Paper

Student Artwork Guide

Self Portrait Making Faces

Name Class Date

tom hallifax, Self Portrait Making Faces (1992), Ulster University. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
tom hallifax originaluniqueart.com/en/artists/tom-hallifax/
Artist’s dates
1965 – ?
Painted
1992
Original size
180 x 40 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Held at
Ulster University originaluniqueart.com/en/museums/ulster-university-belfast/

In context

Self Portrait Making Faces — tom hallifax

How big is it?

The original measures 180 × 40 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1960
  2. 1970
  3. 1980
  4. 1990

Shaded: the lifetime of tom hallifax (1965–?) ▲ this work, 1992

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/tom-hallifax-self-portrait-making-faces-ARAM5J-en/

Colours

Measured from the image

    Main colour

    Clay #af714f

    Catalogued palette

    • #AF714F
    • #6E3822
    • #FAF8F5
    • #D0A990
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Clay
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    tom hallifax

    Tom Hallifax: A Belfast Painter of the Everyday

    Tom Hallifax, born in Hampshire in 1965, is a compelling figure in contemporary British art – an Anglo-Irish artist whose distinctive style has captivated audiences and collectors alike. His journey from a privileged background steeped in naval history to a life dedicated to capturing the essence of ordinary subjects—tractors, chickens, dogs, and portraits—is as intriguing as his work itself. Hallifax’s career is marked by a deliberate rejection of grand narratives, instead focusing on the quiet beauty and inherent drama found within the commonplace.

    Early influences shaped Hallifax's artistic trajectory. Educated at Eton College and St Andrews University, he initially pursued art history before dedicating himself to painting at the University of Ulster in Northern Ireland. This formative period instilled a deep appreciation for both traditional techniques and a willingness to experiment with new approaches. Crucially, his upbringing within a family connected to the Royal Navy fostered a sense of adventure and an openness to diverse experiences – qualities that would later inform his artistic vision.

    The Rise to Prominence: Self-Portraits and the BP Portrait Award

    Hallifax’s breakthrough came in 1993 with a series of strikingly unconventional self-portraits. These weren't idealized representations of beauty; instead, they depicted Hallifax in various states of awkwardness, eccentricity, and even grotesque humor – gurning, grimacing, and generally presenting himself as an unlikely hero. These images were strategically utilized to promote the National Portrait Gallery’s BP Portrait Award Exhibition, appearing on London Underground posters and generating considerable public attention. This audacious move established Hallifax as a provocative and instantly recognizable artist.

    The success of these self-portraits paved the way for further commissions and exhibitions. He was appointed Royal Artist to Prince Charles in 1994, undertaking portraits of key figures within the royal circle. This experience broadened his artistic scope while simultaneously reinforcing his commitment to capturing authentic human character – a characteristic that would become central to his oeuvre.

    A Shift Towards Figurative Painting and Series

    Following his initial success with self-portraits, Hallifax began exploring more expansive figurative painting. He developed distinct series based on recurring subjects: the sturdy simplicity of Irish tractors, the frantic energy of running chickens, the endearing awkwardness of dogs, and, perhaps most famously, portraits of prominent figures in Northern Ireland – including Councillor Sammy Wilson, a politician whose image became synonymous with Hallifax’s distinctive style.

    These series are characterized by their bold color palettes, simplified forms, and a deliberate avoidance of photographic realism. Hallifax employs a technique that blends the immediacy of snapshot photography with the meticulousness of oil painting, creating images that feel both familiar and strangely unsettling. His work is often described as “undermining the heroic and heroising the ordinary,” elevating the mundane to the level of art.

    Style and Technique: A Unique Approach

    Hallifax’s artistic style is instantly recognizable. He favors large-scale canvases, utilizing a limited color palette – often dominated by earthy tones—to create a sense of depth and atmosphere. His brushwork is loose and expressive, conveying both the physicality of his subjects and an underlying emotional intensity. He frequently incorporates elements of collage and mixed media, adding texture and visual interest to his paintings.

    Beyond portraiture, Hallifax has also demonstrated a talent for landscape painting and charcoal drawing, further expanding the range of his artistic practice. His work reflects a deep engagement with both the natural world and the complexities of human relationships – themes that are consistently explored through his distinctive visual language.

    Legacy and Recognition

    Tom Hallifax’s career has been marked by critical acclaim and widespread recognition. He has exhibited extensively in Ireland, Britain, and internationally, and his work is held in numerous public collections. His unique approach to portraiture and figurative painting continues to resonate with audiences today, cementing his place as a significant figure in contemporary British art. Hallifax’s ability to find beauty and meaning in the everyday—to transform ordinary subjects into compelling works of art—is a testament to his artistic vision and enduring talent.

    Museum

    Ulster University

    On show in Belfast, United Kingdom

    A Sentinel of Stone and Spirit

    Nestled within the lush, verdant embrace of Belfast’s Botanic Gardens, the Ulster Museum emerges as a striking architectural statement. Its Brutalist silhouette, characterized by imposing cubic projections designed by James Cumming Wynne, offers a profound visual dialogue between the raw, unyielding strength of concrete and the delicate, organic beauty of its surroundings. This deliberate juxtaposition serves as a powerful metaphor for Belfast itself—a city of resilience, where industrial grit meets an enduring commitment to cultural flourishing. To step into this space is to enter a sanctuary where the weight of history is balanced by the lightness of artistic discovery, creating an atmosphere that is both grounding and transcendent.

    Treasures of a Lost and Found World

    Beyond its formidable exterior lies a labyrinth of human narrative, a repository where the very DNA of Irish identity is meticulously preserved. The museum’s collections are a breathtaking tapestry of time, weaving together the prehistoric whispers of ancient tools with the intricate, shimmering elegance of Celtic artistry. One cannot wander through these halls without being arrested by the

    Broighter Hoard

    , an assemblage of Bronze Age gold that radiates the sophisticated craftsmanship of Ireland’s early inhabitants, or the hauntingly beautiful

    Bann disc

    , a relic of Viking and medieval complexity. This archaeological journey is punctuated by the city's maritime soul, as dedicated exhibits pay homage to the

    Titanic

    legacy, reminding every visitor of Belfast’s pivotal role in the global story of shipbuilding and industrial prowess. The museum also serves as a window into the natural world, where the discovery of Ireland’s sole dinosaur fossil bones provides a primal, scientific counterpoint to the delicate beauty of its botanical setting.

    The Pulse of Contemporary Vision

    Yet, the Ulster Museum is far more than a silent guardian of the past; it is a living, breathing epicenter of contemporary expression that continues to shape the aesthetic landscape. The museum breathes with the energy of modern masters, hosting exhibitions such as

    “Boys and Sculpture”

    by Eva Rothschild RA, which challenges our perceptions of memory and identity through the medium of form. For the discerning collector or interior designer, the museum offers an endless source of inspiration, from the evocative, landscape-driven portraits of

    Joseph Reid Kyle

    to the delicate, meticulous paper sculptures of

    Deborah Jane Trimmer CBE

    . Even the historical archives offer a sense of nostalgic charm through the ethereal watercolors of

    Charlotte Angus

    , capturing the essence of design and history. It is this seamless integration of natural wonder, historical depth, and avant-garde artistry that makes the Ulster Museum an essential pilgrimage for anyone seeking to understand the profound intersection of human creativity and the enduring legacy of the Irish spirit.

    Where to read more

    Find this online

    QR code linking to the download page for Self Portrait Making Faces

    originaluniqueart.com/en/art/download/tom-hallifax-self-portrait-making-faces-ARAM5J-en/

    Cite this artwork

    MLA
    hallifax, tom. Self Portrait Making Faces. 1992, Ulster University. https://originaluniqueart.com/en/art/tom-hallifax-self-portrait-making-faces-ARAM5J-en/
    APA
    hallifax, tom (1992). Self Portrait Making Faces [Painting]. Ulster University. https://originaluniqueart.com/en/art/tom-hallifax-self-portrait-making-faces-ARAM5J-en/
    Chicago
    tom hallifax. Self Portrait Making Faces. 1992. Ulster University. https://originaluniqueart.com/en/art/tom-hallifax-self-portrait-making-faces-ARAM5J-en/
    Harvard
    hallifax, tom (1992) Self Portrait Making Faces. Ulster University. Available at: https://originaluniqueart.com/en/art/tom-hallifax-self-portrait-making-faces-ARAM5J-en/

    Look closely

    Self Portrait Making Faces — tom hallifax

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portraiture, human emotion, psychological. Do you agree? What would you add, or take away?
    4. Look back at Stanley D. Roberts (1997), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.