Paper

Student Artwork Guide

Alfred Sully

Name Class Date

Thomas Sully, Alfred Sully. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Thomas Sully originaluniqueart.com/en/artists/thomas-sully/
Artist’s dates
1783 – 1872
Movement
Neoclassical A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.

In context

Alfred Sully — Thomas Sully

When might this have been painted?

  1. 1780
  2. 1790
  3. 1800
  4. 1810
  5. 1820
  6. 1830
  7. 1840
  8. 1850
  9. 1860
  10. 1870

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 89 at death.

Shaded: the lifetime of Thomas Sully (1783–1872) every dated painting, decade by decade

First works: up to 1819 Main working years: 1819–1841 Late works: from 1841

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/thomas-sully-alfred-sully-8CEH2P-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #341c0e

    Catalogued palette

    • #341C0E
    • #DDA64A
    • #603719
    • #8F5C33

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Thomas Sully over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 79.7%
    2. 2 United States of America 8.1%
    3. 3 Hong Kong 5.7%
    4. 4 Singapore 5.7%
    5. 5 Romania 0.8%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Thomas Sully

    1. 1 Mrs. Edward Hudson, 1814 10.1%
    2. 2 Queen Victoria, 1838 2.7%
    3. 3 John Finley, 1821 2.0%
    4. 4 Sketch after David's Napoleon Crossing the Alps; a Recumbent Nude Male; a Standing Female 2.0%
    5. 5 Portrait of Tom Sleeping, Woman Holding Two Children, Leaning Baby, Woman's Head 2.0%
    6. 6 Cinderella at the Kitchen Fire, 1843 1.4%
    7. 7 Sarah Sully and Her Dog, Ponto, 1848 1.4%
    8. 8 Daniel Wadsworth, 1807 1.4%
    9. 9 Equestrian Portrait of George Washington, 1842 1.4%
    10. 10 The Coleman Sisters, 1844 1.4%
    11. 11 Major John Biddle 1.4%
    12. 12 Juvenile Ambition, 1825 1.4%
    13. 13 The Passage of the Delaware, 1819 1.4%
    14. 14 Portrait of Robert Fielding Stockton, 1849 1.4%
    15. 15 Mrs. Thomas Fitzgerald (Sarah Leveing Riter), 1858 1.4%
    16. 16 Portrait of Missy Kieps 1.4%
    17. 17 Margaret Siddons Kintzing 1.4%
    18. 18 Half-length portrait of a lady (recto) 1.4%
    19. 19 Abraham Kintzing 1.4%
    20. Alfred Sully this painting 0.0%

    Together these works take 38.4% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 360 works by this artist, of which 99 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Thomas Sully

    Born in Horncastle, United Kingdom

    A Transatlantic Brushstroke: The Life and Art of Thomas Sully

    Born under the skies of Horncastle, Lincolnshire in 1783, Thomas Sully’s journey was one of remarkable transatlantic passage – not merely geographical, but artistic and cultural. His story isn't simply that of a painter; it is a reflection of the burgeoning American identity finding its voice through portraiture. The son of actors, Matthew and Sarah Chester Sully, young Thomas experienced an itinerant childhood when his family emigrated to Charleston, South Carolina in 1792, seeking new opportunities on the American stage. This early exposure to performance, to capturing fleeting expressions and embodying character, would profoundly shape his artistic sensibility. Initially drawn into the world of theatre himself as a tumbler, Sully’s innate talent soon found expression through a different medium: paint. An apprenticeship with an insurance broker revealed an aptitude for detail, but it was the guidance of Charles Fraser, a local artist, and later his brother-in-law Jean Belzons, that truly ignited his passion for miniature painting – a foundation upon which he would build a distinguished career.

    From Miniature to Monumental: Forging an American Style

    Sully’s artistic development wasn't confined by geographical boundaries. A period of study in London with the esteemed Benjamin West, beginning in 1808, proved pivotal. While West was a significant figure in his own right, it was the influence of Thomas Lawrence that truly captivated Sully. Lawrence’s elegant style, his mastery of light and texture, and his ability to capture both likeness and character resonated deeply with the young American artist. He returned to the United States imbued with this aesthetic, earning him the moniker “the Sir Thomas Lawrence of America.” However, Sully didn't merely imitate; he adapted and refined these influences, forging a distinctly American style that blended European sophistication with a uniquely New World sensibility. His portraits weren’t simply representations of wealth or status; they were explorations of personality, imbued with psychological depth and emotional resonance. He quickly established himself in Philadelphia, becoming a leading portraitist and capturing the likenesses of prominent figures like Thomas Jefferson, John Quincy Adams, and Andrew Jackson – men who shaped the nation's destiny.

    Beyond Likeness: Historical Narratives and Artistic Legacy

    While celebrated for his portraits, Sully’s artistic ambition extended beyond capturing individual faces. He ventured into historical painting with works like The Passage of the Delaware (1819), a grand depiction of Washington's iconic crossing – a piece that demonstrated his ability to handle large-scale compositions and imbue them with dramatic power. This willingness to engage with historical narratives broadened his appeal and cemented his place in the American art world. His prolific output—over 2,300 paintings over seven decades—testifies to both his skill and his relentless dedication. He wasn’t merely a painter of the elite; he documented an era, preserving the faces and stories of a nation undergoing rapid transformation. Sully's influence extended beyond his own canvases. He was a dedicated teacher, mentoring numerous artists including Marcus Aurelius Root, who would later become a pioneer in photography.

    A Patron of Culture: Music, Society, and Enduring Influence

    Sully’s contributions weren’t limited to the visual arts. As a founding member of Philadelphia's Musical Fund Society, he demonstrated a deep commitment to fostering cultural life within his community. This involvement speaks to a broader artistic sensibility – an understanding that art in all its forms enriches society and elevates the human spirit. His work was even adapted for use on United States coinage, further solidifying his place in the national consciousness. Though Romanticism and Neoclassicism were dominant movements during his lifetime, Sully’s style transcended easy categorization. He skillfully blended elements of both, creating a unique aesthetic that prioritized emotional depth, technical precision, and psychological insight. Today, Thomas Sully's paintings hang in prestigious museums across the country, continuing to captivate audiences with their beauty, elegance, and enduring power. His legacy remains as a testament to the transformative potential of art and the enduring allure of the human face.

    Where to read more

    Find this online

    QR code linking to the download page for Alfred Sully

    originaluniqueart.com/en/art/download/thomas-sully-alfred-sully-8CEH2P-en/

    Cite this artwork

    MLA
    Sully, Thomas. Alfred Sully. n.d., https://originaluniqueart.com/en/art/thomas-sully-alfred-sully-8CEH2P-en/
    APA
    Sully, Thomas (n.d.). Alfred Sully [Painting]. https://originaluniqueart.com/en/art/thomas-sully-alfred-sully-8CEH2P-en/
    Chicago
    Thomas Sully. Alfred Sully. n.d. https://originaluniqueart.com/en/art/thomas-sully-alfred-sully-8CEH2P-en/
    Harvard
    Sully, Thomas (n.d.) Alfred Sully. Available at: https://originaluniqueart.com/en/art/thomas-sully-alfred-sully-8CEH2P-en/

    Look closely

    Alfred Sully — Thomas Sully

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portrait, military, miniature. Do you agree? What would you add, or take away?
    4. Look back at Child Asleep (The Rosebud) (1841), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Neoclassical: A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Which period of Thomas Sully's career does "Alfred Sully" belong to?

    Within Thomas Sully's career, "Alfred Sully" falls in the Mature Period. The phase helps compare it with the artist's other works.

    Is "Alfred Sully" by Thomas Sully a portrait, landscape or square composition?

    "Alfred Sully" by Thomas Sully is a square composition. The proportions are worth checking before choosing a print size.

    How can I get a digital file of "Alfred Sully" by Thomas Sully?

    A digital image of "Alfred Sully" by Thomas Sully can be purchased on its Digital Image page: a high-resolution digital image download.