Paper

Student Artwork Guide

Persephone

Name Class Date

Thomas Hart Benton, Persephone (1939), Nelson-Atkins Museum of Art. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Thomas Hart Benton originaluniqueart.com/en/artists/thomas-hart-benton/
Artist’s dates
1889 – 1975
Painted
1939
Medium
Oil
Original size
1424 x 1832 cm
Period
Modern
Held at
Nelson-Atkins Museum of Art originaluniqueart.com/en/museums/nelson-atkins-museum-of-art-kansas-city/
Artistic style
Symbolic realism
Notable elements or techniques
Rustic depiction; Naked figure
Subject or theme
Mythology; Fertility

In context

Persephone — Thomas Hart Benton

How big is it?

The original measures 1424 × 1832 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 86 at death.

Painted when the artist was 50. The artist lived to 86. 61 of the 88 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Thomas Hart Benton (1889–1975) ▲ this work, 1939 every dated painting, decade by decade

First works: up to 1922 Main working years: 1922–1941 Late works: from 1941

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/thomas-hart-benton-persephone-D3XHNJ-en/

Colours

Measured from the image

    Main colour

    Driftwood #9b916e

    Catalogued palette

    • #9B916E
    • #31291A
    • #D3CBB0
    • #69583D

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Thomas Hart Benton over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 59.2%7,700 visits
    2. 2 United States of America 30.0%3,900 visits
    3. 3 Denmark 5.4%700 visits
    4. 4 France 3.1%400 visits
    5. 5 Philippines 1.5%200 visits
    6. 6 Netherlands 0.8%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Thomas Hart Benton

    1. 1 Flight of the Thielens, 1938 6.0%1,000 visits
    2. 2 Arts of the West, 1932 4.8%800 visits
    3. 3 The Sheepherder 4.2%700 visits
    4. 4 Prodigal Son 1 4.2%700 visits
    5. 5 City Building (Study for America Today) 3.6%600 visits
    6. 6 She's Off, 1944 3.0%500 visits
    7. 7 The Arts of Life in America: Unemployment, Radical Protest, Speed 2.4%400 visits
    8. 8 Cave Spring 2.4%400 visits
    9. 9 Huckleberry Finn 1.8%300 visits
    10. 10 People of Chilmark (Figure Composition), 1920 1.8%300 visits
    11. 11 Benton's the speaker 1.8%300 visits
    12. 12 Instruments of Power, 1931 1.8%300 visits
    13. 13 Cotton Warehouse 1.8%300 visits
    14. 14 Cave Spring - Thomas Hart Benton, 2026 1.8%300 visits
    15. 15 Persephone, 1939 this painting 1.2%200 visits
    16. 16 Romance, 1932 1.2%200 visits
    17. 17 Outreaching Hands, 1931 1.2%200 visits
    18. 18 Lassoing Horses, 1931 1.2%200 visits
    19. 19 The Ballad of the Jealous Lover 1.2%200 visits
    20. 20 Cut the Line, 1944 1.2%200 visits

    Together these works take 48.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 313 works by this artist, of which 93 were looked at at least once. This painting ranks 15 of them, with 1.2% of that attention (200 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Persephone — Thomas Hart Benton

    A Mythic Reimagining of the American Heartland

    In the sweeping landscape of American art history, few works capture the tension between ancient myth and modern reality as powerfully as Thomas Hart Benton’s Persephone. Painted in 1939, this masterpiece serves as much more than a mere retelling of the Greek abduction of the goddess; it is a profound assertion of identity during a transformative era for the United States. As a leading figure of the Regionalist movement, Benton sought to turn his gaze away from the avant-garde trends of Europe and toward the rugged, tangible soul of the American Midwest. In this canvas, the classical tragedy of Persephone is recast within a contemporary, rural guise, grounding the celestial drama in the earthy, sun-drenched textures of the American landscape.

    The composition is a masterclass in movement and monumental scale. At its heart lies the figure of Persephone, her form rendered with a glistening, sculptural vitality that commands the viewer's attention. She rests amidst a scene teeming with life and tension, surrounded by figures and horses that seem to pulse with the same rhythmic energy as the land itself. Benton employs bold, fluid brushstrokes and flattened planes—techniques inspired by the monumental muralism of Diego Rivera—to create a sense of immediacy. The palette is deeply evocative, dominated by rich ochre yellows, burnt siennas, and deep, resonant reds that mirror the fertile, hardworking soil of the heartland.

    Symbolism and the Texture of Reality

    Beyond its visual splendor, Persephone is layered with symbolic depth that speaks to both the eternal and the immediate. The interplay between the lush greenery of the potted plants and the weathered, rugged textures of the scene creates a dialogue between growth and decay, life and the underworld. Benton’s meticulous attention to detail—from the rough bark of the trees to the heavy, stone-like presence of Hades' chariot—invites the viewer into a tactile experience. There is a deliberate grit to the work, a refusal to romanticize the landscape, which instead celebrates its raw, unvarnished strength.

    The historical context of the piece adds a poignant layer of meaning. Created during the height of the Great Depression, the painting reflects a period of profound social upheaval and national anxiety. By utilizing local models and grounding mythological figures in recognizable American archetypes, Benton championed the dignity of ordinary people. The presence of Hades, bearing a resemblance to the artist himself, suggests a personal connection to the struggle and the resilience required to endure through dark seasons. This fusion of the divine with the domestic creates an emotional impact that is both unsettling and deeply comforting.

    An Inspiring Addition to any Collection

    For the discerning art lover, collector, or interior designer, a high-quality reproduction of Persephone offers more than just aesthetic beauty; it provides a focal point of profound narrative power. The painting’s vibrant yet earthy tones make it an exceptional choice for spaces that require a sense of warmth, strength, and historical weight. Whether placed in a contemporary gallery setting or a classic study, the work invites contemplation on themes of rebirth, identity, and the enduring spirit of the land.

    Owning a piece of this magnitude allows one to bring the rhythmic energy of American Regionalism into the modern home. It is an artwork that does not merely decorate a wall but transforms a room, acting as a window into a time when art sought to find the extraordinary within the ordinary. For those seeking to curate a collection defined by character and emotional resonance, Benton’s Persephone remains an incomparable choice.

    Artist and museum

    Artist

    Thomas Hart Benton

    Born in Neosho, United States of America

    A Midwestern Voice: The Life and Art of Thomas Hart Benton

    Born in Neosho, Missouri, in 1889, Thomas Hart Benton emerged as a pivotal figure in American art, a painter who dedicated his life to capturing the essence of the nation’s spirit—particularly that of its heartland. His story is one of rebellion against societal expectations and a passionate embrace of distinctly American themes. Unlike many artists of his generation drawn to European modernism, Benton resolutely turned inward, seeking inspiration in the landscapes, people, and stories of the United States. This commitment placed him at the forefront of the Regionalist movement, alongside Grant Wood and John Steuart Curry, shaping a uniquely American artistic identity during a period of profound social and economic change. His father, Maecenas Benton, was a lawyer and congressman, intending for his son to follow a path in politics; however, young Thomas possessed an irrepressible creative spirit that led him away from the halls of power and toward the world of art. This divergence began with work as a cartoonist for the Joplin American newspaper, a formative experience that honed his observational skills and instilled a love for visual storytelling.

    From Paris to Regionalism: The Development of a Style

    Benton’s formal artistic education took him first to the Art Institute of Chicago and then to Paris in 1909, where he studied at the Académie Julian. While exposed to European artistic traditions, he found himself increasingly disillusioned with their detachment from American life. A period of experimentation followed his return to the United States, marked by a search for a visual language that could authentically express his connection to the land and its people. This quest led him through various styles—from impressionism to synchromism—before culminating in the distinctive Regionalist aesthetic he would become known for. His figures became fluid and sculpted, imbued with a sense of dynamism and vitality. He wasn’t merely depicting scenes; he was conveying the energy and rhythm of American life. This stylistic evolution wasn't simply an artistic choice but a deliberate rejection of European dominance and an assertion of American cultural independence. He embraced naturalistic representation, focusing on everyday subjects—farmers, laborers, families—and portraying them with honesty and empathy.

    Murals and Masterpieces: Benton’s Artistic Achievements

    Benton's artistic output was prolific and diverse, encompassing paintings, murals, prints, and illustrations. He is perhaps best known for his large-scale mural projects, which brought art directly into public spaces and made it accessible to a wider audience. The America Today murals, commissioned for the New School for Social Research in New York City (1930-31), stand as a monumental achievement—a sweeping panorama of American life during the Great Depression. These panels, now housed at the Metropolitan Museum of Art, depict scenes from across the country, capturing both the hardships and resilience of the American people. Beyond murals, his easel paintings like The Sheepherder and Prodigal Son demonstrate a mastery of composition, color, and narrative. He possessed an exceptional ability to imbue biblical or historical stories with contemporary relevance, grounding them in the realities of American experience. His work *City Building (Study for America Today)* exemplifies his dynamic style and raw energy. He wasn’t afraid to tackle complex social issues through his art, using it as a platform for commentary and critique.

    A Legacy of American Identity

    Thomas Hart Benton's influence on American art is undeniable. He helped define a distinctly American artistic voice, one that celebrated the nation’s unique character and challenged prevailing European aesthetic norms. His Regionalist approach paved the way for future generations of artists to explore their own regional identities and cultural heritage. He was also a dedicated educator, teaching at institutions like the Art Students League of New York and the Kansas City Art Institute, mentoring numerous aspiring artists—including Jackson Pollock. Benton’s commitment to social realism and his willingness to engage with contemporary issues continue to resonate today. He left behind a body of work that serves as a powerful testament to the enduring spirit of America, its people, and its landscapes. His legacy extends beyond the canvas, inspiring artists to find their own voices and tell their own stories—rooted in the places they call home. He died in 1975, leaving behind a rich artistic heritage that continues to captivate and inspire audiences worldwide.

    Museum

    Nelson-Atkins Museum of Art

    On show in Kansas City, United States of America

    A Heartland Sanctuary: The Nelson-Atkins Museum of Art

    Nestled within the vibrant heart of Kansas City, Missouri, the Nelson-Atkins Museum of Art isn’t merely a repository for artistic treasures; it's a living testament to vision, philanthropy, and the enduring power of art to shape communities. Founded in 1933 by the remarkable couple William Rockhill Nelson, a visionary railroad magnate, and Mary McAfee Atkins, a dedicated educator—a bequest that poured the entirety of Nelson’s vast estate into fostering artistic appreciation for generations to come—the museum arose from an extraordinary legacy. This initial endowment, coupled with Mrs. Atkins' foresight, laid the foundation for a collection that has since grown to encompass over 34,500 works spanning five millennia and virtually every corner of the globe. More than just its impressive size, however, it’s the museum’s deeply ingrained commitment to accessibility—its remarkably free admission policy—that truly distinguishes it as a beacon of cultural inclusivity, inviting all to experience the profound beauty and intellectual stimulation art offers.

    The story of the Nelson-Atkins is inextricably linked to the architectural landscape of Kansas City itself. The original building, designed by Wight and Wight in 1933, embodies the principles of Beaux-Arts architecture—a style characterized by its grand scale, symmetrical design, and meticulous attention to detail. Evoking a sense of timeless elegance, the structure’s classical proportions and stately facade immediately transport visitors to a realm of artistic reverence. The building's terraces cascading down towards Brush Creek, originally designed as a tranquil outdoor space for contemplation, now serve as a vibrant extension of the museum’s collection, hosting seasonal exhibitions and offering breathtaking views of the surrounding landscape. But the Nelson-Atkins’ narrative didn’t end there; in 2007, the arrival of the Bloch Building—a strikingly modern structure by Steven Holl Architects—significantly reshaped the museum's identity. This bold addition, a shimmering cascade of translucent “lenses,” stands in deliberate contrast to the Beaux-Arts building, creating a dynamic dialogue between past grandeur and future vision. The Bloch Building’s ethereal spaces, flooded with natural light, have earned it widespread acclaim – including recognition from Time magazine as one of the world's best new architectural marvels.

    Collection Highlights: A Journey Through Time and Culture

    Prepare to be captivated by masterpieces spanning centuries! The Nelson-Atkins’ collection is a breathtaking tapestry woven from diverse artistic traditions. From Caravaggio’s dramatic Saint John the Baptist in the Wilderness, a masterpiece of Baroque intensity, to Piet Mondrian’s geometric Passion Flower, a seminal work of early 20th-century abstraction, explore iconic artworks that define artistic movements and individual genius. The museum boasts an unparalleled collection of Asian art—Chinese landscapes rendered with exquisite detail, Indian sculptures embodying spiritual power, and Japanese prints capturing fleeting moments of beauty. Within the European galleries, you’ll find Renaissance masterpieces alongside Impressionist delights, offering a comprehensive overview of Western art history. Don't miss the museum's impressive holdings of American paintings, including works by Gilbert Stuart, John Singer Sargent, and Andrew Wyeth, reflecting the nation’s artistic evolution.

    Architectural Harmony: A Dialogue Between Past and Present

    Marvel at the juxtaposition of Beaux-Arts elegance and Holl Building innovation. The Bloch Building's five translucent lenses bathe galleries in natural light, fostering contemplation and celebrating architectural brilliance. The original building, a testament to classical design principles, provides a grounding counterpoint to the modern addition, creating an engaging visual conversation for visitors. Walking through the museum is akin to traversing time itself—from the grand formality of the Beaux-Arts structure to the airy, light-filled spaces of the Bloch Building, each area offers a unique sensory experience. The integration of outdoor spaces – particularly the sculpture park – further enhances this sense of harmony, blurring the boundaries between interior and exterior art.

    Beyond Art: Kansas City’s Artistic Heritage

    Delve into an encyclopedic collection showcasing Asian art—Chinese landscapes, Indian sculptures, Japanese prints—and European paintings from the Renaissance to Impressionism. But the Nelson-Atkins' story extends beyond its permanent holdings. The museum is deeply committed to celebrating Kansas City’s artistic heritage through engaging exhibitions and programs. Wilbur Niewald’s representation of the city’s visual arts scene provides a fascinating glimpse into the local creative landscape, while ongoing initiatives support contemporary artists and foster community engagement. The museum actively seeks to connect with its surrounding community, offering educational programs for all ages and creating opportunities for dialogue and appreciation.

    Accessibility & Community Engagement: A Museum for Everyone

    Experience art without barriers! Nelson-Atkins Museum of Art offers free admission, fostering cultural inclusivity and supporting educational programs that inspire visitors of all ages. Explore the Donald J. Hall Sculpture Park—a stunning outdoor space featuring monumental sculptures harmoniously integrated with nature. The museum’s commitment to accessibility extends beyond its free admission policy, encompassing accessible facilities, multilingual resources, and a welcoming environment for diverse audiences. With regular events, lectures, and family activities, the Nelson-Atkins is more than just a museum—it's a vibrant hub of artistic expression and community engagement.

    Resources:

    Website:

    https://nelson-atkins.org/

    Wikipedia:

    https://en.wikipedia.org/wiki/Nelson-Atkins_Museum_of_Art

    Additional Research:

    Museums Database:

    Explore art from around the world at The Nelson-Atkins Museum of Art! Discover an encyclopedic collection, stunning architecture & free admission in Kansas City.

    Wikipedia Search:

    The Nelson-Atkins Museum of Art is an art museum in Kansas City, Missouri, known for its encyclopedic collection of art from nearly every continent and culture, and especially for its extensive collection of Asian art.

    Internet Search:

    The Nelson-Atkins Museum of Art is internationally recognized for its outstanding collection of more than 33,500 objects. From ancient times to modern day, this encyclopedic museum is one of the best in the country, offering visitors the opportunity to explore civilization through the eyes of painters, sculptures, craftsmen, and many other artists.

    Wikipedia Search:

    Kansas City, Missouri, abbreviated KC or KCMO, is the largest city in the U.S. state of Missouri by population and area. It is located on the Missouri River at its confluence with the Kansas River, within Jackson, Clay, Platte and Cass counties.

    Wikipedia Search:

    The Kansas City metropolitan area is a bi-state metropolitan area anchored by Kansas City, Missouri. Its 14 counties straddle the border between the U.S. states of Missouri (9 counties) and Kansas (5 counties).

    Where to read more

    Find this online

    QR code linking to the download page for Persephone

    originaluniqueart.com/en/art/download/thomas-hart-benton-persephone-D3XHNJ-en/

    Cite this artwork

    MLA
    Benton, Thomas Hart. Persephone. 1939, Nelson-Atkins Museum of Art. https://originaluniqueart.com/en/art/thomas-hart-benton-persephone-D3XHNJ-en/
    APA
    Benton, Thomas Hart (1939). Persephone [Painting]. Nelson-Atkins Museum of Art. https://originaluniqueart.com/en/art/thomas-hart-benton-persephone-D3XHNJ-en/
    Chicago
    Thomas Hart Benton. Persephone. 1939. Nelson-Atkins Museum of Art. https://originaluniqueart.com/en/art/thomas-hart-benton-persephone-D3XHNJ-en/
    Harvard
    Benton, Thomas Hart (1939) Persephone. Nelson-Atkins Museum of Art. Available at: https://originaluniqueart.com/en/art/thomas-hart-benton-persephone-D3XHNJ-en/

    Look closely

    Persephone — Thomas Hart Benton

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: nude, myth, hades. Do you agree? What would you add, or take away?
    4. Look back at City Building (Study for America Today), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Thomas Hart Benton was about 50 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How does "Persephone" balance light and dark?

    The recorded values for "Persephone" by Thomas Hart Benton are: balanced brightness, soft shadow luminance.

    What are the author and date of "Persephone"?

    "Persephone" was created by Thomas Hart Benton in 1939.

    What type of artwork is "Persephone" by Thomas Hart Benton?

    "Persephone" by Thomas Hart Benton is classified as wall art. The category describes the kind of artwork the original is.