    17. 17 Antaeus setting down Dante and Virgil in the last circle of hell, 1827 0.9%1,100 visits
    18. 18 The Angel of Revelation, 1805 0.9%1,100 visits
    19. 19 The Temptation and Fall of Eve, 1808 0.9%1,000 visits
    20. 20 Christ Nailed to the Cross The Third Hour, 1803 0.9%1,000 visits

    Together these works take 46.2% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 283 works by this artist, of which 210 were looked at at least once. This painting ranks 8 of them, with 1.9% of that attention (2,200 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Satan Exulting over Eve — William Blake

    A Vision of Temptation: Unveiling William Blake’s “Satan Exulting over Eve”

    William Blake, a figure perpetually adrift from the conventional currents of his era, remains one of the most profoundly influential artists and poets of the Romantic Age. His work transcends mere representation; it's an immersive journey into realms of mysticism, symbolism, and deeply personal visions. “Satan Exulting over Eve,” created in 1795 as a pen drawing, stands as a potent emblem of this artistic philosophy – a meticulously crafted narrative exploring themes of temptation, fall, and the inherent duality within human nature. This isn’t simply a depiction of biblical lore; it's a visceral exploration of the soul’s struggle against desire, rendered with Blake’s signature innovative technique and imbued with an unsettling emotional resonance.

    The Alchemy of Creation: Blake’s Unique Artistic Process

    Blake's approach to art was revolutionary for his time, a deliberate departure from established practices. He didn’t merely sketch and paint; he orchestrated an elaborate three-step process designed to capture the intensity of his visions. First, he applied thick, sticky watercolors directly onto stiff paper board – a technique that created a unique textural surface. This wet canvas was then stamped onto fresh paper, transferring the image with remarkable clarity. Finally, he meticulously enhanced the print with watercolor washes and precise pen and ink detailing, layering these elements to build depth and complexity. This method, born from necessity and fueled by his artistic ambition, resulted in an unparalleled level of detail and symbolic richness, a hallmark of Blake’s distinctive style.

    A Dramatic Narrative: Symbolism and Interpretation

    “Satan Exulting over Eve” immediately commands attention with its dynamic composition. The central figures – Satan, depicted as a winged, triumphant being holding a shield, and Eve, entwined by the serpent – dominate the scene, creating a palpable sense of drama and conflict. The background is deliberately ambiguous, blending earthly elements with supernatural ones, suggesting a realm beyond the confines of ordinary experience. The serpent itself isn’t merely a symbol of evil; it's an active participant in the narrative, its coils intimately bound to Eve, representing the seductive power of knowledge and desire. Notice the stark contrast between Satan’s fiery red hues – symbolizing his triumph and passion – and the muted earth tones used for Eve, highlighting her vulnerability and surrender. The overall effect is a powerful visual metaphor for the consequences of choice and the allure of transgression.

    A Legacy Enduring: Blake's Influence and Artistic Context

    William Blake’s visionary art profoundly impacted subsequent generations of artists and writers. His work, often considered pre-Romantic, anticipated many of the key themes and aesthetics of the movement – a fascination with imagination, spirituality, and the sublime. His images are housed in prestigious institutions like the Tate Gallery in London and The J. Paul Getty Museum in Los Angeles, testament to their enduring artistic merit. Blake’s unique approach to printmaking, combining watercolor and pen & ink, was truly innovative for his time, influencing artists long after his death. Reproductions of “Satan Exulting over Eve” offer a remarkable opportunity to experience the depth and complexity of this iconic work, bringing its powerful symbolism into any setting.

    Artist and museum

    Artist

    William Blake

    Born in London, United Kingdom

    A Visionary’s Journey: The Life and Art of William Blake

    William Blake, born in London on November 28, 1757, was a figure perpetually out of step with his time, yet destined to become one of the most celebrated artists and poets of the Romantic Age. His life unfolded against the backdrop of a rapidly changing England—a world grappling with industrialization, political upheaval, and shifting spiritual beliefs. From humble beginnings as the son of a hosier, Blake’s early years were marked by an intensely vivid imagination and a propensity for visionary experiences that would profoundly shape his artistic trajectory. Though largely self-taught in formal academics, he received drawing instruction at a young age, quickly revealing a talent that hinted at the extraordinary path ahead. His apprenticeship with engraver James Basire proved pivotal, providing him not only with technical mastery but also an understanding of printmaking techniques he would later revolutionize. These early influences—the Gothic grandeur of Westminster Abbey, the classical forms of Raphael and Michelangelo—served as foundational elements in his developing aesthetic, though Blake was never one to remain bound by convention.

    The Illuminated World: Technique and Innovation

    Blake’s artistic innovation wasn't merely about subject matter; it resided fundamentally in how he created. Dissatisfied with conventional engraving methods, he developed a unique process known as “illuminated printing.” This involved etching both text and illustrations onto copper plates, then hand-coloring the resulting prints—a laborious but deeply personal approach that allowed for complete artistic control. This wasn’t simply illustration accompanying poetry; it was an integrated art form where image and verse were inextricably linked, each enhancing the meaning of the other. His relief etching technique, born from a claimed visionary experience following his brother's death, further distinguished his work, granting it a distinctive textural quality and allowing for greater artistic freedom than traditional methods. Beyond printmaking, Blake also worked with watercolors and tempera paints, often depicting biblical scenes or fantastical subjects imbued with symbolic weight. A key characteristic of his style was a deliberate rejection of linear perspective in favor of a more emotive, symbolic representation—a flattening of space that drew the viewer into the heart of his visionary world.

    Themes of Innocence, Experience, and Rebellion

    The core of Blake’s artistic output lies in its exploration of profound themes: the duality of innocence and experience, the constraints of reason versus the liberating power of imagination, and a fierce critique of societal norms.

    Songs of Innocence and of Experience (1794), perhaps his most accessible work, presents a contrasting vision of childhood—one idyllic and untainted, the other marked by hardship and corruption.

    The Marriage of Heaven and Hell (1793) is a provocative prose poem that challenges conventional morality, celebrating energy, desire, and rebellion against restrictive doctrines.

    His illustrations for Dante’s Divine Comedy showcase his dramatic vision and ability to translate complex narratives into powerful visual imagery.

    Blake's symbolism is intensely personal yet universally resonant. The tiger, in his famous poem, embodies both the awe-inspiring beauty and terrifying power of creation. Jerusalem, a sprawling epic poem that occupied him for years, reflects his spiritual and political beliefs—a vision of a renewed Albion (ancient name for Britain) free from oppression. He wasn’t merely depicting stories; he was constructing an entire mythology, populated with archetypal figures representing states of mind, forces of nature, and the eternal struggle between good and evil.

    A Legacy Rediscovered: Blake's Enduring Influence

    During his lifetime, William Blake remained largely marginalized, misunderstood by many of his contemporaries. His work was often dismissed as eccentric or even mad. He struggled financially throughout much of his life, relying on commissions and the support of a small circle of patrons like Thomas Butts. However, in the decades following his death on August 12, 1827, Blake’s reputation began to grow steadily. The Pre-Raphaelite Brotherhood, captivated by his visionary style and symbolic imagery, embraced him as a kindred spirit. Later movements—Symbolism and Modernism—found resonance in his emphasis on imagination, subjective experience, and spiritual themes. Today, William Blake is recognized as a pivotal figure in the Romantic movement, an artist whose work continues to inspire poets, painters, and thinkers across disciplines. His exploration of complex philosophical and religious ideas through art remains profoundly relevant, challenging us to question conventional wisdom and embrace the power of individual vision. Blake’s legacy isn't simply about his artistic achievements; it is about his unwavering commitment to creative freedom—a testament to the enduring power of imagination in a world often dominated by reason and constraint.

    Where to read more

    Find this online

    QR code linking to the download page for Satan Exulting over Eve

    originaluniqueart.com/en/art/download/william-blake-satan-exulting-over-eve-8XZ6YV-en/

    Cite this artwork

    MLA
    Blake, William. Satan Exulting over Eve. 1795, https://originaluniqueart.com/en/art/william-blake-satan-exulting-over-eve-8XZ6YV-en/
    APA
    Blake, William (1795). Satan Exulting over Eve [Painting]. https://originaluniqueart.com/en/art/william-blake-satan-exulting-over-eve-8XZ6YV-en/
    Chicago
    William Blake. Satan Exulting over Eve. 1795. https://originaluniqueart.com/en/art/william-blake-satan-exulting-over-eve-8XZ6YV-en/
    Harvard
    Blake, William (1795) Satan Exulting over Eve. Available at: https://originaluniqueart.com/en/art/william-blake-satan-exulting-over-eve-8XZ6YV-en/

    Look closely

    Satan Exulting over Eve — William Blake

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: satan, eve, garden of eden. Do you agree? What would you add, or take away?
    4. Look back at Newton, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Romanticism: Art that puts feeling, wildness and the power of nature above calm order and rules. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Satan Exulting over Eve — William Blake

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What technique is most prominently used in William Blake’s ‘Satan Exulting over Eve’?

      • A Oil painting on canvas
      • B Pen and ink with watercolor washes
      • C Printmaking using woodblocks
    2. 2. The image depicts a scene from which of the following mythological narratives?

      • A The Odyssey
      • B The Garden of Eden
      • C The Iliad
    3. 3. What is the primary symbolic relationship depicted in ‘Satan Exulting over Eve’?

      • A A depiction of divine love and sacrifice
      • B The triumph of good over evil
      • C The seductive influence of temptation
    4. 4. According to Blake’s philosophy, what is the significance of his artistic process?

      • A Creating purely decorative images for wealthy patrons
      • B Producing works that are merely imaginative fantasies
      • C Organized and articulated visions beyond mortal comprehension
    5. 5. In the artwork, what element contributes to a sense of depth and dimensionality?

      • A The use of bright, contrasting colors
      • B Blake’s innovative three-step process with watercolor washes and pen and ink
      • C A minimalist composition with simple geometric shapes

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3C · 4C · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What feeling does "Satan Exulting over Eve" bring as a present?

    With its melancholic emotional tone, "Satan Exulting over Eve" by William Blake is recommended as a gift for birthday.

    How old was William Blake when creating "Satan Exulting over Eve" in 1795?

    When "Satan Exulting over Eve" was created in 1795, William Blake - born in 1757 - was 38 years old.

    Is "Satan Exulting over Eve" a good gift idea?

    "Satan Exulting over Eve" is suggested as a gift for birthday.