Paper

Student Artwork Guide

In Honor

Name Class Date

Thornton Dial, Jr., In Honor (2002), Souls Grown Deep. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Thornton Dial, Jr. originaluniqueart.com/en/artists/thornton-dial-jr/
Artist’s dates
1952 –
Painted
2002
Medium
Assemblage
Original size
185 x 274 cm
Period
Contemporary
Held at
Souls Grown Deep originaluniqueart.com/en/museums/souls-grown-deep-atlanta/
Artistic style
Contemporary assemblage
Influences
Gee's Bend quilt makers
Notable elements or techniques
Assemblage, spray-painted patchwork
Subject or theme
Gee's Bend women and Southern tradition

In context

In Honor — Thornton Dial, Jr.

How big is it?

The original measures 185 × 274 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 50. 4 of the 21 dated works by this artist in our catalogue came earlier.

▲ this work, 2002 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/thornton-dial-jr-in-honor-D4D5R3-en/

Colours

Measured from the image

    Main colour

    Espresso #3c2a1a

    Catalogued palette

    • #3C2A1A
    • #F9F9F9
    • #BA7A49
    • #86462A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Thornton Dial, Jr. over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%200 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Thornton Dial, Jr.

    1. 1 Don, 2003 33.3%100 visits
    2. 2 In Honor, 2002 this painting 33.3%100 visits
    3. 3 In the Roosevelt Time: Penned In, 2003 33.3%100 visits

    Together these works take 99.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 21 works by this artist, of which 3 were looked at at least once. This painting ranks 2 of them, with 33.3% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    In Honor — Thornton Dial, Jr.

    A Tapestry of Memory and Resilience

    In the profound and textured landscape of contemporary American assemblage, few works resonate with as much communal warmth and historical weight as Thornton Dial, Jr.’s In Honor. Created in 2002, this monumental masterpiece serves as a vibrant, multi-layered tribute to the women of Gee’s Bend, Alabama—a small, rural enclave that has become legendary for its profound quilting traditions. The artwork is not merely a painting but a physical manifestation of heritage, where the boundaries between fine art and folk tradition dissolve into a singular, breathtaking vision. Through a masterful use of color and material, Dial transforms a collection of disparate elements into a soulful memorial, inviting the viewer to witness the enduring spirit of a community that has etched its identity into the very fabric of American history.

    The technique employed in In Honor is nothing short of extraordinary, showcasing Dial’s unparalleled ability to manipulate found materials to evoke deep emotional responses. The composition is an intricate assemblage, utilizing a spray-painted patchwork of soft velvet and flowered upholstery that creates a rhythmic, tactile surface. This layering of fabric gives the work a sculptural depth, where the eye wanders through a landscape of textures. As one observes the piece closely, the artist’s use of red and yellow hues creates an eye-catching visual energy, while the inclusion of green carpet at the base forms a literal "grass" line. This clever use of non-traditional media allows the work to function as both a portrait and a topographical map, where the blue glimmers of sky suggest a vast, open horizon above the textured terrain of the town itself.

    Symbolism and the Soul of the South

    Beyond its striking visual presence, In Honor is steeped in profound symbolism. The "mask-like" faces that emerge from the fabric patterns serve as poignant memorials to the esteemed women of Gee’s Bend. These faces are not individual portraits in a traditional sense, but rather collective spirits—archetypes of strength, resilience, and ancestral wisdom. By integrating upholstery and velvet, Dial pays homage to the domestic artistry of these women, elevating the medium of quilting to the realm of high-concept fine art. The artwork acts as a bridge between the private, intimate world of the home and the public, monumental stage of contemporary art history, ensuring that the legacies of these quilters are etched into the permanent record of human achievement.

    For the discerning collector or interior designer, In Honor offers an unparalleled opportunity to possess a piece of profound narrative power. A high-quality reproduction of this work brings more than just vibrant color and complex texture into a space; it introduces a conversation about identity, history, and the beauty found in the overlooked. The sheer scale of the original—spanning 185 x 274 cm—demands attention, making it a commanding centerpiece for any gallery or sophisticated residential setting. To display such a work is to celebrate the triumph of the human spirit and to surround oneself with an art form that is as much about the heartbeat of a community as it is about the mastery of the artist's hand.

    Artist and museum

    Artist

    Thornton Dial, Jr.

    Born in Bessemer, United States of America

    biography and artistic style

    thornton dial, jr., a contemporary african-american painter, sculptor, and assemblage artist, was born in 1952 in the united states. he is the eldest son of prolific modern artist thornton dial sr. and has established himself as a significant figure in american art with his bold, evocative political and social commentary.

    artistic style and themes

    thornton dial jr.'s work is characterized by its use of found materials, often executed on a monumental scale. his subjects range from human rights to natural disasters and current events, reflecting his engagement with the world around him. this approach has led to his works being widely held in american museums, including the metropolitan museum of art, which acquired ten of his works in 2014.

    notable works and exhibitions

    * strange fruit: channel 42 (251 x 198 cm, souls grown deep, atlanta, united states, assemblage) - a powerful piece depicting a modern-day lynching, utilizing a television antenna as a symbol of the persistence of racial violence. * high and wide (carrying the rats to the man) (193 x 340 cm, souls grown deep, atlanta, united states, assemblage) - a haunting scene of entrapment, recalling the horrors of the african slave trade. * featured in the whitney biennial (2000) and the hard truths exhibition at the indianapolis museum of art (2011), which marked a significant shift in the perception of his work, positioning him as a bonafide contemporary artist.

    recognition and legacy

    recognized by art historian and cultural critic joanne cubbs for his first-rate, powerful art. featured in the wall street journal as one of the best museum shows of 2011, alongside luminaries like degas, picasso, kandinsky, and willem de kooning.

    view thornton dial, jr.'s artworks on AllPaintingsStore

    read more about thornton dial's life and work on wikipedia

    explore the souls grown deep foundation, dedicated to preserving african american art, on AllPaintingsStore's museum page

    thornton dial, jr.'s work continues to resonate with audiences worldwide, offering a powerful commentary on the human experience.

    Museum

    Souls Grown Deep

    On show in Atlanta, United States of America

    A Testament to Resilience: The Soul of the American South

    In the heart of Atlanta, where the urban pulse meets the quiet strength of the Appalachian foothills, lies a sanctuary for voices that have long echoed from the margins of history.

    Souls Grown Deep

    is far more than a mere repository of objects; it is a profound, living testament to the enduring legacy of African American artistic expression. The institution’s very name, drawn from the evocative imagery of Langston Hughes’ poem,

    "The Negro Speaks of Rivers,"

    serves as a guiding light for a mission dedicated to the idea that creativity, much like a river, possesses an infinite and deepening capacity to carry the weight of human experience. Here, the art does not merely sit in silence; it speaks of survival, of spiritual depth, and of a cultural heritage that has flourished even amidst the harshest landscapes of adversity.

    The collection is a breathtaking tapestry of medium and meaning, anchored by the legendary

    Gee’s Bend quilts

    . These are not simply textiles, but improvisational masterpieces born from the Alabama landscape. Characterized by bold, geometric abstractions and a vibrant, rhythmic use of color, these quilts represent a singular contribution to the global canon of modern art. To stand before them is to witness a visual language of storytelling, where every stitch and patch reflects the resourcefulness and communal spirit of the women who crafted them. Alongside these textile wonders, the institution presents a powerful dialogue through

    assemblage art

    . Sculptures by titans such as

    Thornton Dial

    and

    Lonnie Holley

    command the space, utilizing repurposed materials and found objects to construct monumental narratives. These works confront themes of poverty, justice, and perseverance, transforming the discarded into the divine.

    A Sanctuary of Light and Earth

    The architecture of Souls Grown Deep is an intentional extension of its curatorial mission. Designed to harmonize with its environment, the building utilizes natural light and organic materials to create a sense of transparency and connection between the viewer and the art. This deliberate design choice mirrors the very essence of the artists it celebrates—individuals who draw their inspiration from the earth, the community, and the ancestral traditions that surround them. The atmosphere is one of reverence and discovery, where the boundaries between formal art history and folk tradition dissolve, allowing for a more holistic understanding of American creativity.

    What truly distinguishes this institution is its unwavering commitment to the

    self-taught artist

    . In an era where art institutions often prioritize academic pedigree, Souls Grown Deep champions those who have forged their own paths outside the confines of formal training. By elevating wood carvings, mixed-media constructions, and paintings on unconventional surfaces, the museum ensures that the singular visions of these masters are recognized as vital components of our shared cultural identity. For the collector seeking depth, the designer searching for soul, or the art lover yearning for authenticity, Souls Grown Deep offers an encounter with art that is not merely aesthetically pleasing, but profoundly transformative—a reminder that even in the most challenging circumstances, the human spirit continues to grow deep, like the rivers.

    Where to read more

    Find this online

    QR code linking to the download page for In Honor

    originaluniqueart.com/en/art/download/thornton-dial-jr-in-honor-D4D5R3-en/

    Cite this artwork

    MLA
    Jr., Thornton Dial,. In Honor. 2002, Souls Grown Deep. https://originaluniqueart.com/en/art/thornton-dial-jr-in-honor-D4D5R3-en/
    APA
    Jr., Thornton Dial, (2002). In Honor [Painting]. Souls Grown Deep. https://originaluniqueart.com/en/art/thornton-dial-jr-in-honor-D4D5R3-en/
    Chicago
    Thornton Dial, Jr.. In Honor. 2002. Souls Grown Deep. https://originaluniqueart.com/en/art/thornton-dial-jr-in-honor-D4D5R3-en/
    Harvard
    Jr., Thornton Dial, (2002) In Honor. Souls Grown Deep. Available at: https://originaluniqueart.com/en/art/thornton-dial-jr-in-honor-D4D5R3-en/

    Look closely

    In Honor — Thornton Dial, Jr.

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: assemblage, gee's bend, african american. Do you agree? What would you add, or take away?
    4. Look back at Out of the Darkness, the Lord Gave Us Light (2003), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Thornton Dial, Jr. was about 50 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where can I find statistics about "In Honor" by Thornton Dial, Jr.?

    The Stats page of "In Honor" by Thornton Dial, Jr. presents public visit statistics: monthly visits of this artwork, a comparison with the artist's most viewed works, and where its visitors come from.

    Can I use augmented reality to see "In Honor" by Thornton Dial, Jr. in my room?

    The AR Preview page of "In Honor" by Thornton Dial, Jr. uses augmented reality to show the artwork in your own space, on a compatible device.

    What stage of Thornton Dial, Jr.'s career does "In Honor" (2002) belong to?

    The 2002 date places "In Honor" in the Mature Period of Thornton Dial, Jr.'s development.