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Student Artwork Guide

Sunrise

Name Class Date

Su Xin Ping, Sunrise, Fukuoka Asian Art Museum. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Su Xin Ping originaluniqueart.com/en/artists/su-xin-ping/
Artist’s dates
1954 –
Original size
78 x 55 cm
Held at
Fukuoka Asian Art Museum originaluniqueart.com/en/museums/fukuoka-asian-art-museum-fukuoka/

In context

Sunrise — Su Xin Ping

How big is it?

The original measures 78 × 55 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Tosting No.25 originaluniqueart.com/en/art/su-xin-ping-tosting-no-25-D94C3P-en/
  • Landscape No.5 originaluniqueart.com/en/art/su-xin-ping-landscape-no-5-D94C26-en/
  • Tosting No.32 originaluniqueart.com/en/art/su-xin-ping-tosting-no-32-D94C4H-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/su-xin-ping-sunrise-D4FUU4-en/

Colours

Measured from the image

    Main colour

    Espresso #4d4b41

    Catalogued palette

    • #4D4B41
    • #D3C9CB
    • #68625D
    • #92898D

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Su Xin Ping over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 75.0%
    2. 2 Spain 25.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 7 most looked-at works by Su Xin Ping

    1. 1 Tosting No.32 16.7%
    2. 2 Landscape No.5 16.7%
    3. 3 Tosting No.23 16.7%
    4. 4 Landscape No.12 16.7%
    5. 5 The Rushing Man No.2 16.7%
    6. 6 Fluttering Clouds No.1 16.7%
    7. — Sunrise this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 17 works by this artist, of which 6 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Su Xin Ping

    Born in Beijing, China

    Su Xin Ping: Capturing the Pulse of Modern China

    Born in Beijing in 1954, Su Xin Ping’s artistic journey is inextricably linked to the dramatic transformations unfolding within contemporary Chinese society. His work isn't merely a visual record; it’s an intimate exploration of urbanization, modernization, and the human condition – themes that resonate deeply with the nation’s rapid ascent and its inherent complexities. Initially trained at the prestigious Central Academy of Fine Arts in Beijing, Su Xin Ping’s foundation lies in traditional Chinese artistic principles, yet he has skillfully interwoven these with a distinctly modern sensibility, forging a unique voice within the evolving landscape of Chinese art.

    Early influences are evident in his vibrant color palettes and bold brushstrokes. These techniques, reminiscent of both traditional ink wash painting and Western expressionism, create a dynamic energy that mirrors the frenetic pace of contemporary China. However, Su Xin Ping’s work transcends simple imitation; he employs these tools to dissect and interpret the social fabric of his time. His series, ‘The Rushing Man,’ perhaps best exemplifies this approach – figures caught in perpetual motion, often depicted within stark, urban environments, convey a sense of both urgency and isolation.

    A Palette of Urbanity: Themes and Techniques

    Su Xin Ping’s artistic focus centers on the profound impact of modernization on Chinese society. He doesn't shy away from depicting the unsettling aspects of this transformation – the alienation, the loss of tradition, and the struggle to maintain identity amidst relentless change. Yet, his work isn’t solely critical; it also possesses a remarkable capacity for empathy, revealing the human cost alongside the progress. The recurring motif of ‘Tosting,’ as seen in works like “Tosting No.32,” presents figures within claustrophobic interiors bathed in saturated reds – an unsettling juxtaposition that speaks to both the vibrancy and the potential confinement of modern life.

    His technique is characterized by a masterful command of oil paint, utilizing layering and impasto to build texture and depth. The bold brushstrokes aren’t merely decorative; they actively contribute to the emotional intensity of each piece. He frequently employs a limited color palette, strategically chosen to amplify specific moods and create visual impact. This restraint, combined with his expressive application of paint, allows him to communicate complex ideas with remarkable clarity and power.

    Notable Works and Recognition

    Among Su Xin Ping’s most celebrated works are “Tosting No.25,” “Tosting No.32,” and “Landscape No.12.” These paintings, currently held in the collection of the Today Art Museum in Beijing, offer a compelling glimpse into his artistic vision. "Tosting No.32," with its unsettling depiction of nude figures within a crimson space, is particularly noteworthy for its exploration of vulnerability and isolation. “Landscape No.12,” on the other hand, provides a broader perspective, capturing the vastness and complexity of the Chinese landscape – a recurring element in his oeuvre.

    Su Xin Ping’s work has garnered international recognition, with exhibitions held across China and abroad. His contributions to contemporary Chinese art have been acknowledged by prominent critics and institutions, including the White Rabbit Collection, which provides a valuable resource for understanding his artistic trajectory. His influence extends beyond individual works; he represents a significant voice in the ongoing dialogue about identity, modernity, and the future of Chinese art.

    Echoes of History and Contemporary Context

    Su Xin Ping’s artistic perspective is deeply rooted in China's rich history – a nation renowned for its innovations and inventions. The legacy of these historical advancements, as documented on platforms like Wikipedia, undoubtedly informs his understanding of modernization and urbanization. He doesn’t simply replicate the past; rather, he engages with it critically, using it as a lens through which to examine the present.

    Furthermore, Su Xin Ping's work aligns with broader trends in contemporary Chinese art – a movement characterized by experimentation, social commentary, and a willingness to challenge established norms. His exploration of human experience within the context of rapid change reflects a shared concern among many artists grappling with the complexities of a nation undergoing unprecedented transformation. His paintings serve as a poignant reflection of China’s journey into the 21st century.

    Further Exploration

    To delve deeper into Su Xin Ping's artistic world, we recommend exploring his website at Su Xinping on WahooArt.com and viewing key works such as “Fluttering Clouds No.1” and “Lay People And Far Horses” available through our online gallery. For additional insights, consider visiting the White Rabbit Collection’s website at Su Xinping.

    Museum

    Fukuoka Asian Art Museum

    On show in Fukuoka, Japan

    A Gateway to Asian Modernity

    Nestled in the vibrant heart of Hakata, within the Fukuoka Prefecture, the

    Fukuoka Asian Art Museum

    stands as a singular and profound portal into the dynamic world of modern and contemporary art from across the Asian continent. This institution was never intended to be merely another repository for static treasures; rather, it was conceived as a deliberate bridge, fostering a vital dialogue between diverse cultures that are often separated by vast historical narratives and geographical distances. Fukuoka itself has long served as a crucial gateway, historically facilitating the flow of commerce and cultural exchange between Japan and the Asian mainland, and the museum beautifully embodies this legacy. It acts as a contemporary conduit for artistic expression, where the spirit of the space feels imbued with an openness—an invitation to explore the multifaceted and ever-evolving identities that comprise the continent’s rich artistic landscape.

    The museum's collection is breathtaking in its scope and ambition, encompassing over 3,000 works sourced from twenty-three different countries. This is not a curated selection focused solely on established masters; instead, the institution actively champions emerging artists, providing them with an international platform to showcase their unique visions. Visitors can immerse themselves in a remarkable range of mediums, moving from the immediate tactile presence of paintings and sculptures to the immersive, thought-imposing qualities of large-scale installations and the narrative depth of video art. One might find oneself captivated by the work of

    I Dewa Putu Mokoh

    , whose baroque folk style masterfully blends Hindu-Javanese traditions with intimate, soulful depictions of Balinese life, or encounter the boundary-pushing techniques of Burmese artist

    Saya U Saw Maung

    .

    Architectural Serenity and Artistic Focus

    While the museum's architectural presence is thoughtfully understated, its design plays a crucial role in the visitor experience. The building is conceived to enhance contemplation rather than impose a grand, distracting statement; it serves as a supporting element that allows the art to take center stage. This subtle approach fosters an unhindered connection between the viewer and the creation, allowing for a deeper appreciation of the nuances within each piece—a choice that reflects Fukuoka’s commitment to understated elegance and prioritizing artistic impact over mere ostentation. It is a space designed for quiet engagement, where the architecture recedes to let the vibrant colors and complex textures of Asian modernism breathe.

    What truly distinguishes the

    Fukuoka Asian Art Museum

    from its global peers is its unwavering dedication to showcasing art

    solely

    from Asia. In an era where many museums boast encyclopedic collections spanning every continent, this focused approach allows for a depth of engagement and critical analysis that would otherwise be impossible. The museum’s very existence is rooted in the mission of strengthening cultural ties and dismantling barriers through the power of shared creativity. By acting as a vital cultural gateway, it invites collectors, designers, and art lovers alike to delve into narratives that celebrate resilience and innovation, making it an essential destination for anyone seeking to understand the transformative power of Asian artistic expression.

    Where to read more

    Find this online

    QR code linking to the download page for Sunrise

    originaluniqueart.com/en/art/download/su-xin-ping-sunrise-D4FUU4-en/

    Cite this artwork

    MLA
    Ping, Su Xin. Sunrise. n.d., Fukuoka Asian Art Museum. https://originaluniqueart.com/en/art/su-xin-ping-sunrise-D4FUU4-en/
    APA
    Ping, Su Xin (n.d.). Sunrise [Painting]. Fukuoka Asian Art Museum. https://originaluniqueart.com/en/art/su-xin-ping-sunrise-D4FUU4-en/
    Chicago
    Su Xin Ping. Sunrise. n.d. Fukuoka Asian Art Museum. https://originaluniqueart.com/en/art/su-xin-ping-sunrise-D4FUU4-en/
    Harvard
    Ping, Su Xin (n.d.) Sunrise. Fukuoka Asian Art Museum. Available at: https://originaluniqueart.com/en/art/su-xin-ping-sunrise-D4FUU4-en/

    Look closely

    Sunrise — Su Xin Ping

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Tosting No.25, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Did "Sunrise" stay in its artist's homeland?

    No - the artwork is kept abroad. "Sunrise" is held in Japan, while Su Xin Ping was born in China.

    Who sells hand-painted copies of "Sunrise" by Su Xin Ping?

    "Sunrise" is available as a hand-painted oil reproduction on linen canvas. The order can be placed on its Hand-Painted Reproduction page, with a choice of sizes.

    Can I preview "Sunrise" by Su Xin Ping before ordering?

    To preview a reproduction of "Sunrise" by Su Xin Ping, open the artwork's Preview page.