Paper

Student Artwork Guide

JAB - 6

Name Class Date

tracey keza, JAB - 6 (2021), African Leadership Academy. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
tracey keza originaluniqueart.com/en/artists/tracey-keza/
Artist’s dates
1990 – ?
Painted
2021
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Held at
African Leadership Academy originaluniqueart.com/en/museums/african-leadership-academy-roodepoort/

In context

JAB - 6 — tracey keza

When was this painted?

  1. 1990
  2. 2000
  3. 2010
  4. 2020

Shaded: the lifetime of tracey keza (1990–?) ▲ this work, 2021

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/tracey-keza-jab-6-D8F2J3-en/

Colours

Measured from the image

    Main colour

    Espresso #494949

    Catalogued palette

    • #494949
    • #121212
    • #B4B4B4
    • #707070
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    JAB - 6 — tracey keza

    A visual documentation of a local girls boxing club in Rwanda, this on-going project follows 6 girls from Inkuba Boxing Club as theyhone their craft, in hopes to one day get an opportunity to participate in a boxing tournament, represent their country or ideallysupport themselves and their families. With boxers ranging from 7-23 year olds, all from varying socio-economic backgrounds, andconsidering how scarce funding for boxing is in Rwanda, it was an incredible feat to learn that some of the girls had been boxingfor 10 years. This project that aims to learn more about their journey came from my interest as someone who recently took upboxing, and started wondering, where are all the girls?Although this project is still in its initial stage, I’m inspired by the commitment, skill, and style that these girls display, despite thehurdles that make it hard for them to even just show up. The quick jabs, impressive footwork, and flare are exciting to watch. Oneof the most rewarding things for me as a photographer is being given the chance to document their journey and fleeting momentsor simply what teenagers do together. There’s no doubt that the girls respect the fact that boxing gives them crucial self defenseskills - the coach’s initial goal when he established the club - but they also care about the craft, the sportsmanship, and the skill ittakes to stay in the ring during a fight, or to win the fight.Boxing being an underrepresented sport in Rwanda, especially girls’ and women’s boxing, I was curious to find female boxers inRwanda and to learn about their experiences. Without proper resources, training programs, or facilities, it is hard for these youngboxers to stay in the game, let alone consider going professional. Like most things in the past year, pandemic has put a dent in theday to day normal operations of the club - it has made it hard for most girls to come to practice regularly, and to maintain all theCOVID-19 precautions because they have to share a lot of the equipment amongst themselves. My intention in this project drawsfrom the desire to create imagery that documents a sport as well as the boxers, in a way they want to be portrayed.

    Artist and museum

    Artist

    tracey keza

    Born in Kigali, Rwanda

    A Visual Poet of Identity and Conservation: The World of Tracey Keza

    Tracey Keza, born in Kigali, Rwanda in 1990, is a compelling voice in contemporary art, seamlessly blending the disciplines of video and photography to explore profound themes of identity, culture, and conservation. Her work isn’t merely documentation; it's an intimate conversation with her surroundings, a delicate yet powerful examination of belonging, resilience, and the urgent need for environmental stewardship. Keza’s upbringing—spanning Kenya, South Africa, and her native Rwanda—has indelibly shaped her artistic perspective, fostering a nuanced understanding of cross-cultural narratives and the complexities inherent in defining “home.” This multinational experience is palpable in her art, which often features striking portraits and evocative landscapes that challenge conventional representations and invite viewers to contemplate their own relationship with place and heritage.

    Early Influences and Artistic Development

    Keza’s academic foundation in Environmental Science from Trinity College provided a crucial framework for her later artistic pursuits. This scientific background isn't separate from her creative practice but rather deeply interwoven within it, informing her commitment to conservation-focused projects. Her early work began as an exploration of personal identity, evolving into broader investigations of community and the socio-political landscapes that shape individual lives. A pivotal moment in her development came with a residency at Studio Revolt in 2016, where she initiated “Hijabs & Hoodies,” a series that directly confronts stereotypes through powerful black and white portraits. This project demonstrated Keza’s willingness to engage with sensitive social issues and utilize art as a catalyst for dialogue. The subsequent activation of this work at the Smithsonian Asian Pacific American Center's "CROSSLINES: A Culture Lab on Intersectionality" solidified her position as an artist capable of sparking meaningful conversations on a national stage. Her time as a creative resident at 72andSunny further honed her storytelling abilities, leading to the creation of platforms addressing mass incarceration—a testament to her dedication to using art for social justice.

    Themes and Techniques: A Hybrid Approach

    Keza’s artistic style is characterized by a compelling hybrid approach that merges fine art aesthetics with documentary photography's immediacy. Her black and white photographs are particularly striking, often capturing raw emotion and vulnerability in her subjects. The deliberate choice of monochrome emphasizes form, texture, and the power of human expression, stripping away distractions to focus on the core narrative. Beyond still imagery, Keza’s work extends into video, allowing for a more immersive exploration of time, movement, and sound. Her films are not simply visual records but carefully crafted experiences that invite viewers to connect with her subjects on a deeper emotional level. A recurring theme in her oeuvre is the celebration of female strength and resilience, exemplified by projects like “JAB,” which documents Rwandan girls boxing clubs—a powerful testament to determination and community spirit.

    Fellowships and Recognition: Amplifying Conservation Voices

    Keza’s dedication to both artistic excellence and social impact has garnered significant recognition within the art world and beyond. Her selection as a fellow of African Conservation Voices Media Lab in 2021 underscores her commitment to environmental storytelling, providing her with resources and platforms to amplify critical conservation messages. This fellowship was followed by her inclusion as a Jackson Wild Summit Fellow in 2022, further solidifying her position as a leading voice in wildlife filmmaking. As a NEWF Fellow and a PADI Certified Rescue Diver, Keza demonstrates a tangible connection to the natural world—a commitment that permeates her work. These accolades are not merely honors but opportunities for growth, collaboration, and increased impact.

    Historical Significance and Future Directions

    Tracey Keza’s work occupies an important space within contemporary art, bridging the gap between personal narrative, cultural exploration, and environmental advocacy. Her ability to seamlessly blend artistic techniques with a deep commitment to social justice sets her apart as a truly unique voice. She is part of a growing movement of African artists who are challenging dominant narratives and reclaiming their own stories. Her focus on identity and culture resonates deeply in a world grappling with issues of globalization, displacement, and the preservation of cultural heritage. As she continues to develop her practice, Keza’s work promises to offer even more profound insights into the complexities of our time—a visual poetry that inspires empathy, fosters understanding, and calls for urgent action. Her ongoing projects suggest a continued exploration of the intersection between human lives and the natural world, solidifying her legacy as an artist who not only documents reality but actively shapes it.

    Museum

    African Leadership Academy

    On show in Roodepoort, South Africa

    A Beacon of Pan-African Vision

    Nestled within the vibrant landscape of Roodepoort, South Africa, the African Leadership Academy (ALA) stands not as a traditional repository of static relics, but as a living, breathing masterpiece of human potential. To step onto its campus is to enter a space where the architecture of innovation meets the profound spirit of continental transformation. Unlike conventional museums that gaze backward at history, ALA directs its lens toward the horizon, presenting a dynamic narrative of progress, leadership, and the relentless pursuit of excellence. It is a sanctuary for the dreamers and architects of Africa's future, where every corner of the campus serves as a canvas for the unfolding stories of the continent’s most promising minds.

    The academy’s physical presence is a testament to modern architectural brilliance, designed specifically to mirror its educational philosophy. The campus is a marvel of sustainable design, featuring interconnected spaces that dissolve the boundaries between individual study and collective creation. For the art lover and the designer alike, the architecture offers a masterclass in functional beauty; the fluid movement through its halls encourages spontaneous collaboration and intellectual exchange. It is a space where light and structure work in harmony to stimulate creativity, much like a well-curated gallery designed to inspire awe and introspection.

    The true collection of the African Leadership Academy, however, lies in its people—a breathtaking assembly of talent drawn from over forty nations. The academy’s "exhibits" are the individual journeys of its students, whose lives represent a diverse tapestry of African identity. One might encounter the narrative of Fatima Al Ansar, Mali's youngest diplomat, or the technological ingenuity of Abdulrasaq Amolegbe, who is reshaping digital experiences for immigrant students. These are not merely biographies; they are living works of art that illustrate the profound impact of leadership. The academy serves as a curated showcase of social entrepreneurship, where alumni-led ventures—numbering in the hundreds—act as vibrant installations of economic and social change.

    Tracing its lineage back to the Global Leadership Adventures of 2004, the academy has evolved from a summer program into a global symbol of excellence. The history of ALA is written in the staggering success of its graduates, who have secured hundreds of millions of dollars in scholarships to the world's most prestigious universities. For collectors of culture and patrons of progress, the African Leadership Academy offers something far more precious than gold or canvas: it offers a glimpse into the soul of a continent on the rise. It is an immersive experience that challenges the observer to look beyond the present and witness the magnificent, unfolding masterpiece of African leadership.

    Where to read more

    Find this online

    QR code linking to the download page for JAB - 6

    originaluniqueart.com/en/art/download/tracey-keza-jab-6-D8F2J3-en/

    Cite this artwork

    MLA
    keza, tracey. JAB - 6. 2021, African Leadership Academy. https://originaluniqueart.com/en/art/tracey-keza-jab-6-D8F2J3-en/
    APA
    keza, tracey (2021). JAB - 6 [Painting]. African Leadership Academy. https://originaluniqueart.com/en/art/tracey-keza-jab-6-D8F2J3-en/
    Chicago
    tracey keza. JAB - 6. 2021. African Leadership Academy. https://originaluniqueart.com/en/art/tracey-keza-jab-6-D8F2J3-en/
    Harvard
    keza, tracey (2021) JAB - 6. African Leadership Academy. Available at: https://originaluniqueart.com/en/art/tracey-keza-jab-6-D8F2J3-en/

    Look closely

    JAB - 6 — tracey keza

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: boxing, women's sport, rwanda. Do you agree? What would you add, or take away?
    4. Look back at Hijabs and Hoodies - 17 (2019), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.